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Dr. Eldad Tsabary

Associate Professor, Music
Coordinator, Electroacoustic Studies


Dr. Eldad Tsabary
Office: S-GM 500-01 
Guy-De Maisonneuve Building,
1550 De Maisonneuve W.
Phone: (514) 848-2424 ext. 4559
Email: Eldad.Tsabary@concordia.ca
Availability: Available to supervise Masters and PhD - email me to discuss

biography

Dr. Eldad Tsabary's main areas of expertise are in the domain of sound studies—specifically (1) sonic aural training and (2) live electroacoustic performance. Through these areas of inquiry, Tsabary has been developing educational approaches, tools, and strategies to better-understand and transform the diverse internal processes involved in sound perception, organization, and creation—both individually and collectively within an ensemble. Through cyclical, ground-up, collaborative research projects, Tsabary has been seeking ways to adapt the educational environment to emerging contexts, goals, and ways of knowing and learning among individuals (of various cultural and neurodiverse backgrounds).

He has been teaching electroacoustic performance, composition, and ear training at Concordia University (Montreal) since 2005, where in collaboration with his students, he created the Concordia Laptop Orchestra (CLOrk, 2010)—one of the largest and most prolific electroacoustic ensembles worldwide. With dozens of performances in prestigious festivals and venues worldwide, CLOrk has served as a fruitful research-creation platform for investigating the nature of collective improvisation, mediation, and creative process; and developing approaches for equitable, diverse, and inclusive co-creation.

With students and professors as co-researchers Tsabary has been exploring strategies, pedagogies, and technologies for sound-focused ear training that encourage critical self-reflection, provide informative timely feedback, and foster self-motivated growth. Most recently, Tsabary has been leading the creation of Inner Ear—a SSHRC-funded browser-based collection of sonic-aural-training tools designed around principles of transformational education and findings from motivation studies.

Dr. Tsabary has a rich experience in administration and leadership. In recent years he has been chair of the International Conference on Arts and Humanities (in Bali, Colombo, and Kuala Lumpur), and he co-chaired the Toronto International Electroacoustic Symposium (TIES 2016) and the Montreal hub of the International Conference of Music Perception and Cognition (ICMPC-ESCOM 2018), among service in many other conference committees. At Concordia University he is the coordinator of Electroacoustic Studies at the Department of Music, and previously was coordinator (interim) of Interdisciplinary Studies at the Faculty of Fine Arts. He was president (2013-2019) of the Canadian Electroacoustic Community—Canada's national electroacoustic association. Eldad received his doctorate in music education from Boston University.


Research activities

Research Areas

Primary research goals:

  1. Finding ways to adapt the educational environment to emerging contexts, goals, and ways of knowing/learning among neurodiverse and culturally diverse individuals.

  2. Using research-creation for investigating the nature of collective improvisation, creation, and mediation; and developing approaches and technologies for equitable, collaborative, inclusive, neurodiverse co-creation.

  3. Developing strategies, pedagogies, and technologies for sound-focused ear training that encourage critical self-reflection, provide informative timely feedback, and foster self-motivated growth.

Primary research areas:

  • Sound studies
  • Sound-focused aural training
  • Live electronic music
  • Laptop Orchestra
  • Live coding
  • Collective improvisation
  • Research-creation methodologies 
  • Transformational education
  • Collaborative education
  • Motivation

RISE Mini-operas

RISE (Reflective Iterative Scenario Enactments through collaborative productions of cataclysmic mini-operas) is a 5-year SSHRC-funded research-creation project that investigates various cataclysmic scenarios by enacting them in the opera medium. 
 
Every year's two mini-operas will focus on a different type of crisis (pandemic, ecological, economic, technological, political, warfare, resource depletion, cosmic, etc.), and develop speculative narratives to explore humanity's challenges and responses.
 
Through the creation and production of mini-operas, through literature analysis, and through collaborative critical-reflection, the project will research:
  1. A variety of emerging issues related to life during a global crisis (health, economy, societal, psychological, technological, political, ethical, human rights, EDI)
  2. Opera culture: the defining elements of the opera medium, its history and present, and ways to expand and update opera practice.
  3. Diversified collaboration across practices and abilities/career statuses—utilizing professional artists, student creators, and community musicians.
  4. Speculative research, investigating the future via scenario enactments and collaborative critical reflection.
  5. Practical/logistical production matters.


Publications

Articles in peer-reviewed journals

  • Tsabary, E., Savage, D., Ogborn, D., Beckett, Christine., Szigetvári;, A., Beverley, J., Del Angel, L.N.,  Leblond-Chartrand, J., Park, S. (forthcoming). Inner Ear: A tool For individualizing sound-focused aural skill acquisition, Journal of Music, Technology & Education 12(3).
  • Tsabary, E. (2018). Stabilizing and Destabilizing Agents in Laptop Orchestra Improvisation. Cahiers de la Société québécoise de recherche en musique 17(1), 39-49.
  • Tsabary, E. (2017). Improvisation as an evolutionary force in laptop orchestra culture. Critical Studies in Improvisation / Études critiques en improvisation 11(1-2), http://dx.doi.org/10.21083/csieci.v11i1-2.3714
  • Tsabary, E., & Woollard, J. (2014). Whatever works: An action-centred approach to creation and mediation in designing laptop orchestra performances. Gli spazi della musica, 3(2), 54-70.
  • Tsabary, E. (Dir.), & Concordia Laptop Orchestra. (2014). Dancing with Laptops [Video excerpt]. In Van Nort, D. (Curator). Sound and video anthology. Computer Music Journal 38(4), supplementary content. doi: 10.1162/COMJ_x_00276 
  • Tsabary, E. (2009). Which aural skills are necessary for composing, performing, and understanding electroacoustic music and to what extent are they teachable by traditional aural training? Organised Sound, 14(3), 299-309.

Chapter of a book or collective work

  • Tsabary, E. (2015).  Atomes et structures sonores en électroacoustique : de la formation auditive à l’analyse et inversement. In N. Marty (Ed.). Musiques électroacoustiques : Analyses ↔ Écoutes (pp. 189-208). Sampzon, France: Editions Delatour France.
  • Tsabary, E. (2012). Electroacoustic ear training. In A. R. Brown (Ed.) (2012). Sound musicianship: Understanding the crafts of music (pp. 292-301). Newcastle: Cambridge Scholars Publishing.

Thesis    

  • Tsabary, E. (2013). The aural skills acquisition process of undergraduate electroacoustic (EA) music majors in the context of a new aural learning method. (Doctoral dissertation, Boston University). Retrieved from ProQuest Dissertations and Theses. (UMI No. 3581107).

Publication in conference proceedings

  • Ogborn, D., Beverley, J., Del Angel, L., Tsabary, E., & McLean, A. (2017). Estuary: Browser-based Collaborative Projectional Live Coding of Musical Patterns. Third International Conference on Live Coding.Available from http://iclc.livecodenetwork.org/2017/cameraReady/ICLC_2017_paper_78.pdf
  • Tsabary, E. (2016). Aural atoms and structures: From electroacoustic ear training to analysis and back again. Electroacoustic Music Studies Network Conference (EMS) 2015
  • Ogborn, D., Tsabary, E., Cárdenas, A., Jarvis, I., & McLean, A. (2015). extramuros: making music in a browser-based, language-neutral collaborative live coding environment. First International Conference on Live Coding, available from http://iclc.livecodenetwork.org/2015/html/100.html
  • Tsabary, E. (2014). Music education through innovation: The Concordia Laptop Orchestra as a model for transformational education. Proceedings of the 8th International Technology, Education and Development Conference (INTED2014), 657-664.
  • Tsabary, E. (2009). Aural Training for Electroacoustics at Concordia University. Proceedings of Toronto Electroacoustic Symposium 2008, eContact!, 11(2) available from http://cec.sonus.ca/econtact/11_2/tsabary_training.html

Non-refereed contributions

  • Tsabary, E. (2007). A Survey of Audio Coders for Electronic-Art Music. eContact!, 9(4), available from http://cec.sonus.ca/econtact/9_4/tsabary.html


