Loren Lerner, PhD

Biography

Contact:

lernerloren@gmail.com

Professional Biography:full curriculum vitae follows

Loren Lerner is ProfessorEmerita of Art History at Concordia University. She has a multidisciplinarybackground in art history (MA, University of Michigan), library science (MLS,McGill University), and communication studies (PhD, Université de Montréal).Her main undergraduate teaching areas included nineteenth- andtwentieth-century European, North American, and Middle Eastern art, with afocus on the history of cities, social issues, and collective memory. Topicsranged from political awareness and identity development to gender, class, themodern experience of otherness, nature, and sexuality. In her graduate courses,she emphasized ethnic, diasporic, and ethical consciousness in North Americanart-making, as well as curatorial practices related to Canadian art. Lerner waseditor for Afterimage: Evocations of the Holocaust in Contemporary CanadianArts and Literature/Rémanences: Evocations de l'Holocauste dans les artset littérature canadiens contemporains (Montreal: Institute for CanadianJewish Studies, Concordia University, 2002) and guest curator of Memoriesand Testimonies/Memoires et Témoignages (Leonard and Bina Ellen ArtGallery, Concordia University, April 2002, travelling exhibition). In 2005,Lerner curated the Sam Borenstein retrospective exhibition at the MontrealMuseum of Fine Arts, as well as Picturing Her:Images of Girlhood / Salut les filles: La jeune fille en images at theMcCord Museum. She was the editor of Depicting Canada's Children,published by Wilfrid Laurier University Press in 2009. Journalarticles and essays from 2007 to 2018 on images of young people appear in RethinkingProfessionalism: Essays on Women and Art in Canada, 1850-1970, Canadian Children’s Literature, Journal of Canadian Art History,Journal of the History of Childhood and Youth, Girlhood Studies, HistoricalStudies in Education, Papers of the Bibliographical Society of Canada,Healing the World’s Children and Girlhood and the Politics of Place.  An interest in Canadian art publications, first manifestedin Art and Architecture in Canada: A Bibliography and Guide to theLiterature (University of Toronto Press, 1991), led to her article on“William Notman’s Photographic Selections (1863),” analyzingthis compilation as the first history of art book published in Canada. Thisarticle was published in JCAH/AHAC (2012). Research on theintersections of art and religion resulted in her guest editorship, in 2012, ofa special issue on contemporary art and religion for JCAH/AHAC (2012). Apedagogical commitment to student web publishing has guided Lerner’s teachingand the development of websites such as "Public Art as SocialIntervention: But Now I Have to Speak - Testimonies of Trauma andResilience" funded by Canada Council, "Canadian Artists of EasternEuropean Origin" supported by a Canadian Heritage MulticulturalismCanada research grant, "Canada’s Got Treasures" funded byIndustry Canada in association with the Canadian Heritage Information Network(CHIN), "Family Works" financed by the Faculty of Fine Arts and theMontreal Museum of Fine Arts, "Metro Borduas, Ensemble, An Exhibition ofArt and Jazz," "Canadian Portraits," and "PicturingChildren and Youth: A Canadian Perspective" funded by the Gail and StephenA. Jarislowsky Institute of Studies on Canadian Art, as well as "GlobalEngagements in Contemporary Canadian Art: Thirty-Nine Exhibition Essays andFifty-Five Artists," "Rethinking Visual Narration: Myths, ReligiousStories, Fairy Tales, Legends and Other Collective Beliefs and Accounts inContemporary Canadian Art," and "Envisioning VirtualExhibitions" hosted on the Institute's CCCA Academy website.   Her most recent publications are with JaniceAnderson, Shannon Stride, and Karine Antaki, co-eds.,  Craft and Craftivism: A BiographicalDictionary of Contemporary Clay, Fibre, and Glass Artists in Canada (Gailand Stephen A. Jarislowsky Institute for Studies in Canadian Art, 2025); withKarine Antaki, Creating the Modern: Intersections of Art and Society in theNineteenth Century (Concordia University Library, 2024);  and with Shannon Stride, eds. Guide toStudying the Visual Arts in Canada (Gail and Stephen A. JarislowskyInstitute for Studies in Canadian Art, Concordia University, 2023).

Education

Ph.D., Communication,Université de Montréal, 1997. dissertation: "Managerial Sensemaking: ASemionarrative Analysis of Discourse in a Government Setting." Open PDF

M.L.S., McGill University,1975. M.A., History of Art, University of Michigan, 1972. B.A., Honours, FineArts, McGill University, 1969.

