Monika Kin Gagnon, PhD
Professor, Communication Studies
Director, MA in Media Studies, Communication Studies
PhD, Communication, Simon Fraser University
MA, Social & Political Thought, York
BA, Communication Studies, Concordia
Concordia University Research Fellow (Person & Society) 2017–18
COMS 610 MA Seminar
COMS 835 PhD Pro-Seminar
Current research projects
Expo 67 Brouillements numériques
This project is mobilizing augmented reality (AR) as a way of exploring Montréal's Expo 67 islands.
In Search of Expo 67
In Search of Expo 67 was a major exhibition of 19 works by Québec and Canadian artists at the Musée d’art contemporain de Montréal, investigating the most innovative aspects of the World exhibition, as well as its artistic, social and political contexts. Largely based in archival research, these new works were created in dialogue with the spirit of 1967, challenging some of its underlying presumptions and showcasing its incredible degree of invention. Original large-format and multi-screen films were programmed by CINEMAexpo67 in the MAC's blackbox. Co-curated by Monika Kin Gagnon and Lesley Johnstone. June 21 to October 8 2017. A book is currently in production with McGill-Queen's University Press.
Websites and Podcast
Photo credit: photo: Danica Evering
Selected essays and book chapters
“Polar Life/La vie polaire at Expo 67,” in Arctic Cinemas and the Documentary Ethos, eds. Lilya Kaganovsky, Scott MacKenzie and Anna Westersthal Stenport (Bloomington: University of Indiana Press, forthcoming).
“From Expanded to Intimate Cinemas in Canadian Experimental Film/Video,” in The Oxford Handbook to Canadian Cinema, eds. William Straw and Janine Marchessault (Oxford University Press, forthcoming).
“All-embracing Circlevision 360: Canada 67 at Expo 67’s Telephone Pavilion,” Reimagining Cinema: Filmat Expo 67, eds. Monika Kin Gagnon and Janine Marchessault (Montreal: McGill-Queens UP, 2014), 218–233.
“Unfinished Films and Posthumous Cinema: Charles Gagnon’s R69 and Joyce Wieland’s Wendy and Joyce,” in Cinephemera, eds. Zoë Druick andGerda Cammaer (Montreal: McGill-Queens UP, 2014), 137–158.
“Communicating the Intermedia Archive: TheresaHak Kyung Cha,” in Database|Narrative|Archive, edited by Matt Soar and Monika Kin Gagnon. A book anthology created in Scalar,open-access at www.dnaanthology.com
“AmplifyingThreat: Reasonable Accomodations and Quebec’s Bouchard-Taylor Commission (co-authored with Yasmin Jiwani),” in Shifting the Ground: Nation-state, Indigeneity, Culture, ed. Smaro Kamboureli (Guelph:Wilfred Laurier Press, 2012).
“The Christian Pavilion at Expo ’67: Notes from Charles Gagnon’s Archive,” in Expo 67: More thana Souvenir, eds. Rhona Richman Kenneally and JohanneSloane (Toronto: University of Toronto Press, 2010),142–162.
“The Persistence of Spectatorship: the Racialized and Ethnicized Gaze,” in PrecariousVisualities: new perspectives on identification in contemporary art and visualculture, eds. Christine Ross, Olivier Asselin, Johanne Lamoureux (Montreal: McGill-Queens UP, 2008), 120–135.
"Cinematic Imag(in)ings of the Japanese Canadian Internment," in Reel Asian: Asian Canada on Screen, ed. Elaine Chang (Toronto: Coach House Books, 2008).
“Tender Research: Field Notes from the Nikkei Internment Centre,” Canadian Journal of Communication 31.1 (Spring 2006). http://www.cjc-online.ca/viewissue.php?id=113
“The Capacity of Cultural Difference (with Scott Toguri McFarlane),” for the “Minister’s Forum on Diversity and Culture,” Dept of Canadian Heritage, April 2003, Ottawa and “Cultures, Diversity and Everyday Life,” with Council of Europe, May 2002, Montréal. http://www.pch.gc.ca/special/dcforum/info-bg/05_e.cfm
With Richard Fung, 13 Conversations About Art and Cultural Race Politics. Montreal: Artextes Editions, 2002. Translated into Territoires et Trajectoires. Adapted and translated by Colette Tougas. Montreal: Artextes Editions, 2006.
