Student profile
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Maryse Morin
A multifaceted artist, independent researcher and curator of subtle shifts, I work from the emerging points of contact between phenomenological perspectives and text.
Since 2004, I have led numerous transdisciplinary laboratories in UNESCO's intangible cultural heritage territory. The result is a counter-archive, a quest for the unexpected and a processual engine of sensory agency.
Research Interests:
- Worlding
- Phenomenology of sound
- Sensory dimensions
Publications, conferences and exhibitions:
- Diane Landry, Les prévisions transparentes, la revue ESPACE, automne 2025. (up and coming)
- La réception esthétique de l'enchantement par le son, Vie des arts no 277, Printemps 2025.
- Sébastien Cliche, La température de l’information, CIRCA art actuel, 2024.
- Michaela Gleave: The influence of an idea on the physical properties of the world, 2022.
- Isabelle Gagné, Indices de glissement de terrain, #131 Inter, art actuel, 2019.
- Stéphane Gilot, Le catalogue des futurs, Esse Arts + Opinions (Web), 2016.
- Ragnar Kjartansson, The Visitors, Etc Media, Numéro 109, 2016.
- Dominique T. Skoltz, traversés, Etc Media, Numéro 108, 2016.
- Les Temps inachevés de Patrick Bernatchez : état des lieux, Numéro 107, 2016.
- From Here to Ear, Céleste Boursier-Mougenot, Numéro 107, 2016.
- Angelica Mesiti, Citizens Band... Le sens de ce qui circule entre nous, Numéro 104, 2015
- Ethnographie Full Spectrum, Stories from Montreal, 7e édition, 2012. Anthropologica, Vol. 54, N°1: Anthropology in an Era of New Information and Communication Technologies, 2012.
- The Senses and Society, Berg Journal, Vol. 7, Issue 1, projet : Jemaa el-Fna (couverture), 2012.
- The Intricate Body Construction of Space and Place — Out of Place, Fine Arts Student Alliance (FASA), Université Concordia, 2012.
- Full spectrum, the Utopian Body, the Social Body and the Body of the Work, Sociology & Anthropology Graduate Students Association (SAGSA), Université Concordia, 2011.
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