 Areas ofExpertise

• History of Cities
• Nineteenth Century Art History
• Portraits and Portrayals
• Canadian Contemporary Craft and Craftivism
• Canadian Art History

Research  Activities

Loren Lerner's current research interests focus on eBooks, includingCanadian art studies, European modern art, portraiture, drawing, and Canadiancontemporary crafts.

Publications

Co-editor with Janice Anderson,Shannon Stride, and Karine Antaki, Craft and Craftivism: A BiographicalDictionary of Contemporary Clay, Fibre, and Glass Artists in Canada.Montreal: Gail and Stephen A. Jarislowsky Institute for Studies in CanadianArt, 2025.Open Source

Lerner, Loren, and Karine Antaki,Creating the Modern: Intersections of Art and Society in the NineteenthCentury. Concordia University Library, 2024. Open Textbook PDF

Stride, Shannon, and LorenLerner, eds. Guide to Studying the Visual Arts in Canada. Guides toCanadian Art History, Art Education, Curatorial Studies, and Material Culture. (Montreal:Gail and Stephen A. Jarislowsky Institute for Studies in Canadian Art, 2023). Textbook PDF

Co-organizer with JaniceAnderson and Martha Langford. Growing Canadian Art Histories. Studying theVisual Arts in Canada was launched on March 29, 2023, with an onlinepanel of educators and curators, entitled “Growing Canadian Art Histories.”Guest speakers were Gentiane Bélanger, Elizabeth A. Cavaliere, Mark A.Cheetham, Tammer El-Sheikh, Cynthia Imogen Hammond, Cathy Mattes, GwendolynOwens, Erin Silver, and Carla Taunton, moderated by Martha Langford. View Video

A Visual Journey of ArtPublications on the History of Children and Youth. SHCY, 2022. Open Source

“Authority andAgency." In Adriana Benzaquén, ed. A Cultural History of Youth in theAge of Enlightenment (Bloomsbury Press, 2022), 165-194. View Here

Marion Wagschal, Pariah2008. CanadARThistories. Open Source

“The Ethical Developmentof Boys in Jean-Jacques Rousseau’s Emile and Jean-Baptiste Greuze’sArtworks.” Lumen 40 (2021): 121–146. Open PDF

The  Visual Culture of Las Vegas: From ItsFoundation to the Present Time. Concordia University, 2020. Open Source

"TheInfant, the Mother, and the Breast in the Paintings of Marguerite Gérard." In Martina Domines Veliki and Cian Duffy, eds.  Romanticism andthe Cultures of Infancy (Palgrave Macmillan, 2020), pp. 65-90. Chapter PDF

"Youth andSunlight: Reflections of Childhood." In Canada and Impressionism: NewHorizons, 1880-1930, Katerina Atanassova, ed. (National Gallery of Canada,Arnoldsche Art Publishers, 2019), pp.  83-94. Open Source

“George Agnew Reid'sPaintings in Relation to English-Canadian Collective Memories of RuralChildhood in Nineteenth- and Early-Twentieth-Century Canada." Our RuralSelves: Memory and the Visual in Canadian Childhoods, eds. Claudia Mitchelland April Mandrona.( Montreal: McGill-Queen's University Press, 2019), pp.20-40. Open Source

Anna Dawson Harrington’sLandscape Drawings and Letters: Interweaving the Visual and Textual Spaces ofan Autobiography. Material Culture Review / Revuede la culture matérielle 86 (2017): 65-74. Article PDF

Guest editor for a specialissue on Children in Museum Settings for the Journal of the History ofChildren and Youth (Fall 2018).

 "Guest Editor's Introduction: Children inMuseum Settings."  Journal of the History of Childhood and Youth, 11 no. 3 (2018):289-297. Open Source

"The Manipulation ofIndigenous Imagery to Represent Canadian Childhood and Nationhood in 19thCentury Canada." Nineteenth Century Childhoods in Interdisciplinary andInternational Perspectives, eds. Jane Eva Baxter and Meredith Ellis  (Oxbow Books, 2018), pp. 15-33. Open Source

"The Canadian JewishConnection to the Visual Narrative of Nationhood at the Jewish PalestinePavilion in New York (1939) and the Israel Pavilion and Pavilion of Judaism inMontreal (1967),  Canadian Jewish Studies 26 (Fall 2018): 135-153. Open Source