Research Funding

Grants
  • 2020/4 - 2025/4 (principal investigator) Project title: RISE: Reflective Iterative Scenario Enactments of Futuristic Cataclysms through Collaborative Mini-Operas (SSHRC Insight Grant, awarded $303,719).
  • 2018/5 - 2018/9 (principal investigator) Project title: International music cognition conference (ICMPC-ESCOM) (SSHRC Connection, awarded: $24,993).
  • 2016/6 - 2018/6 (principal investigator) Project title: Inner Ear: An interactive web-based sound-focused aural training technology (SSHRC Insight Development Grant, awarded: $74,406).
  • 2013/9 - 2015/9 (principal investigator) Project title: The Interdisciplinary, Networked, Telematic Laptop Orchestra (INTLOP), infrastructure grant (Concordia University - Faculty Research Development Program, total funding: $15,000).
  • 2018 - 2023 (co-applicant) Project title: Platforms and practices for networked, language-neutral live coding. Principal investigator: Dr. David Ogborn (SSHRC Insight Grant, total awarded: $259,038).
  • 2018 - 2021 (co-applicant) Project title: Technologies of Notation and Representation (TENOR Network). Principal investigator: Sandeep Bhagwati (SSHRC Partnership Development Grant, total awarded: $199,460).
  • 2014/6 - 2020/3 (co-applicant) Strategic Cluster - Hexagram CIAM. Principal investigator: Dr. Chris Salter - Concordia University (Fonds Québecois de la Recherche sur la Societe et la Culture - FQRSC, total awarded: $1,048,500).
  • 2015/6 - 2017/6 (collaborator) Project title: Projectional interfaces for musical live coding, grant (SSHRC, Insight development—research creation, awarded: $71,867).
  • 2014/1 - 2016/1 (collaborator) Project title: Live Coding and the Challenges of Digital Society, Grant (McMaster University, Arts Research Board Major Seed Grant, total funding: $9727). Principal Investigator: David Ogborn; other collaborators: Alex McLean; Jacques Carette; Mark Guzdial.

Supervision
  • 2016/5 - 2016/8 (supervisor) Project title: An interactive application for teaching FM synthesis, Award (Concordia Undergraduate Student Research Awards Program: $5500). Principal Investigator: Travis West.
  • 2016/5 - 2016/8 (supervisor) Project title: An electronically augmented acoustic instrument design, Award (Concordia Undergraduate Student Research Awards Program: $5500). Principal Investigator: Bennett Dobni.
  • 2015/5 - 2015/8 (supervisor) Project title: Discovering New Sounds in Building Hybrid Electroacoustic-Acoustic-Mechincal Instruments, Award (Concordia Undergraduate Student Research Awards Program: $5500). Principal Investigator: Sarah Feldman.
  • 2014/5 - 2014/8 (supervisor) Project title: Video Games as Cooperative Performance: Composing for Meaningful Play in Laptop Orchestras, Award (Concordia Undergraduate Student Research Awards Program: $5500). Principal Investigator: Michael Palumbo.

Other Awards
  • 2007 NAISA/Outfront on CBC Radio, 2008 artist-residency (commission, broadcast and festival presentation).
  • 2007 Canada Council for the Arts, travel grant (Leeds UK).
  • 2007 Bourges International Electroacoustic Music Competition 2007, selection (honorary).
  • 2007 Conseil des arts et des lettres du Québec, travel grant (Vancouver).
  • 2007 Fundación Altadis-Madrid Abierto’s Public Art Project Competition 2007, selection (cash award).
  • 2006 “Short Cuts: Beauty,” an international electroacoustic music competition by ZKM, third prize (honorary).
  • 2006 Harbourfront Centre New Canadian Sound Work competition 2006, first prize (commission).
  • 2005 NAISA, Deep Wireless selection (cash award and CD release).
  • 2004 L’Office Québec-Amériques pour la jeunesse, travel grant (Mexico).
  • 2003 ERMMedia “Masterworks of the New Era,” selection (Recording of an orchestral piece).
  • 1999 Rose Biller Award (Educational Grant).
  • 1998-1999 Mannes College of Music (Scholarship).
  • 1994 Rimon School of Jazz Award for Excellence (Scholarship).


