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Elena Razlogova

Associate Professor, History


Elena Razlogova
Office: S-LB 1041-11 
J.W. McConnell Building,
1400 De Maisonneuve Blvd. W.
Phone: (514) 848-2424 ext. 5074
Email: elena.razlogova@concordia.ca
Website(s): http://elenarazlogova.org

Elena Razlogova is an Associate Professor of History at Concordia University. She is the author of The Listener's Voice: Early Radio and the American Public (University of Pennsylvania Press, 2011) and co-editor of “Radical Histories in Digital Culture” issue of the Radical History Review (2013). She has published articles on U.S. radio history, music recommendation and recognition algorithms, film translation, Global South cinema networks, and Soviet international film festivals, in American Quarterly, JCMS: Journal of Cinema and Media StudiesSubStance, Studies in European Cinema, Radio Journal, Social Media & Society and other venues. She is currently working on two book projects, “A Cinematic International: Global Liberation Routes through Soviet Film Festivals” and “Fleecing Freeform: WFMU, Open Source Software, and the Rise of Algorithmic Music Culture.”

Education

B.A. University of California at Berkeley, M.A. New York University, Ph.D. George Mason University


Publications

Book

The Listener’s Voice: Early Radio and the American Public (Philadelphia: University of Pennsylvania Press, 2011).

Articles and Chapters: Algorithms/Music/Radio

"Provincializing Spotify: Radio, Algorithms and Conviviality,” Radio Journal: International Studies in Broadcast & Audio Media, 18, no. 1 (2020): 29-42. - about WFMU and Free Music Archive

(with Jonathan Sterne) “Machine Learning in Context, or Learning from LANDR: Artificial Intelligence and the Platformization of Music Mastering,” Social Media and Society 5, no. 2 (2019): 1-18.

Shazam: The Blind Spots of Algorithmic Music Recognition and Recommendation,” in Appified: Culture in the Age of Apps, ed. Jeremy Morris and Sarah Murray (Ann Arbor: Michigan University Press, 2018), 257-266.

The Past and Future of Music Listening: Between Freeform DJs and Recommendation Algorithms,” Radio’s New Wave, ed. Michele Hilmes and Jason Loviglio (New York: Routledge, 2013) – about WFMU

Articles and Chapters: Film/Cold War/Decolonization

The Liberation Politics of Live Translation: Global South Cinemas in Soviet Tashkent,” JCMS: Journal of Cinema and Media Studies 59, no. 4 (2020): 183–88.

World Cinema at Soviet Festivals: Cultural Diplomacy and Personal Ties,” Studies in European Cinema 17, no. 2 (2020): 140–154.

The Politics of Translation at Soviet Film Festivals during the Cold War.” SubStance 44, no. 2 (2015): 66–87.

Listening to the Inaudible Foreign: Simultaneous Translators and Soviet Experience of Foreign Cinema,” Sound, Music, Speech in Soviet and Post-Soviet Cinema, ed. Lilya Kaganovsky and Masha Salazkina (Bloomington: Indiana University Press, 2014).

Articles and Chapters: Other

(co-authored with Lyell Davies) “Framing the Contested History of Digital Culture,” Radical History Review, no. 117 (Fall 2013): 5–31.

True Crime Radio and Listener Disenchantment with Network Broadcasting, 1935-1946,” American Quarterly (March 2006).

DIY Image Management with Zotero,” Perspectives on History, October 2012.


Teaching activities

Fall 2020
HIST 380 History and Digital Media
HIST 498-670 The Global Cold War

Winter 2021
HIST 281 Film in History
HIST 403 Methodology and History

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