 Canadian Art: A Child's World, Annual LoanExhibition, October 28 -November 11, 2017. (Montreal: Galerie EricKlinkhoff, 2017) Open Source

Editor, RethinkingVisual Narration. CCCA Academy, 2016. Open Source

Editor, FamilyWorks, AWebsite Produced in Partnership with Concordia University and the MontrealMuseum of Fine Arts, 2016. Open Source

"'What This Pictureof a Girl Means to Me': The Place of Girlhood Images in the Art HistoryUniversity Classroom." In Girlhood and the Politics of Place, eds. CarrieRentschler and Claudia Mitchell (Berghahn Press, 2016), pp. 175-194. Open Source

"William Notman’sHome Library: Discovering Underlying Meaning in the Portrait Photograph." In À la recherche du savoir :  nouveaux échangessur les collections du MuséeMcCord / Collecting Knowledge: New Dialogues on McCord MuseumCollections. Joanne Burgess, Cynthia Cooper, Céline Widmer, and Natasha Zwarich, eds. (Montreal:Editions MultiMondes, 2016), pp. 85-109. Open Source

City of Jerusalem: Imagesand Ideas. Concordia University, 2014. Open Source

Editor. Jerusalem Art History Journal: An Undergraduatejournal / Histoire de l’art à Jérusalem : cyberrevue étudiante de premier cycle. Open Journal

2014, vol.1

Open PDF

2015, vol.2

Open PDF

2016, vol. 3

Open PDF

2017, vol. 4

Open PDF

Editor. GlobalEngagements in Contemporary Canadian Art: Thirty-Nine Exhibition Essays andFifty-Five Artists / Art  contemporaincanadien et mobilisation universelle : trente-neuf  textes d'exposition;cinquante-cinq artistes. CCCA Academy, 2014. Open PDF

Editor. EnvisioningVirtual Exhibitions. CCCA Academy, 2013. Open Source

and Suzanne Rackover,"Jews in Canadian Art." Canada's Jews: In Time, Space, and Spirit,ed. Ira Robinson. (Academic Studies Press, 2013), pp. 422-450. Open Source

Editor. CanadianPortraits, 2012. Open Journal

Guest Editor. Contemporary Art and Religion. Religion and the Arts17 (2013).

"Introduction:Special Section on Contemporary Art and Religion," Religion and theArts 17 (2013),1-19. Open Source

"William Notman’sPhotographic Selections (1863)." Journal of Canadian ArtHistory/Annales d'histoire de l'art canadien 33 no.1 (2012), 16-45. Open Pdf

Guest Editorial.Contemporary Art and Religion. Journal of Canadian Art History/Annalesd'histoire de l'art canadien 33 no. 2 (2012), 10-20. Open Source

"Rejection andRenewal: Art and Religion in Canada (1926-2010)." Journal of CanadianArt History/Annales d'histoire de l'art canadien 33 no.2 (2012), 21-52. Open Source

"Wassily Kandinsky’sConcerning the Spiritual in Art and the Video Works of Sylvia Safdie, MarisaPortolese, Marielle Nitoslawska and Sarindar Dhaliwal." Journal ofCanadian Art History / Annales d'histoire de l'art canadien, 33 no.2(2012), 101-128. Open Source

Editor, Ensemble: Artand Jazz. FOFA Gallery, 2011. Open Journal

"Kathleen Daly’s Images of Inuit People: Professional Art and thePractice of Ethnography." Rethinking Professionalism: Essays on Womenand Art in Canada, 1850-1970. Kristina Huneault and Janice Anderson, eds. (Montrealand Kingston: McGill-Queen's University Press, 2012), pp. 225-258. Open Source

"Picturing Her:Seeing Again and Again. “Jeunesse: Young People, Texts, Cultures 3 no. 2(Winter 2011), 100-117. Open PDF

"Dr. Norman Bethune:Biographical Objects and Exhibitions." Material Culture Review/Revue dela culture matérielle no. 72 (Fall 2010), 51-61. Open Source

"Photographs of theChild in Canadian Pictorial from 1906 to 1916: A Reflection of the Ideasand Values of English Canadians about Themselves and 'Other' Canadians.”Journal of the History of Childhood and Youth 3.2 (2010), 233-263. Open PDF

"The Unmasking ofNorman Bethune." Journal of Canadian Art History/Annales d'histoire del'art canadien (Winter 2010), 99-113. Open Source

Editor, Picturing Childrenand Youth: A Canadian Perspective, 2010. Open Source

Editor. DepictingCanada’s Children.  (Waterloo: Wilfrid Laurier University Press, 2009).