Conference presentations & Workshops

Presentations

  • (2020) Panel: SuperContinent Live: A performance and conversation at Concordia’s 4th Space. A panel about live coding, networked collaboration, and collective improvisation.
  • (2020) Lecture: Sonic Aural Training with Inner Ear. At the Centre for Cognitive Science, Concordia University.
  • (2019) Guest lecturer in four classes at the Advanced Studies in Experimental Music and Sound Art Certificate, Musrara School, Israeli Center for Digital Art, Holon. 
  • (2019) Collaborative Live Coding: A workshop at The Interdisciplinary Center Herzliya, for students of music technology and members of the Tel Aviv Music Technology Meetup Group.
  • (2019) Guest artist/listener at Listening Tables event, Acts of Listening Lab, Concordia University (organized by Dr. Rajni Shah). 
  • (2019) Sound-focused aural training with Inner Ear. A lecture at International Laboratory for BRAin, Music and Sound Research (BRAMS). 
  • (2019) Sound-focused aural training with Inner Ear. A lecture at the Music & Sound Design Program at the University of Technology, Sydney Australia. 
  • (2019) Concordia Laptop Orchestra (CLOrk): Co-creating live interdisciplinary performance in a large ensemble. A guest lecture at School of the Arts & Media, University of New South Wales, Sydney Australia.
  • (2019) Workshop: Decolonisation in the Arts and Humanities. A guest workshop at School of the Arts & Media, University of New South Wales, Sydney Australia. 
  • (2019) Concordia Laptop Orchestra (CLOrk): Co-creating live interdisciplinary performance in a large ensemble. A guest lecture at Universiti Teknologi Mara (UiTM), as part of the event Mediating of Understanding Intercultural Art. Perak, Malaysia.
  • (2019) Workshop: Collective Improvisation. at The 6th International Conference on Arts and Humanities (ICOAH), Kuala Lumpur, Malaysia. 
  • (2019) Workshop: On Scholarly Publications. Co-presented with Grace Chin at The 6th International Conference on Arts and Humanities (ICOAH), Kuala Lumpur, Malaysia. 
  • (2019) Workshop: Live Coding: Collaboration, Learning and Decolonization workshop. Co-presented with Abhinay Khoparzi, David Ogborn, Shelly Knotts, and Luis Navarro Del Angel at The 6th International Conference on Arts and Humanities (ICOAH), Kuala Lumpur, Malaysia.
  • (2019) Panel: A presentation of sound works by Musrara School graduating students, Musrara, Jerusalem, Israel. 
  • (2019) Workshop: Live coding with Estuary, Punctual, and Tidalcycles. At the Centro Cultural Banco De La República Manizales, Caldas, Colombia, as part of the Festival Internacional de la Imagen 2019.
  • (2019) Panel: Creating an Inclusive Science Ecosystem: A panel discussion on equity, diversity and inclusion in academia. The Centre for Research on Brain, Language and Music (CRBLM) in collaboration with Healthy Brains for Healthy Lives (HBHL), McGill University.
  • (2019) Paper: Inner Ear: Toward the democratization of electroacoustic aural skill acquisition (w/ Danielle Savage, David Ogborn, Jasmine Leblond-Chartrand, Jamie Beverley, Spencer Park, Luis Navarro del Angel). The American Education Research Association (AERA) Annual Meeting. 5-9 Apr, Metro Toronto Convention Centre, Toronto ON.
  • (2019) Booth: Inner Ear: An interactive web-based sound-focused aural training technology. Health initiative networking reception, Concordia University.
  • (2019) Workshop: Platforms and Practices for Geographically Distributed Live Coding (w/ David Ogborn and Shelly Knotts). The International Conference on Live Coding, Madrid Spain.
  • (2018) CLOrk: Education Through Democratic Research-Creation (w/ Danielle Savage, Robin Schmidt, Nick Lavigne, and Kasey Pocius). Music in New Technologies (MINT) Forum, Halifax NS. 
  • (2018) Workshop: Inner Ear: An interactive sound-focused aural training software (w/ Jasmin Leblond-Chartrand and Danielle Savage). Music in New Technologies (MINT) Forum, Halifax NS.
  • (2018) Long paper with Donna Hewitt: Getting it done” in electroacoustic studies: The effects of deadlines and structured guidelines on the creativity and motivation of electroacoustic music students. The Society for Music Education in Ireland Conference, Dublin, Ireland.
  • (2018) Keynote address: Designing and Conducting Research-Creation. 5rd International Conference on Arts and Humanities 2018, Colombo, Sri Lanka.
  • (2018) Workshop: Soundwalk—Reconnecting With Our Sonic Environment. 5rd International Conference on Arts and Humanities 2018, Colombo, Sri Lanka.
  • (2017) Long paper: Browser-based Collaborative Projectional Live Coding of Musical Patterns. Co-presented with David Ogborn, Jamie Beverley, Luis Navarro del Angel, Esteban Betancur, and Alex McLean. 3rd International Conference on Live Coding (ICLC) 2017, Morelia, Mexico.
  • (2017) Panel “Meshworks: diversity and equity in live coding practice” at 3rd International Conference on Live Coding (ICLC) 2017. CMMAS. Morelia, Mexico.
  • (2017) A presentation and discussion at the Feminist University Seminar (offered by The Simone de Beauvoir Institute) about ongoing developments in gender social-action in electroacoustic studies.
  • (2017) Keynote speech: The Arts as a Testing Ground for Democratic Education: The Internal and External Workings of Learning through Making Art, 4th International Conference on Arts and Humanities 2017, Colombo, Sri Lanka.
  • (2017) Electroacoustic Studies, sound design, and aural training: A presentation to music students at The University of Visual and Performing Arts, Colombo, Sri Lanka.
  • (2017) w/ Dr. Donna Hewitt (UNE, Australia). “Getting it done” in electroacoustic studies: The effects of deadlines and structured guidelines on the creativity and motivation of electroacoustic music students, Electroacoustic Music Studies (EMS) conference 2017, Nagoya City University, Japan. 
  • (2017) Risk taking and collectiveness in laptop orchestra improvisation at Dalcroze Studies - 3rd International Conference 2017 (ICDS3). 
  • (2017) Presentation and discussion of two articles at the International Institute for Critical Studies in Improvisation (IICSI—McGill).
  • (2017) Improvisation as an evolutionary force in laptop orchestra culture, Concordia Music Research Series, Concordia University.
  • (2016) Panel on ensemble collaboration in live coding ensembles, International Conference on Live Coding (ICLC) 2016, Hamilton, ON.
  • (2016) Keynote speech: Collective Interdisciplinary Improvisation and its Role in Creating Bridges Across Arts. 3rd International Conference on Arts and Humanities 2016, Bali, Indonesia.
  • (2016) Improvisation as an Evolutionary Force in Laptop Orchestra Culture. Klingt gut! Symposium für Tongestaltung, Hamburg, Germany.
  • (2016) Why is Electroacoustics So Much Fun? A shared panel with Mark Corwin at Concordia's Music Research Talks, organized by Christine Beckett.
  • (2015) Transformational education through creative innovation in the laptop orchestra. International Symposium in Learning and Teaching Music in the Twenty-First Century: The Contribution of Science and Technology (LTM21/AEM21), Montreal QC. 
  • (2015) Extramuros, Tidal, and Dirt. Presenting Shared Buffer technology in a demo session, International Symposium in Learning and Teaching Music in the Twenty-First Century: The Contribution of Science and Technology (LTM21/AEM21), Montreal QC.
  • (2015) Why is Electroacoustics So Much Fun? A guest lecture at The Visual and Performing Arts in Canada course (MJ Thompson), Fine Arts Faculty, Concordia University.
  • (2015) Auditory Scene Analysis. A guest lecture at the Language and Mind course (Charles Reiss) at the department of Classics, Modern Languages and Linguistics, Concordia University.
  • (2015) Long paper: extramuros: making music in a browser-based, language-neutral collaborative live coding environment. Co-presented with David Ogborn, Ian Jarvis, Alexandra Cardenas, and Alex McLean. International Conference on Live Coding (ICLC) 2015, Leeds, UK.
  • (2015) Aural atoms and structures in electroacoustics : From ear training to analysis and back again. Electroacoustic Music Studies (EMS) 2015, Sheffield, UK.
  • (2015) Roundtable: Digital Careers: Education, Entrepreneurship and Funding. MusDig Montreal Symposium: Transformations in digital music and sound (part of MUTEK festival).
  • (2015) Aural training class for grade one elementary school students at JPPS; A live coding workshop with Tidal/Extramuros for grade three students. 
  • (2015) Aural atoms and synergetic structures: From electroacoustic ear training to analysis and back again. A faculty research talk at Concordia University.
  • (2014) w/ Jamie Woollard (Research assistant). Whatever Works: Research/Creation in the Context of Concordia Laptop Orchestra. Verge Conference 2014: Arts Re/Search, Langley, Canada.
  • (2014) Understanding Analysis of EA Music through Aural Training Pedagogy. VIIIth EUROPEAN MUSIC ANALYSIS CONFERENCE (EUROMAC), Leuven, Belgium.
  • (2014) The laptop orchestra as a framework for transformational education. Toronto International Electroacoustic Symposium, Toronto, Canada.
  • (2014) Whatever works: musical communication in the context of interdisciplinary, networked laptop orchestra. CMPCP’s Performance Studies Network international conference, Cambridge, United Kingdom.
  • (2014) Telemetronomy: Beat-based synchronization of remote laptop ensembles. INTER/actions: Symposium on Interactive Electronic Music (Bangor University), Bangor, United Kingdom.
  • (2014) Music education through innovation: The Concordia Laptop Orchestra as a model for transformational education. 8th International Technology, Education and Development Conference, Valencia, Spain.
  • (2013) Panel discussion at the Musrara School of Photography, Media and New Music (alongside Avi Elbaz Boaz Cohen) . Musrara Graduation Day, Jerusalem, Israel.
  • (2013) Laptop orchestra direction, conduction, composition, and technology. Faculty Research Series, Concordia University, Montreal, Canada.
  • (2012) Dissections: Ryoji Ikeda (Panel). Ryoji Ikeda Exhibition, DHC/ART Foundation for Contemporary Art, Montreal, Canada.
  • (2012) EA aural training workshop. Sound Travels Intensive, Toronto, Canada.
  • (2012) Comprovisation with laptop orchestra. Matralab’s Comprovisations workshop, Montreal, Canada.
  • (2011) Recent developments in EA ear training. Canadian Electroacoustic Community 25th anniversary, Montreal, Canada.
  • (2011) About the Concerto for T-Stick and Two Laptop Orchestras. Toronto Electroacoustic Symposium, Toronto, Canada.
  • (2010) Electroacoustic aural training workshop. Sound Travels Intensive, Toronto, Canada.
  • (2010) The Results of a Year-Long Action-Study on Aural Skills Acquisition by Students of Electroacoustics at Concordia University. Toronto Electroacoustic Symposium, Toronto, Canada.
  • (2009) The Aural Skills of Undergraduate Electroacoustic (EA) Music Majors in the Context of a New Aural Training Method Designed for EA. Toronto Electroacoustic Symposium, Toronto, Canada.
  • (2009) Aural training for electroacoustics. Sound Travels Intensive, Toronto, Canada.
  • (2008) Technical Workshop: Spectrum. Mid-Autumn Harvest Moon Festival/Symposium (Concordia), Montreal, Canada.
  • (2008) A clinic in electroacoustic history and composition at Rimon School of Contemporary Music (Ramat HaSharon)
  • (2008) A master class/clinic in electroacoustic composition at Hed Music College (Tel Aviv)
  • (2008) Aural Training for EA. Toronto Electroacoustic Symposium, Toronto, Canada.
  • (2007) A workshop on aural perception at CRES/CFRO Co-op Radio (Vancouver)
  • (2007) A master class in electroacoustic composition for (classical) music composition students at Tel Aviv University
  • (2005) Compositional collaboration in the electronic medium. New Music Festival at Western Illinois University, Macomb, United States.


