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Lola Remy

Part-time Lecturer, Film Studies, Cinema

Lola Rémy is a PhD candidate in Film and Moving Image Studies in the Mel Hoppenheim School of Cinema at Concordia University, Montreal. Her research interests include experimental cinema, postcolonial theory, film and ethnographic archives, indigenous films and media, and cultural history.

Her dissertation, "The 'Universal Language of Images': Interdisciplinary Assemblages in Post-War Experimental Cinema" investigates and contextualizes the formation of a post-war universalist discourse as expressed in experimental film practices of assemblage. She offers a decolonizing perspective on the appropriation of Indigenous artefacts and imagery, at the core of this discourse. Her work has been published in NECSUS European Journal of Media Studies.

acknowledge that Concordia University is located on unceded Indigenous lands. The Kanien’kehá:ka Nation is recognized as the custodians of the lands and waters we now call Montreal.

Teaching activities

Undergraduate courses

FMST 398 Cinema and the Body
Part-time Instructor, Fall 2020
FMST 216 Methods in Film Studies

Part-time Instructor, Fall 2019

Guest lectures

FMST 322 History of Film since 1959

"Fourth Cinema." February 20, 2020.



“The Labour of Media (Studies): Activism, Education, and Industry.” Special issue of Synoptique: An Online Journal of Film and Moving Image Studies 8.2. Edited with the medialabour collective (Fall 2019).

“‘Yours in Sisterhood’: Rethinking the Feminist Archive at the 2018 Rencontres Internationales du Documentaire de Montréal.” Festival review. Synoptique: An Online Journal of Film and Moving Image Studies 8.1 (Winter 2019).



“Making the Map Speak: Indigenous Animated Cartographies as Contrapuntal Spatial Representations.” In “Mapping,” special issue, NECSUS European Journal of Media Studies (Autumn 2018).

- Recipient of the 2019 Concordia Stand-out graduate research award


“When Curating Meets Film Theory: Philippe-Alain Michaud’s Sur le film.” Book Review. Synoptique: An Online Journal of Film and Moving Image Studies5.2 (Winter 2017).


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