"William Notman’sPortrait Photographs of the Wealthy English-speaking Girls of Montreal:Representations of Informal Female Education in Relation to John Ruskin’s 'OfQueens' Gardens' and Writings by and for Canadians from the 1850s to1890s." Historical Studies in Education 21 no.2 (Fall 2009),65-87. Open Source

"George Reid’sPaintings as Narratives of a Child Nation." Depicting Canada’s Children.(Waterloo: Wilfrid Laurier University Press, 2009), pp. 325-346. Open Source

"William Notman’sPortrait Photographs of Girls Reading from the 1860s to 1880s: A PictorialAnalysis based on Contemporary Writings." Papers of the BibliographicalSociety of Canada/Cahiers de la Société bibliographies Canada 47 no.1(2009), 45-73. Open Source

"Introduction." Blessings,Art and Essays on Jewish Blessings Gathered for Two Exhibitions and aSymposium at Montreal's Temple Emanu-El Beth Sholom, May 10-14, 2007.Montreal: Centre for Canadian Jewish Studies, Concordia University, 2009, 6-9. Open PDF

"Sam Borenstein and Marius Barbeau: " In Aroundand About Marius Barbeau: Modeling Twentieth-Century Culture.  LyndaJessup, Andrew Nurse, and Gordon E. Smith, eds. (Mercury Series, CultureStudies Paper 83). Ottawa: Canadian Museum of Civilization, 2008, pp. 119-136.

"When the ChildrenAre Sick, So Is Society: Dr Norman Bethune and the Montreal Circle ofArtists." Healing the World's Children: Interdisciplinary Perspectiveson Child Health in the Twentieth Century. Cynthia Comacchio, Janet Golden,and George Weisz, eds. (McGill-Queen's University Press, 2008), pp. 253-281. Open Source

"Adolescent Girls,Adult Women: Coming of Age Images by Five Canadian Women Artists." GirlhoodStudies 1no. 2 (Winter 2008), 1-28. Open Source

"Canada Receiving theHomage of Her Children: George Reid's Ave Canada and Gustav Hahn’s HailDominion: A Proposal of Murals for the Entrance Hall of Canada’s ParliamentBuildings."  Journal of Canadian Art History/Annales d'histoire del'art canadien 29 (2008), 50-89. Open Source

"Innocence. “GirlCulture: An Encyclopedia. Claudia Mitchell and Jacqueline Reid-Walsh, eds. (Westport:Greenwood, 2008), vol. 2, pp. 365-368. Open Source

"From Victorian GirlReader to Modern Woman Artist: Reading and Seeing in the Paintings of theCanadian Girl by William Brymner, Emily Coonan, and Prudence Heward." Canadian Children's Literature/ Littératurecanadienne pour la jeunesse 33 no. 2 (Autumn 2007), 19-50. Open Source

 "PerformingKatja." Katja MacLeod Kessin, Memorial Exhibition, February 7,1959-April 1, 2006. Montreal: FOFA Gallery, Concordia University, 2007,pp. 29-38. Open PDF Open Source

Editor. Ensemble, An Exhibition of Art andJazz, 2007. OpenSource

 Editor. Metro Borduas: The UndergroundLandscape of Abstract Art in Montréal. 2006. Open Source

Review of Erika Langmuir, ImaginingChildhood (New Haven: Yale University Press, 2006). H-Net Reviews in theHumanities & Social Sciences,1-4. Open Source

Sam Borenstein. Montreal Museum of FineArts/Musée des beaux-arts de Montréal, 2005. Open Source, Second Page

PicturingHer: Images of Girlhood / Salut les filles: La jeune fille en images.McCord Museum, 2005. Open Source

 "The AronMuseum at Temple Emanu-El-Beth Sholom in Montreal." Material Culture Review/Revue de la culturematérielle 64 (Fall 2004), pp. 8-19. Open Source

 "Sam Borenstein, Artist and Dealer: The Polemics ofPost-Holocaust Jewish Cultural Identity." Canadian JewishStudies/Etudes juives canadiennes 12 (2004), 31-44.  Open Source