Supervision

Graduate supervision

  • (2018/1 - ) Primary PhD supervisor, Individualized Program. Proposed dissertation title: The Neurophenomenology of Spontaneous Creativity: Its Implementation In a Neurofeedback Protocol and Algorithmic Aesthetism. Student: Antoine Bellemare
  • (2019/1 - ) Secondary PhD supervisor, Individualized Program. Proposed dissertation title: Epistemic Self-reflexivity to the Human Machine Relationship within an Unconventional Piano Performance Practice. Student: Anoush Moazzeni
  • (2019/1 - ) Secondary PhD supervisor, Individualized Program. Proposed dissertation topic: Understanding neurodiversity through transdisciplinary art. Student: Sheena Bernett
  • (2016/6 - ) Secondary PhD supervisor, Art Education. Dissertation title: Collaborative A/R/Tography: Mapping transatlantic mariner life in the 1920-1960’s. Student: Jennifer Wicks
  • (2020/6) PhD reader, Macquarie University, Sydney Australia. PhD Thesis title: Context Responsive: Intersections of Design and Improvised Music Practice. Student: Clare Cooper
  • (2019/11) PhD reader, Sound Recording. Dissertation topic: Dynamic Range Compressor Ear Training: Improving critical listening skills through software-assisted practice. McGill University. Student: Dennis Martin.
  • (2019/5) MFA reviewer. MFA in Studio Arts. Thesis title: Objects of Sound. Student: Philippe Battikha
  • (2017/9) PhD reader, Art Education. Dissertation title: What is new in new media art education? A critical discourse analysis of the mythologies of media art education at the university. Student: Manuelle Freire


Directed studies supervision

  • (2019/8-2020/1) Project (PhD): Mixed-Music Improvisational Practice & Feminist Studies. Student: Anoush Moazzeni
  • (2019/1-2019/8) Project (PhD): Experimental performing and creative arts practices as a site and language to facilitate neurodiverse thinking and communication. Student: Sheena Bernett
  • (2019/1-2019/4) Project (PhD): Conducting an electrophysiological study: From stimuli generation to data analysis. Student: Antoine Bellemare


Research assistant supervision 

  • (2017/9 - ) Project: Inner Ear. Research assistant facilitates data collection, research method, literature (undergraduate): Danielle Savage
  • (2017/9 - ) Project: Inner Ear. Research assistant programmer (undergraduate): Jasmine Leblond-Chartrand
  • (2017/7 - ) Project: Inner Ear. Research assistant programmer (graduate, McMaster University, supervised by co-applicant David Ogborn): Luis Navarro Del Angel
  • (2017/7 - ) Project: Inner Ear. Research assistant programmer (graduate, McMaster University, supervised by co-applicant David Ogborn): Jamie Beverley
  • (2016/9 – 2017/5) Project: Inner Ear. Research assistant organized and managed all prototype ear training tools, served as project manager for the international team and began the development of an FM-synthesis aural training tool. RA (undergraduate): Travis West
  • (2016/7 – 2017/6) Project: Inner Ear. Research assistant collected and analyzed ongoing data from electroacoustic ear training students and began investigating the effects of the training methods on motivation to practice. RA (doctoral): Tracy Valcourt
  • (2013/10 - 2014/6) Project: Interdisciplinary, Networked, and Telematic Laptop Orchestra Project (FRDP funded). Research assistant accomplished: two conference presentations, a co-authored publication in a peer reviewed journal. RA (undergraduate): Jamie Woollard 

Supervision of funded undergraduate projects

  • (2016/5 - 2016/8) Project: An interactive application for teaching FM synthesis. CUSRA funded, student: Travis West
  • (2016/5 - 2016/8) Project: An electronically augmented acoustic instrument design. CUSRA funded, student: Bennett Dobni
  • (2015/5 - 2015/8) Project: Discovering New Sounds in Building Hybrid Electroacoustic-Acoustic-Mechanical Instruments. (undergraduate, CUSRA funded). Student: Sarah Feldman
  • (2014/5 - 2014/8) Project: Game Composition III: An audiovisual networked multiplayer game piece for laptop orchestra (undergraduate, CUSRA funded). Student: Michael Palumbo. Accomplishments: Five festival presentations and recitals. 

Supervision of undergraduate Independent studies and internships

  • (2019/4 - 2019/8) Project: Compositions in homage to Mort Garson's Mother Earth’s Plantasia. Student: Piper Curtis
  • (2019/4 - 2019/8) Project: A “swiss army knife” of barberpole based filtering. Student: Aidan Baker
  • (2019/4 - 2019/8) Project: Developing a live coding environment, language, and performance in Max. Student:  Kasey Pocius
  • (2019/4 - 2019/8) Project: A collection of songs made with non-instruments. Student:  Liam Driscoll
  • (2019/4 - 2019/8) Project: A game composition with a cushion ball and cellphone. Student: Alex Paradis
  • (2019/4 - 2019/8) Project: Macro – Micro - Organic –Transformed Soundscape EP. Student: Mitch Greeley
  • (2019/4 = 2019/8) Project: An EP with field recorded sounds. Student: Anthony Caci
  • (2019/4 = 2019/8) Project: A research/creation project exploring Roland SH2000 synthesizer. Student: Zoe Warren
  • (2019/1 - 2019/5) Project: Creation of a YouTube essay series about media criticism. Student: Sam Donald
  • (2019/1 - 2019/5) Project: Creating and documenting an LP vinyl of electronic music. Student: Jade Oueni 
  • (2019/4 - 2019/8) Project: Supervised internship at MUTEK. Student: Alana DeVitto
  • (2019/4 - 2019/8) Project: Supervised internship at CJLO Radio. Student: Piper Curtis
  • (2019/4 - 2019/8) Project: Supervised internship at Rock Camp for Girls. Student: Zoe Warren
  • (2019/4 - 2019/8) Project: Supervised internship at La Hacienda Studio. Student: Alex Paradis
  • (2018/9 - 2019/5 Project:A Collaborative Production of a Contemporary dance based on the book The Forever War by Joe Haldeman. Student: Kurtis Mitchell
  • (2018/9 - 2019/5) Project: Design of an interactive program in supercollider for electroacoustic composition/performance. Student: Ben Muñoz
  • (2018/9 - 2019/5) Project: Digitization, analysis, and cataloguing of a collection of musical works by women composers from the Audible Women radio show (donated by Stephanie Moore). Student: Kayla Shears 
  • (2018/5 - 2018/8) Project: Creating and documenting an electroacoustic/chiptune EP. Student: Jaian Mascotto
  • (2018/5 - 2018/8) Project: Implementing the use of a consumer grade EEG Brain Research headset as real time audio controller and compositional tool. Student: Diana Lazzaro 
  • (2017/9 - 2018/6) Project: Research into the history of women in electronic music and facilitation of an in-progress publication of an edited volume on the topic (Vernon Press, co-editors Donna Hewitt and Eldad Tsabary). Student: Cassandra Beauvais
  • (2017/9 - 2018/5) Project: A co-supervised internship at Eastern Bloc. Student: Tatum Wilson
  • (2017/9 - 2018/5) Project: A co-supervised internship at Revolution Studio. Student: Cassandra Beauvais
  • 2017/9 - 2018/1) Project: A new score and sound design for Chris Marker’s 1962 film La Jetée. Student: Devon Hansen
  • (2017/6 - 2017/9) Project: A research/creation project investigating three first-nation centred incidents with weighty political implications, yielding three sound/radio compositions. Student: Matt Murphy
  • (2017/5 - 2017/9) Project: The construction of several guitars and banjos in an investigation into the timbre of different wood species. Student: Liam Fenton
  • (2017/5) Project: Jerusalem Fine Arts Field School. A two week intensive interdisciplinary field school in Jerusalem with 12 fine arts students, each with a Jerusalem focused project. The project involved tours of the land, gallery visits, workshops in various arts, and research/material collection by the students leading to an exhibition of their works, titled Mediating Grounds: A Field Study, at le livart (Montreal), October 5th 2017.
  • (2017/1 - 2017/5) Project: Building an electroacoustic instrument for performance of mixed dance/electroacoustic music. Student: Devon Hansen
  • (2016/9 - 2017/2) Project: Envisioning and organizing “Loudspeakers”: A conference focused on gender and race in audio technologies and music production. Student: Joanne Mitrovic
  • (2016/9 - 2017/1) Project: Building a wireless hand-worn midi controller for live electronic music. Student: Georges Varoutsos
  • (2016/9 - 2017/1) Project: A research/creation project investigating effective ways to blend art (electroacoustic) music and dance electronic music. Student Devon Hansen
  • (2016/6 - 2017/12) Project: Composition and sound design for a KO-OP video game. Student: Omar Dabbous
  • (2016/5 - 2016/8) Project: A journal about film production sound mixing. Student: Ilyaa Ghafouri
  • (2016/5 - 2016/8) Project: Sound in the theatre: A scenographic sound installation. Student: Ilyaa Ghafouri
  • (2016/6 - 2016/8) Project: Designing a mixed string/electroacoustic instrument. Student: Alex MetCalfe
  • (2016/4 – 2016/9) Project: CLOrk 22h22. A group of 18 CLOrk players preparing a performance with pop singer Ariane Moffatt at the Musée d'Art Contemporain Montréal (MAC)
  • (2016/1 - 2016/4) Project: Mood Ring: an audio installation that interacts with the movement of human bodies. Student: Thomas Speakman
  • (2016/1 - 2016/4) Project: A collection of mini microtonal polyphonic compositions exploring swarm effect. Student: Sylvain Paradis
  • (2016/1 - 2016/4) Project: Creation of Generative, Process-based, Stochastic, and Algorithmic systems for artists. Student: Rafferty McMahan
  • (2016/1 - 2016/4) Project: An interactive sound installation designed to explore user-defined harmonic structures and the relationship of sound with space and material through vibrating cubes. Student: Thomas Christie
  • (2015/9 - 2016/3) Project: Sound design for the play TRAGIC CYCLE I Elektra/Orestes at Dawson College, Montreal. Student: Cassandra Beauvais
  • (2015/9 - 2016/4) Project: Crystal Interface: A large-scale interactive sound installation, presented at Espace Cercle Carre and Matralab, Montreal. Student: Tyler Lewis
  • (2015/9 - 2015/12) Project: A large collection of electroacoustic micro compositions. Student: Marcus Aterman
  • (2015/9 - 2015/12) Project: Composing and performing microtonal music. Student: Sarah Feldman
  • (2015/5 - 2015/8) Project: A rule based algorithmic program for rhythmic analysis and composition. Student: Phillip Blanchet.
  • (2015/5 - 2015/8) Project: Creating a mechanical/midi banjo for electroacoustic improvisation. Student: Patrick D. Molicki
  • (2015/5 - 2015/8) Project: Sound for video. Student: Wes Moran
  • (2015/1 - 2015/5) Project: Making a better performance game: An analysis of qualitative play tests. Student: Michael Palumbo
  • (2014/9 - 2015/5) Project: Talk to Me – Radio Art project with individuals who have gone through the Canadian prison system. Student: Elena Stoodley.
  • (2014/1 - 2014/5) Project: An album and performance. Students: Olga Rozin and Giselle Martel (co-supervised with Liselyn Adams).
  • (2013/9 - 2014/5) Project: A live controlled algorithmic composition for a laptop chamber group. Student: Reginald Kachanoski.
  • (2013/7 - 2014/1) Project: Creating a generative composition patch in Max/MSP. Student: Byron Edelmann.
  • (2013/6 - 2013/12). Project: A live algorithmic performance system, in Pure Data. Student: Peter van Haaften
  • (2013/6 - 2013/9). Project: Whale 2013: creating a program (PD) to interact with beluga whales at the Churchill River estuary and Hudson Bay (Canada). Student: Jamie Woollard. Presented at the Inter/Actions conference, Bangor.
  • (2013/6 - 2014/1). Project: An EP of electroacoustic hip-hop (BUFFLO). Student: Devon Bate. Accomplishments: An official CD release.


