Prune Paycha

Trained in physical sciences and literature, I approach photography as a space where philosophy, science, and imagination intersect. This oscillation between rationality and sensorial perception informs both my visual research and my writing on cinema and art.

My practice is grounded in gestures of collecting, framing, and assembling, within dispositifs where the visible and the latent coexist. Positioned between documentation and speculation, my images invite slow attention, opening intimate and ambiguous spaces in which our ways of seeing and perceiving are reactivated.

Prune Paycha is a photographer and film critic holding a Master’s degree in Modern Literature from Sorbonne Paris IV and an MA in Cultural and Creative Industries from King’s College London. Her academic research focuses on cinema and still imagery. Her photographic practice moves toward abstraction and investigates the conditions of the image itself, examining how images emerge, persist, and destabilize between material presence and perceptual uncertainty.

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