  Editor. Afterimage:Evocations of the Holocaust in Contemporary Canadian Arts and Literature / Rémanences: Evocations de l'Holocauste dans les arts et littérature canadienscontemporains (Montreal: Centre for Canadian Jewish Studies, ConcordiaUniversity, 2002). Open Source

Memories and Testimonies/Mémoires et Témoignages. Montreal: Leonard and Bina Ellen Art Gallery, ConcordiaUniversity/Galerie d'art Leonard et Bina Ellen, Université Concordia, 2002. Open PDF

Contributing Editor. Public Art as SocialIntervention, 1999. OpenSource

 Editor. Canadian Artists of Eastern European Origin.1999. Open Source

 "Looking Back,Looking Forward: Canadian Women Artists and Postmodern Rememberingsof Eastern Europe." Canadian Ethnic Studies, 12, no. 3 (1999):44-71. Open Source

 "LilianaBerezowsky: Mythical Echoes in a Journey of Phantasma." Etc Montréal 47(1999): 38-41. Open Source

 Editor. CanadianFilm and Video: A Bibliography and Guide to the Literature/Film et vidéocanadiens: bibliographie et guide de la documentation. Toronto:University of Toronto Press, 1997. (Also available through Concordia UniversityLibraries, online database.)

 Co-editor, with MaryWilliamson. Art and Architecture in Canada: A Bibliography and Guide to theLiterature/Art et architecture au Canada: une bibliographie et guide de ladocumentation.  Toronto: University of Toronto Press, 1991. (Alsoavailable through Concordia University Libraries, online database.)

Selected AcademicPresentations:

Las Vegas, Cityof the Atomic Age: Pop Culture and Protest Art (January 29, 2022) Open Presentation Slides View Video

An Analysis ofthe Text and Images of Jori Smith’s Charlevoix County, 1930: In Reference tothe Ideas of Marius Barbeau and Dr. Norman Bethune,” part of Modernisms, Inside& Out: The Fourth Conference of the Canadian Women Artists HistoryInitiative, 30 September - 2 October 2021, Toronto. View Video

Rousseau’sInfluence on Greuze’s Depiction of the Moral Development of Boys, CanadianSociety for Eighteenth-Century Studies (CSECS), Quebec City (October 18, 2019).

Broken Natureand Las Vegas: Artistic Prophecies of Catastrophe and Extinction, UAAC, QuebecCity (October 25, 2019). View Video

The Infant, theMother, and the Breast in the Paintings of Marguerite Gérard, UAAC, Waterloo(October 26, 2018) Open PDF

The IsraeliVisual Narrative of Nationhood at World Fairs, Faces of Israel at Expo 67,Azrieli Institute of Israel Studies, Concordia University (May 23, 2017). View Video

Family Works: AMultiplicity of Meanings and Contexts, UAAC Conference, UQAM (October 29, 2016)

Open Source

Lessons fromthe Library: Web Publishing as a forum for student empowerment andengagement,  Networked Art Histories Conference, Concordia University(October 21, 2016) Open Source

TeachingJerusalem: an interview with Dr Loren Lerner, Concordia University (March16, 2015) Open Source

Anna DawsonHarrington’s Drawings and Letters: Visual and Textual Elements of anAutobiography,” part of The Artist Herself: Broadening Ideas ofSelf-Portraiture in Canada. Third Conference of the Canadian Women ArtistsHistory Initiative (May 8, 2015), Queen’s University and the Agnes EtheringtonArt Centre, Kingston. View Video

Aging-RelatedImages: A Case Study of Marion Wagschal's Figurative Self-Portraits." Partof Imagining History: A Canadian Women Artists History Initiative Conference,May 3-5, 2012, Concordia University. View Video

Girlhood Innocence and Sexuality: HowCanadian Artists Marisa Portolese, Angela Grossmann, and Fiona Smyth Resist andContest New Media and Technology, 2010, McGill University. OpenPDF

Idea of Comingof Age on the Road: The Social Construction of Female Adolescence, Society forthe History of Children and Youth Conference, 2009,  University of California, Berkeley. Open PDF

SelectedPublic Presentations:

TheDome of the Rock in Jerusalem: A Symbol of Three Faiths for Jews, Muslims and Christians, (January 2025) Open Presentation Slides

TheArtistic Developments in Israeli Art from the Pre-state Years to the PresentDay (May 2023) OpenPresentation Slides