Teaching activities

Courses taught

Courses taught at Concordia

  • Concordia Laptop Orchestra (2010-present)
  • Aural Training for Electroacoustics I (2005/06, 2008-present)
  • Aural Training for Electroacoustics II (2008/09, 2010-present)
  • Mentor for electroacoustics at Feminist University Seminar (2017-present) 
  • Jerusalem Fine Arts Field School (2017)
  • Electroacoustics (composition) I (2006-2009)
  • Electroacoustics (composition) II (2008/09, 2011/12)
  • Edison to iPod: the history of sound from loudspeaker (2006-2008)
  • Music Composition (2011/12)
  • Digital Editing (2010/11)
  • Sound for Artists (2005/06)

Courses taught at Musitechnic
  • Sound Recording Theory (2007-2012)
  • Digital Audio Theory and Pro Tools (2007-2011)
  • Applied Synthesis (2007/08)
  • Sampling (2007-2010)
  • MIDI Language and Interactivity (2007/08)
  • MIDI Environment: MIDI Studio and Introduction to Post Production (2007-2010)
  • Organization: Sound Design and Music for Image (2009-2011)
  • Sequencer (2009-2011)
  • Music Theory (2010-2011)
  • Music Production (2012-2013)


Music and art

  • (2020-07-18) Live coder, as part of the Supercontinent ensemble. A performance at the Network Music Festival 2020 (online).
  • (2020-07-17) Electronics and ensemble direction. Trust is a One Way Street (TOWS), a performance with Amir Amiri (santur) and Mynah Marie (accordion and electronics) at the Network Music Festival 2020 (online).
  • (2020-06-28 and 2020-05-31) Composer: Trombonist Andrew Pacht performs New Kid on the Mountain (2001) in remote recitals ("Fundraising Recital for Dan" and "In Solitude").
  • (2020-06-10) Live coder: SuperContinent Live: A performance and conversation at Concordia University’s 4th Space.
  • (2020-05-22) Live coder, as part of the Supercontinent ensemble. A performance at the HalfStack Online JavaScript event.
  • (2020-05-04) Composer: Trombonist Andrew Pacht performs New Kid on the Mountain (2001) in a remote recital "Bone House Recital".
  • (2020-03-19) Live coder, as part of the Supercontinent ensemble. A remote multi-continent live coding ensemble in the EulerRoom Equinox 2020 online algorithmic event.
  • (2020-02-15) Live coder, as part of the Supercontinent ensemble. Algorave Tokyo at the Ochai Soup venue. A remote multi-continent performance to live audience in Tokyo.
  • (2019-12-17) Performer, laptop and live coding. Electro-Acoustics at Mazkeka venue (Jerusalem). A quartet of improvisers with Mynah Marie (Accordion and live coding), Shira Legmann (keyboards and DIY synthesizer), and Or Sinai (Doublebass).
  • (2019-06-14) Performer, Concordia Laptop Orchestra (CLOrk) - (all the same) (all different) by Kasey Pocius: A performance lead by Pocius at the Centro Cultural y de Convenciones, Teatro los Fundadores, Manizales, Colombia, as part of the Festival Internacional de la Imagen2019(2019-06-11) Performer, Concordia Laptop Orchestra (CLOrk) - an improvised street performance at Torre Del Cable, Manizales Colombia, as part of the Festival Internacional de la Imagen 2019.
  • (2019-05-18) Concordia Laptop Orchestra (CLOrk) - (all the same) (all different) by Kasey Pocius: A performance lead by Pocius at the Embodied Interventions Le PARC event, in the EV building BlackBox, Concordia University.
  • (2019-05-07) Concordia Laptop Orchestra (CLOrk) - (all the same) (all different) by Kasey Pocius: A performance lead by Pocius at the lauréats de bourses Hexagram 2019 event, Agora Hydro-Québec UQAM.
  • (2019-04-11) Director, Concordia Laptop Orchestra (CLOrk) - CLOrk Believes in Spring: a collaboration with Gary Schwartz, Tariq Harb, Michael Pinsonneault, Corey Thomas, and Alex Paradis with video by Aidan Baker, at the Milieux Institute 11th floor lobby of the EV building, Concordia University.
  • (2019-03-21) Director, Concordia Laptop Orchestra (CLOrk) - Text-Sound: with Swiss sound poets Vincent Barras and Jacques Demierre and singer Ayelet Rose-Gottlieb at The 4th Space (Library Building), Concordia University.
  • (2019-03-07) Director, Concordia Laptop Orchestra (CLOrk) - Perfect Moments: with Max and Honey Pazhutan, at the Visualization Lab (Library building), Concordia University.
  • (2019-02-07) Director, Concordia Laptop Orchestra (CLOrk) with DJ Ohm, Concordia University, Department of Music.
  • (2019-01-14) Broadcast: the piece Tikkun Nefesh in the radio show Acoustic Frontiers (hosted by Ralph Hopper) on CKCU FM 93.1, Ottawa ON, Canada.
  • (2018-12-31) Broadcast: the piece Silicon-based Life in the radio show Acoustic Frontiers (hosted byRalph Hopper) on CKCU FM 93.1, Ottawa ON, Canada.
  • (2018-11-18) Director, Concordia Laptop Orchestra (CLOrk) at Music in New Technologies (MINT) forum, University of Kings College, Halifax, NS.
  • (2018-07-02) Broadcast: the piece The Soul of the City in the radio show Acoustic Frontiers (hosted byRalph Hopper) on CKCU FM 93.1, Ottawa ON, Canada.
  • (2018-04-12) Director, CLOrk goes Free Jazz, with Michael Pinsonneault and Eden Bahar, Department of Music, Concordia University.
  • (2018-03-22) Director, Concordia Laptop Orchestra with Andrea Young, Concordia University, Department of Music.
  • (2018-03-08) Director, Set Phasers To Stun: CLOrk, Amanda Christie, & Damaris Baker, Eastern Bloc, Montreal.
  • (2017-12-08) Live coder. Cybernetic Orchestra: Cybernetic Orchestra and friends. A collaborative Estuary/TidalCycles performance at ICLC Algorave 2 at Jeudi 27, Morelia, Mexico.
  • (2017-04-14) Director, performer. CLOrk with guests Kathy Kennedy, Elizabeth Millar, Mallika Guhan, and Channel No One (Eric Séguin & Justin Wright), Eastern Bloc, Montreal.
  • (2017-04-04) Collaborator. CLOrk at L'Arsenal, a mobile phone interactive performance organized by Ilyaa Ghafouri. Part of TD Cultural Tuesday, Montreal.
  • (2017-03-23) Director, CLOrk with Kathy Kennedy and Damaris Baker, Concordia University, Music Department.
  • (2017-03-11) Director, performer. Eldad Tsabary and the SARU Laptop Orchestra, Audiograft Festival, Old Fire Station, Oxford UK.
  • (2017-02-09) Director, CLOrk - No Complaints, a collaboration with electroacoustic duo No Complaints (Fernando Alexis & Line Katcho), Concordia University, Music Department.
  • (2017-02-08) Broadcast: the program Six Pillars by Fari Bradley featured the piece Homo Religiosus on Resonance FM, 104.4 FM, London UK.
  • (2016-10-21) Director, CLOrk at Akousma Festival 2016, Usine C, Montreal.
  • (2016-09-29) Director, CLOrk 22h22 : Ariane Moffatt with Concordia Laptop Orchestra at the Musée d'art contemporain de Montréal (MAC), part of Les Journées de la culture, organized by Culture pour tous.
  • (2016-04-07) Organizer, director. Concordia Laptop Orchestra (CLOrk): CLOrk with QUADr (Myriam Boucher, Alexis Langevin-Tétrault, Lucas Paris, and Pierre-luc Pierre-Luc Lecours) and Choeur Élan Choir (directed by Damaris Baker). Concordia University, Music Department.
