Description:
This interdisciplinary course critically examines how the study of music and sound can fundamentally enrich our understanding of the Middle East. Beginning with an overview of sound studies, the course explores several key themes, including the connection of sound and music to religious practices, popular culture, protest, mass media, gender, nationalism, and space. The course considers an array of examples of both sacred and popular musical styles across the region as well as soundscapes reflecting the exceptional and the everyday. Case studies include religious sound and dance practices that enable the ecstatic experience, the Call to Prayer, audio-cassette sermons, and the political mobilization of popular musical forms and figures. This course also explores the minority experience through sound, and includes segments on Coptic Chant, Syriac hymns, the music of the Jewish communities of the Middle East, and Bedouin musical and poetical forms.
Component(s):
Lecture