TheHistorical Origins of Passover and Its Symbolic Imagery in the Judaica of theAron Museum (April 2021) OpenPresentation Slides

Undergraduate Courses

Since 2000
    

• ARTH 366 Aspects of 19th Century Western Art and Architecture - Topic: The Changing Idea of the Avant-Garde in Nineteenth and Early Twentieth-Century Painting
• ARTH 398 - Las Vegas: Fine Art and Architecture and the Spectacle of Populist Art (Special Topics in Art and Society)
• ARTH 369 Studies in Near Eastern Art and Architecture -Topic: The City of Jerusalem
• ARTH 262 Studies in Drawing - Topic: The Creative Drawing from the 19th Century to the Present Day
• ARTH 298 Special Topics in Genre Studies: The Human Face
• ARTH 450H/2 Advanced Seminar - Topic: "Here's Looking at you Kid": Picturing Children, Envisioning Childhood

Graduate Courses

• ARTH 610G Re-Visioning The Twentieth Century: Political Theorists and North American Art from 1970-2000
• ARTH 610G  Hate, Violence and Genocide Effects in Twentieth Century North American Art and Theory
• ARTH 649  Aspects of Curatorial Practice

Thesis Supervision

MA
Maya Hajdu, MA
Fragmented Memories in the Graphic Novel
Convocation: Spring 2012

Olivia Pipe, MA
Girl Words: The female language and politicized body in Jana Sterbak's drawings
Convocation: Fall 2011

Pohanna Pyne Feinberg
Making the Invisible Visible: Documenting the Creative Process: A Case Study of the Archive From the Skol-CEDA Co-Creative Collaboration
Convocation: Spring 2011

Marie Péron, MA
Contemporary Representation of Aboriginal Art in the National Museum: New Frameworks for Change in Canada and Australia
Convocation: Fall 2010

Amber Berson, MA
Image and Memory: Art About Missing and Murdered Aboriginal Women
Convocation: Spring 2010

Laura Endacott, MA (SIP)
The Mother Image
Convocation: Spring 2010

Doug Pope, MA
Multiple Velocities: A Study of Motion in the Work of Rita Letendre, Serge Lemoyne and Claude Tousignant
Convocation: Fall 2007

Alice Dind, MA
Frederick H. Varley's Self-Portraits Unmasked by his Autobiographical Writings: A Reflection of the Effects of War, Religious/Spiritual Influences and Communion with Nature
Convocation: Spring 2005

Ilga Leimanis, MA (SIP)
Archiving the Self: George Legrady's Immigration Story in 'An Anecdoted Archive from the Cold War
Convocation: Fall 2004

Loretta Flegel, MA
Parts in Play: the Rosalyne Osborne Stearn Collection at McGill University
Convocation: Fall 2003

Suzanne B. Rackover, MA
The Holocaust Art of Gershon Iskowitz, Isaac Applebaum, and Yebouda Chaki: A Critical Approach in Relation to the Philosophical Writings of Emmanuel Levinas, Hannah Arendt, and Julia Kristeva
Convocation: Spring 2003

Martin Kapustianyk, MA
Dialogues of Death-in-Life: The Photographic Works of Sandra Semchuk and the Exhibition Coming to Death's Door: A Daughter/Father Collaboration
Convocation: Spring 2003

Arshi Dewan, MA (SIP)
Weaving as Art: An Examination of the Revival of Weaving in the Chittagong Hill Tracts Convocation: Fall 2002

Nicolas ChampRoux, MA
Les Relations incestueuses entre la photographie et l'architecture moderne ou la representation photographique de la Place Ville Marie entre Septembre 1962 et Février 1963
Convocation: Fall 2001

Mikaela Victoria Bobiy, MA
Painting the zone: Chernobyl and the "Art of Witness"
Convocation: Fall 2000

Shannon Anderson, MA
Probing the Surface: The Family Archive Revisited in Installations by Wyn Geleynse, Mindy Yan Miller and Yvonne Singer
Convocation: Spring 2000

Lori-Ann Beaudoin, MA
A Cultural Illness: Women, Identity, and Eating Problems in Faith Ringgold's Change Series
Convocation: Fall 1999

PhD

Katja Kessin MacLeod, Humanities (Co-Supervisor)
To Lend the Dead a Voice: Second-Generation German Visual Art
Convocation: Fall 2003