  • (2016-03-24) Organizer, director. Concordia Laptop Orchestra (CLOrk): CLOrk with Nashim Gargari and Jeremie Jones. Concordia University, Music Department.
  • (2016-03-24) webcast: Martian Gardens, Taint Radio Version. Piece: Creatures of the Ice (2006).
  • (2016-03-10) Organizer, director. Concordia Laptop Orchestra (CLOrk): CLOrk and Sponge, with Martin Marier. Concordia University, Music Department.
  • (2016-02-18) Organizer, director. Concordia Laptop Orchestra (CLOrk): CLOrk with Le Trio Carson (Alain Lefebvre, Hazy Montagne Mystique, & Guillaume Vallée). An audiovisual performance. Concordia University, Music Department.
  • (2016-02-04) Organizer, director. Concordia Laptop Orchestra (CLOrk): CLOrk with CCRMA and York. A telematic performance with Chris Chafe, Michael Palumbo, Michael Pinsonneault, and others. Concordia University, Music Department.
  • (2015-11-06) Organizer, conductor, presenter. Concordia Laptop Orchestra (CLOrk) at the Learning and Teaching Music in the Twenty-First Century: The Contribution of Science and Technology 2015, McGill University, Montreal.
  • (2015-10-30) Live coder: Shared buffer #10. A telematic performance at the 139th International Audio Engineering Society (AES) Convention, Jacob Javits Centre, New York City, a concert organized by Michael Palumbo.
  • (2015-10-16) Composer: a piece at the 60x60 Presenters mix, played at the Fleischmann Planetarium and Science Centre in Reno, Nevada (organized by Vox Novus).
  • (2015-09-26) Live coder, presenter: Shared buffer #9. 41st International Computer Music Conference (ICMC) 2015, Denton, Texas.
  • (2015-07-29) Live coder: Shared buffer #8. 12th Sound and Music Computing Conference (SMC) 2015, Maynooth University, Ireland.
  • (2015-07-13) Live coder: Shared buffer #7. International Conference on Live Coding (ICLC) 2015, Leeds, UK.
  • (2015-05-29) Live coder: Shared buffer #6. Web We Want Festival, Southbank Centre, Belvedere Road, London.
  • (2015-04-09) Organizer, conductor. Concordia Laptop Orchestra (CLOrk): Shedding. Featuring anaudiovisual piece with piano by Jamie Woollard and Nania Sergi, a piece by Bennett Dobni, and a telematic (phone) collaboration with Stephen Cooley.
  • (2015-03-26) Organizer, conductor. Concordia Laptop Orchestra (CLOrk): Game of Drones. Featuring a telematic collaboration with Doug Van Nort and his York University Laptop Ensemble, live coding with tidal and extramuros, and pianist Tram Minh Nguyen. Concordia University, Music Department.
  • (2015-02-19) Organizer. Concordia Laptop Orchestra (CLOrk): Laptops…in…spaaaaaaaace. A performance featuring NASA sounds, network music, and a tribute to film music. Concordia University, Music Department.
  • (2015-01-29) Organizer, conductor. Concordia Laptop Orchestra (CLOrk): The Waiting Room. A collaboration with Eric Boivin and Albérick. Concordia University, Music Department.
  • (2015-01-15) Curator. FARR 60 x 60: a month-long installation at the Concordia Fine Arts Reading Room, exhibiting 8 student sound works inspired by books in the collection.
  • (2015-01-14) Co-organizer, Music director. 60x60 Concordia Music-video-dance-theatre-lighting. DB Clark theatre.
  • (2014-11-20) Composer. HaGuGum (for trombone and piano). 75th OSM Standard Life competition (semifinals) at Tanna Schulich Hall, McGill University.
  • (2014-11-15) Live coder. Shared Buffer #5. The 12th annual Piksel Festival (Bergen, Norway).
  • (2014-11-01) Flutist, pianist. A tribute to Nitza Parry. Federation CJA.
  • (2014-10-18) Laptop performer (live coder). Shared Buffer #4. Electronic Music Midwest (Lewis University, Romeoville, IL).
  • (2014-10-11) Network manager, live coding performer. Telematic Embrace: You had me at hello world. Telematic (Hexagram blackbox, Montreal and CCRMA, Stanford University).
  • (2014-09-28) Laptop performer (live coder). Shared Buffer #2. Network Music Festival, Birmingham.
  • (2014-07-19) Composer. Creatures of the Ice (2005). World Listening Day Events, NAISA space, Toronto.
  • (2014-05-24) Laptop performer (live coder). Shared Buffer #1. TransX festival (NAISA space, Toronto, telematic).
  • (2014-05-21) CLOrk director. CLOrk at CCA (Media and Machines exhibition). Canadian Centre for Architecture (CCA).
  • (2014-05-12) Laptopist, CLOrk director. CLOrk playing Trésors caches at the opening of 83e Congrès de l'Acfas. Concordia University, Montreal.
  • (2014-05-03) Artistic collaborator, technical director. Yodel EA OH!. Multi-local (telematic) as part of Deep Wireless Festival (NAISA, Toronto).
  • (2014-05-02) Composer. Juicer (2014). Sonic Vigil 8 at National Sculpture Factory, Cork City, Ireland.
  • (2014-04-13) Composer. HaGuGum (for trombone and piano). 13th street piano series, Canadian Music Centre.
  • (2014-04-10) Director, organizer. Blind dates, animals, spectrograms, and things of that nature. Concordia University, Music Department.
  • (2014-03-20) Organizer, director. Spring Equinox in Sound. Phi Centre, Montreal.
  • (2014-03-06) Director, organizer. CLOrk into Darkness. Concordia University, Music Department.
  • (2014-02-13) Co-organizer, CLOrk director. CLOrk Presents: An Improvisational Collaboration with Bradyworks, Doug Van Nort, Ricardo Dal Farra, Concordia Contemporary Ensemble. Concordia University.
  • (2014-01-30) Organizer, Orchestra director. Dancing with Laptops. Concordia University.
  • (2014-01-15) Co-organizer, Music director. 60x60 Concordia Music-video-dance-theatre-lighting. DB Clark theatre.
  • (2013-10-22) Co-director. BeatBits: A telemetronomic piece for two laptop orchestras. CentralConservatory of Music in Beijing Concordia University McMaster University.
  • (2013-04-11) Director. Blast Class (by Concordia Laptop Orchestra). Concordia University.
  • (2013-03-23) Composer, conductor. Creation for laptop and symphonic orchestras. With Orchestre symphonique de l'Isle at Oscar Peterson Concert Hall (Montreal).
  • (2013-03-07) Director. Concordia Laptop Orchestra and Acoustic Friends - Liveware!. Concordia University.
  • (2013-02-23) Composer, conductor, director. Small World Network: A telematic piece for laptops and acoustic ensembles. Birmingham Network Music Festival.
  • (2013-01-17) Director, conductor. Live EA with CLOrk. Concordia University.
  • (2013-01-15) Co-organizer, Music director. 60x60 Concordia Music-video-dance-theatre-lighting. DB Clark theatre.
  • (2012-05-25) Director, conductor. CLOrk at Matralab. Hexagram Black Box: Matralab Comprovisation Workshop.
  • (2012-05-01) Organizer, musical director. Hug The World 2012. Deep Wirless Festival (telematic): 24 cities worldwide.
  • (2012-04-04) Composer, conductor, co-organizer. Dance and EA. Concordia University.
  • (2012-03-23) Composer, conductor, director. Baryon Acoustic Oscillations. ToBeContinued 2012: stazione di topolò (Italy) Concordia University.