Other Conundrums: Race, Culture and Canadian Art. Vancouver: Arsenal Pulp Press/Artspeak/ KAG, 2000.
“Posthumous Collaboration (for Nancy Shaw),” in Prefix Photo 20 (Fall 2009).
“(Media) ‘History from Below’: From the Snaphshot to the Home Movie in Jamelie Hassan’s
Installations, in Jamelie Hassan: At the Edge of Words (London ON: Museum London, 2009).
“The Enchantments of Richard Fung’s Unsettling Landscapes (after JMW Turner),” in Richard Fung (Hamilton: McMaster Museum of Art, 2008).
“Duels, Dualities and Intertextuality in the Media Works of Stephen Foster,” for Stephen Foster (exhibition brochure), Auckland: MIC Toi Rerehiko, 2007.
“Book and Exhibition Review: Janet Cardiff: The Walk Book and Her Long Black Hair,” Senses and Society 2.1 (July 2007): 259-263.
Upcoming and recent conference papers
“Réanimation des archives avec Korsakow: Archiving R69 (2010) et Racing Home (2015),” Colloque: ACFAS 9 mai 2016
“Reanimating Archives: Graeme Ferguson’s Multi-screen Polar Life of Expo 67 (with Jean Gagnon)”American Moving Images Archivists (AMIA) Annual Conference, Portland OR Nov 20, 2015
“Graeme Ferguson’s Polar Life at Expo 67,” Panel andScreening, Visible Evidence, University of Toronto, Ryerson and York, Toronto,Aug 20 & 22, 2015.
“Reanimating Archives: Graeme Ferguson’s Multi-screen Polar Life of Expo 67,” Society of Cinema and Media Studies, Concordia, Montreal March 25/2015
“Creative Archiving: Dossier Joyce Wieland at the Cinemathèque Québecoise,” with Vanessa Meyer. Canadian Communication Association Annual Conference. Brock University, May 2014.
“Archives and Database Cinema,”International Digital Media Arts Assocation, Laguna CA, Nov 2014.
“Posthumous Cinema,” at Life and Death: A Conversation, Society forCultural Anthropology, Providence RI, May 12, 2012
“Communicating the Intermedia Archive: The Theresa Hak Kyung Cha Collection
CHArt (Computers and Art History), King’s College, London, Nov 12, 2011
“Unfinished Films in the Multimedia Archive,” Visible Evidence 18, NYU, August 2011
“Creative Archiving in the Multimedia Archive: Animating ‘Canada and the Films of Expo 67,’” (with Mary Elizabeth Luka), Re-Animating the Archive, UCLA, Los Angeles, Nov 2010
“Reconstructing Two Immersive Multimedia Pavilions from Expo ‘67: The Christian and Telephone Pavilion,” Media in Transition 6, MIT (Cambridge MA), Apr 2009
“Posthumous Cinema: Unfinished Films and Theresa Hak Kyung Cha’s White Dust from Mongolia,” Society for Cinema and Media Studies Conference (SCMS), Tokyo, May 2009
“Reconstructing Two Immersive Multimedia Pavilions from Expo “67: The Christian Pavilion and the Telephone Pavilion,” Media in Transition 6, MIT Boston, April 2009
“Posthumous Collaboration/Posthumous Cinema: Memory, Afterlife and Moving Images,” ISEA Singapore, July 29 2008
“Posthumous Collaboration: In Honour of Nancy Shaw,” Canadian Communication Studies Association Annual Conference, University of British Columbia, June 5 2008
“The Cinematic Imaginary at Expo “67,” Film Studies Association of Canada Annual Conference, University of Saskatchewan, May 30 2007