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Faculty

Dr. Tatiana Koroleva

Part-time Professor, Studio Arts


Dr. Tatiana Koroleva
Office: S-VA 239 
Visual Arts Building,
1395 René Lévesque W.
Phone: (514) 848-2424 ext. 4262
Email: tatiana.koroleva@concordia.ca
Website(s): http://www.tatianakoroleva.com
Availability: Office: EV 6.779
Office Hours: Wednesdays, 1PM - 2PM
1515 St. Catherine West, Montreal, QC

Biography:

Tatiana Koroleva (born Surgut, Western Siberia, lives and works in Montreal, Canada) is a multi-disciplinary artist, poet, educator, and researcher who works in the mediums of performance art, video art and creative writing. A graduate of a Doctoral program in Humanities, Concordia University (Montréal, QC) and a lecturer at the Department of Studio Arts, Tatiana explores intersections of performance art, art therapy and butoh practices. Her work is grounded in the subjects of ancestral and genetic memory, migration, intergenerational trauma and search for personal and collective healing. Since 2006, Koroleva has performed locally and internationally including her participation in Miami International Festival of Performance Art (FL, USA), International Biennale of Performance Art DEFORMES (Santiago de Chile, Chile), Sofia Underground Performance Art Festival (Sofia, Bulgaria), Body Navigation International Dance Festival (Saint-Petersburg, Russia) and Nuit Blanche Festival of Contemporary Art (Montréal, Canada), among many others. Her most recent performances were presented at Queens Museum (NYC, USA), La Centrale Gallery Powerhouse (Montreal, QC) and Art Souterrain Festival of Contemporary Art (Montreal, QC).

Artist Statement:

My work focuses on the therapeutic aspects of performance art and the process of community formation through butoh-inspired performance practices. Conceptually, my work engages with the subjects of migration, relocation, exclusion and integration, and collective trauma explored through the framework of ritual. Specifically, my performances, workshops, and participatory events focus on exploring psychology of immigration, implicit memory, and the variety of ways unacknowledged past continues to influence our present. My approach to performance art is defined by the framework of radical intimacy, vulnerability, and affect employed with the purpose of initiating profound communal experiences. Intimacy of emotional and physical experiences is the starting point of any of my performative experiments. Through this work, I search for the ways to transcend socially constructed models of individuality promoted in contemporary late-capitalist cultures and to create new mechanisms of formation and reinforcement of community by the means of ritual.


Teaching activities

Courses (taught at Concordia University):

Course Title: ARTX 380, Interdisciplinary Studio in Contemporary Art Practices

Course Title: ARTT 399/3 Body, Arts and the State

Course Title: ARTT 399/3 Critical Issues: Painters

Course Title: ARTT 398/4 Reproductive Media: Contemporary Art

Course Title: IMCA 230, Performance Art

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