  • (2012-01-28) Conductor, co-organizer. CANDLE telematic performance. Calgary University: Happening festival Concordia, McMaster, and Alberta Universities.
  • (2012-01-12) Organizer, conductor. CLOrk with Art Clay. Percolation Turbulence event @ Atomic Caféaccueille (Montreal).
  • (2011-11-20) Composer, conductor. Dancity: A telematic piece for mixed laptop, jazz, and chamber ensembles. Concordia NYU UCSD Queens U (Belfast) Hamburg Hochschule.
  • (2011-11-11) Conductor, co-organizer. CLOrk at CEC25. Canadian Electroacoustic Community’s 25th anniversary (Montreal).
  • (2011-04-23) Laptop performer. Telematic Transform Music. Telematic: NYU, Concordia, UCSD, UC Irvine, University of Washington (DXArts).
  • (2011-04-01) Conductor, director. Bring Your Own Laptop Ensemble. S.A.T. (Montreal): TAMUKE Offrandes pour le Japon / Offerings for Japan.
  • (2011-03-25) Co-composer, conductor, organizer. Concerto for T-Stick and Two Laptop Orchestras. DB Clarke Theatre (Montreal).
  • (2011-01-29) Co-composer, conductor. Durées: A Canada Distributed Laptop Ensemble piece. Telematic: Concordia, Calgary University, U of Alberta (Edmonton).
  • (2010-08-04) Composer, flutist, laptopist. Tikkun Nefesh for flute and 12 channel electronics. Toronto Electroacoustic Symposium at Wychwood Artscape Barns (Toronto).
  • (2010-05-30) Director, curator. 60x60 Order of Magnitude. Congress 2010: FOFA Gallery, Concordia (Montreal).
  • (2010-05-22) Composer. Fire in the Wire in 60x60 at 35 venues worldwide.
  • (2010-05-08) Co-composer, flutist, laptopist. From My Home to Your Home: A 20-minute multichannel telematic duet. Telematic: Deep Wireless Festival (Toronto) Concordia (Montreal) Calgary U.
  • (2010-02-17) Composer, organizer. Tikkun (healing) for trombone and 10-channel electronics. Oscar Peterson Concert Hall (Montreal).
  • (2010-02) Article: Musicworks Magazine, Issue #108 featured an article titled "Composing Religion" about Tsabary's piece Tikkun Nefesh (also included in the #108 CD release), https://www.musicworks.ca/featured-article/works/eldad-tsabary.
  • (2009-10-01) Co-composer with Rob Voisey. Outside Turn. The Phillips Collection (Washington).
  • (2009-08-05) Laptop, flute. Live electronic improvisation. New Adventures in Sound Art (Toronto): Sound Travels Intensive concert.
  • (2009-08-04) Co-composer with Yifat Cohen. Heart-lung Machine. New Adventures in Sound Art: Sound Travels Intensive concert.
  • (2009-05-16) Composer. In Memoriam Karlheinz Stockhausen. Elektramusic at CEAAC de Strasbourg.
  • (2009-04-22) Webcast: Elektramusic WebRadioshow for Experimental Music featured the piece Tzu Chi MTL.
  • (2008-07) Album track: 60X60 2006-7 by Vox Novus with the piece One Minute under God (2005).
  • (2008-06-06) 1-2-3-4-5-6-7 (2007) as part of a 60x60 video collaboration with Zlatko Cosic at installation at Stimultania art gallery in Strasbourg, France.
  • (2008-06-28) webcast: Episode 210, Some Assembly Required featured the piece Into-Nation by host Jon Nelson.
  • (2008-05-01) The commissioned piece Whole Heartiness (2008) featured at the Deep Wireless festival and in “Outfront” on CBC Radio.
  • (2008-05) Album track: V/A Deep Wireless V Radio Art Compilation by New Adventures in Sound Art, includes the piece Creatures of the Ice (2006).
  • (2008-04-19) 1-2-3-4-5-6-7 (2007) as part of a 60x60 at CSUF Second Annual New Music Festival California State University, Fresno, California.
  • (2008-04-19) 1-2-3-4-5-6-7 (2007) as part of a 60x60 at Los Angeles Harbor College, Wilmington, California.
  • (2008-04-13) 1-2-3-4-5-6-7 (2007) as part of a 60x60 at Oxford Brookes University, Oxford, England.
  • (2008-04-04) 1-2-3-4-5-6-7 (2007) as part of a 60x60 video collaboration with Zlatko Cosic at installation at New Music Circle, St. Louis, Missouri.
  • (2008-02-01) The piece In the Eye of the Believer (2006) in the FILE Rio 2008 edition at Oi Futuro (Rio de Janeiro, Brazil); the festival will also feature the piece God is Good to Daddy (2003) as part of Agricola de Cologne’s Memoryscape installation.
  • (2008-02-26) 1-2-3-4-5-6-7 (2007) as part of a 60x60 installation at Spark Festival, Minneapolis University, Minneapolis, Minnesota.
  • (2008-02-20) 1-2-3-4-5-6-7 (2007) at Duquesne University, Pittsburgh, Pennsylvania as part of the 60x60 (2007) video collaboration with Zlatko Cosic.
  • (2008-02-09) The piece Tzu Chi MTL (2007) in Sound Café, curated by James Wyness (Scotland).
  • (2007-12-20) The piece Creatures of the Ice as part of Agricola de Cologne’s Soundlab V @ Know Future Festival Rome/Italy.
  • (2007-11-30) The piece 1-2-3-4-5-6-7 (2007) in 60X60 2007 at Collective:Unconscious, New York, New York.
  • (2007-11-15) The piece Creatures of the Ice as part of Agricola de Cologne’s Soundlab V @ the International Digital Art Festival Rosario/Argentina.
  • (2007-11-14) The piece 1-2-3-4-5-6-7 (2007) in 60X60 2007 at John L. Hill Chapel, Georgetown College, Georgetown, Kentucky.
  • (2007-11-14) The piece 1-2-3-4-5-6-7 (2007) in 60X60 2007 at University of Central Florida (Orlando, Florida).
  • (2007-11-09) Presented the 60X60 Canadian premiere at the Oscar Peterson Concert Hall in Concordia University, Montréal (including the piece 1-2-3-4-5-6-7).
  • (2007-11-06) The piece 1-2-3-4-5-6-7 (2007) in 60X60 2007 at at Longy School of Music (Cambridge, Massachusetts).
  • (2007-11-05) The piece 1-2-3-4-5-6-7 (2007) in 60X60 2007 at Merrill Ellis Intermedia Theater, UNT College of Music (Denton, Texas).
  • (2007-11-01) The piece Creatures of the Ice as part of Agricola de Cologne’s Soundlab V @ NewMediaFest 2007 (Cologne).
  • (2007-10-13) The piece In the Eye of the believer (2006) presented in the Electroacoustic Music Festival of Santiago de Chile “Ai-maako” organized by the Electroacoustical Chilean Community (Santiago, Chile).
  • (2007-10-05) Presented the pieces Tzu Chi MTL (2007) and In the Eye of the Believer (2006) at the Harvest Moon Concert Series at the Oscar Peterson Concert Hall, Concordia University (Montréal QC).
  • (2007-10-01) The piece One Minute Under God (2006) in 60x60 2006 at North Carolina State University (Raleigh, NC).
  • (2007-10) Album track: What More do you Need than a Recorder? (Ambolthue Records, Oslo) including the piece In the Eye of the Believer (2006).
  • (2007-09-06) The pieces Creatures of the Ice (2006) and Into-Nation (2004) were presented as part of the multimedia event “the Happening” curated by Sharon Gal with the support of Israel office of cultural affairs in the UK at The Basement (London).
  • (2007-08-26) The piece One Minute Under God (2006) in the 60x60 dance collaboration with Jeramy Zimmerman @ Jan Hus Church (New York, NY).
  • (2007-08-14) The piece In the Eye of the Believer (2006) in the HIPERSONICA festival at the SESI gallery (Sao Paulo, Brazil).
