MONOGRAPHS
Volkseigene Körper: Ostdeutscher Tanz seit 1945. Berlin: Transcript Verlag, 2014.
The Body of the People: East German Dance since 1945. Madison: University of Wisconsin Press, 2013.
ANTHOLOGIES
The Routledge Dance Studies Reader. 3rd Edition. Eds. Jens Richard Giersdorf and Yutian Wong. London: Routledge, 2019.
Choreographies of 21st Century Wars. Eds. Gay Morris and Jens Richard Giersdorf. New York: Oxford University Press, 2016.
EDITED JOURNALS
Special Issue: Randy Martin and Dance Studies, Co-edited with Mark Franko. Dance Research Journal. 48.3. (2016), (peer-reviewed journal).
ARTICLES
“An der Schnittstelle von Choreografie und zeitgenössischer Kriegsführung. Co-authored with Gay Morris, Tanz, 2022.
“A tánctudomány a nemzetközi felöoktatásban: Egy tudományág kialakulásának genealógiája” Tánctudományi Tanulmányok. Eds. Fuchs Lívia, Fügedi János, Péter Petra. Budapest: Magyar Müvészeti Adakémia, 2021.
“(In)distinct Positions: The Politics of Theorizing Choreography” The Oxford Handbook of Dance and Reenactment. Ed. Mark Franko. New York: Oxford University Press, 2017.
“Patricio Bunster“ and “Gret Palucca” entries, Routledge Encyclopedia of Modernism. Eds. Janet O’Shea and Susan Manning (dance editors), Stephen Ross (general editor) London: Routledge, 2016.
“Is it OK to Dance on Graves? Modernism and Socialist Realism Revisited” The Oxford Handbook of Dance and Politics. Eds. Gerald Siegmund, Rebekah Kowal, and Randy Martin. New York: Oxford University Press, 2016.
“Wiederständige Bewegungen” Arila Siegert. Ed. Regine Herrmann. Berlin: Akademie der Künste, 2014.
“Immer hier und selten da: Die Politik der choreografierten Tanztheoretisierung als Zwischenraum” Heterotopien. Perspektiven der Intermedialen Ästhetik, Eds. Nadja Elia-Borer, Constanze Schellow, Nina Schimmel, Bettina Wodianka, Bielefeld: Transcript Verlag, 2013, 575-592.
“Gli ‘studi di danza’ in alcune istituzioni accademiche straniere. Genealogia di una formazione disciplinare,” transl. Patrizia Veroli, La danza tra il pubblico e il privato, ed. Francesca Falcone, Rome: Aracne editrice S.r.l., 2013, 177-204.
“Moving against Disappearance: East German Bodies in Contemporary Choreography” New German Dance Studies, ed. Susan Manning and Lucia Ruprecht, Urbana: University of Illinois Press, 2012, 165-181.
“Tanzwissenschaft in höheren Bildungsinstitutionen: Eine Genealogie der Unterschiede.” Choreographie und Institution: Zeitgenössischer Tanz zwischen Ästhetik, Produktion und Vermittlung. Ed. Yvonne Hardt and Martin Stern, Bielefeld: Transcript, 2011, 161-184.
“Dall’utopia all’archivio. Patricio Bunster e la funzione politica della coreografia” Ricordanze. Memoria in movimento e coreografie della storia. Ed. Susanne Franco and Marina Nordera. UTET Libreria, 2010, 361-374.
“Unpopulärer Tanz als Krise universeller Geschichtsschreibung oder
Wie Yutian und ich lang anhaltenden Spaß mit unseriöser Historiographie hatten.” Original and Revival. Ed. Christina Thurner, Zurich: Chronos Verlag, 2010, 91-100.
“Trio A Canonical” Dance Research Journal. 41.2. Winter (2009): 19-24, (peer-reviewed journal).
”Dance Studies in the International Academy: Genealogy of a Disciplinary Formation” Dance Research Journal. 41.1. Summer (2009): 23-44, (peer-reviewed journal).
“Dancing, Marching, Fighting: Folk, the Dance Ensemble of the East German Armed Forces, and Other Choreographies of Nationhood.” Discourses in Dance. 4.2 (2008): 39-58, (peer-reviewed journal).
“Von der Utopie zum Archiv: Patricio Bunster und die politische Funktion der Choreographie” Forum Modernes Theater. 23.1 (2008): 29-36, (peer-reviewed journal).
“The Embodied City: Walking and Writing in the Urban Classroom.” co-authored with Cecilia Feilla and Magdalena Maczynska, Transformation: The Journal of Inclusive Scholarship and Pedagogy. XIX.1 (2008): 118-137. (peer-reviewed journal).
“Why does Charlotte von Mahlsdorf Curtsy?: Representations of National Queerness in a Transvestite Hero.” GLQ Gay and Lesbian Quarterly 12.2 (2006): 171-96. (peer-reviewed journal).
“Border Crossings and Intra-National Trespasses: East German Bodies in Sasha Waltz’s and Jo Fabian’s Choreographies." Theater Journal 55.3 (2003): 413-32. (peer-reviewed journal)
“’Hey, I Won’t Let You Destroy My History’: East German Dance Theater and the Politics of Restaging.” Maska, Slovenian Theater and Performance Journal. November 2003. (translated into Slovene)