  • (2007-08) Album track: 60X60 2004-5 by Vox Novus with the piece Decay Date 14 April 1966.
  • (2007-07-30) The piece One Minute Under God (2006) in the 60x60 Munich Mix @ Ruth S. Harley "University Center" Ballroom Adelphi University (Long Island, NY).
  • (2007-07-14) The piece In the Eye of the Believer (2006) in the Digital Art Weeks 2007 soundscape event at Klangpur (Zurich).
  • (2007-07-07) With the assistance of Canada Council for the Arts, presented the piece In the Eye of the Believer (2006) in the Digital Music Research Network Conference at Leeds Metropolitan University (UK).
  • (2007-07) Album track: Electroacoustic Music CD Vol. 2 (Elektramusic, Paris) includes the piece Creatures of the Ice (2006).
  • (2007-07) Album track: Music no Music (Vibrö magazine, Paris) includes the piece Into-Nation (2004).
  • (2007-06-30) The piece In the Eye of the Believer is featured by the Canadian Music Centre in its program Composer Portraits: Influences of Many Musics.
  • (2007-06-26) The two trombone pieces Mikhtav (2006) and Elohay, Neshama (2007) at a recital in the Summer Trombone Workshop by Haim Avitsur at Rock Hall, Temple University (Philadelphia, PA).
  • (2007-06-10) One Minute under God (2006) as part of the 60X60 international mix @ Amadeus Centre (London, UK).
  • (2007-06-07) One Minute under God (2006) as part of the 60X60 international mix @ "Theatersaal" of the University Bremen (Bremen, Germany).
  • (2007-06-01) The piece The Cosmic Chainsaw (2004) in the Prague Quadrennial Scenofest 2007.
  • (2007-05-24) The piece Creatures of the Ice (2006) in the Cycle de Concerts de Musique par Ordinateur 2006/07, Université Paris VIII.
  • (2007-04-28) The piece In the Eye of the believer (2006) in the 3ra Bienal Patagonica de Musica Electroacustica y Arte Sonoro (Patagonia, Argentina).
  • (2007-04-21) The piece One Minute under God (2006) was presented as part of the 60x60 (international) event at the Oberlin Conservatory of Music, Fairchild Chapel (Oberlin, Ohio).
  • (2007-04-19) Sponsored by Conseil des arts et des lettres du Québec, presented the piece Into-Nation.1 (2006) at the Signal and Noise Festival in Vancouver.
  • (2007-03-24) The piece In the Eye of the Believer (2006) was presented at the WOCMAT 2007 conference at National Chiao Tung University, Hsinchu, Taiwan.
  • (2007-03-04) The piece In the Eye of the Believer (2006) broadcasted as part of the Santa Fe International Festival of Electroacoustic Music 2007.
  • (2007-03-01) The piece In the Eye of the Believer (2006) was selected for presentation at the Sonorities 2007 Festival in Belfast, Ireland.
  • (2007-02-26) The piece One Minute Under God (2006) was presented as part of the 60x60 event (international) at University of North Texas (Denton, Texas).
  • (2007-02-12) The piece Bendicho juez de la verdad (2000) aired as a winner in the Public Art Project Competition 2007 by Fundación Altadis-Madrid Abierto.
  • (2007-02-09) The piece God is Good to Daddy (2003) As part of Agricola de Cologne’s exhibition ://selfprortrait a - show for Bethlehem - a show for Peace opening at MACRO - Contemporary Art Museum Rosario/Argentina.
  • (2007-02-08) Presented own piece In the Eye of the Believer (2006) in the Concordia University EuCuE concert series.
  • (2007-01-29) Psychotropic (57 minutes) featured on DEGEM WebRadio@ZKM (Germany) everyday between 17:00 to 20:00 for five weeks.
  • (2006-12-16) The piece God is Good to Daddy (2003) in Agricola de Cologne’s selfportrait–a show for Bethlehem at the Casoria Contemporary Art Museum (Naples, Italy).
  • (2006-12-10) Chris Bruckman performed the piece Tarot Images for piano (1999) in a recital at the Wave Hill botanical garden in Riverdale (NYC).
  • (2006-11-30) The piece Creatures of the Ice (2006) in the III "International Festival of Electronic Art 404" at Plaza Cívica and Centro Cultural Parque de España, Rosario / Argentina.
  • (2006-11-18) The piece One Minute Under God (2006) as part of 60X60 2006 concert at Harbor College, (Los Angeles).
  • (2006-11-16) The piece God is Good to Daddy (2003) as part of Agricola de Cologne’s “Memoryscapes” at Festival Arte Digital Rosario/Argentina.
  • (2006-11-11) The piece The Cosmic Chainsaw (2004) at the Unsafe 2 Festival of Improvised and Experimental Music, 2006 (Lighthouse, Poole, UK).
  • (2006-11-10) The piece One Minute Under God (2006) as part of 60X60 2006 premier at Collective: Unconscious, Tribeca (NYC).
  • (2006-10-20) God is Good to Daddy (2003) as part of Agricola de Cologne's Soundlab Channel, Edition IV "Memoryscapes" installation was presented at PI 5 Intermedia Art Festival Szczecin (Poland).
  • (2006-09-21) Presented the work Creatures of the Ice (2006) at the Mid-Autumn Harvest Moon Festival, Concordia University, Montréal.
  • (2006-07-18) The work In the Eye of the Believer (2006) – 3rd prize winner of ZKM’s international electroacoustic music competition Shortcuts: Beauty - was played four times (18, 22, 25, and 28 July 2006) at ISCM World New Music Festival at the Kunstmuseum stuttgart.
  • (2006-07-12) The work Creatures of the Ice (2006) was presented at Digital Art Weeks Symposium 2006 in Zurich.
  • (2006-06) Score: Three Haim Sabari Poems [V-43] for alto, guitar, and cello is published and distributed worldwide by publisher Editions BIM Switzerland (30 pages).
  • (2006-05-13) The piece Intercultural Phase was a first prize winner of Harbourfront Centre New Canadian Sound Work competition 2006; the commissioned sound work was officially launched as a Podcast from Harbourfront Centre’s website as part of of digifest 2006: mods.
  • (2006-04-01) Presented the piece Neshama (2004) at the Ammerman Center for Arts and Technology at Connecticut College, Biennial Symposium for Arts and Technology (New London, CT).
  • (2006-03-24) As part of the cultural festival accompanying the 2006 Commonwealth Games in Melbourne, the piece Creatures of the Ice (2006) was selected for presentation in the installation Empirical Soundings curated by Jacques Soddell at the council meeting room of the historic Bendigo Town Hall (Bendigo, Australia).
  • (2006-03-14) The piece Decay Date 14 April 1966 in the 60x60 (2004) multimedia collaboration with Shimpei Takeda at Sydney Conservatorium of Music, The University of Sydney (Sydney, Australia).
  • (2006-02-22) The work Julia (2005) on Spark Radio, Spark Festival of Electronic Music and Art 2006 (Minneapolis, MN).
  • (2006-02-12) The piece Julia (2005) in Santa Fe International Festival of Electroacoustic Music, Radio Broadcast (Santa Fe, NM).
  • (2006-01-09) Decay Date 14 April 1966 (2004) at Chashama, part of the 60X60 2004 project with video artist Shimepi Takeda (New York, NY), 9 Jan – 29 Jan.
  • (2005-12-14) Decay Date 14 April 1966 (2004) part of the 60X60 2004 at the Essl Collection (Klosterneuburg, Austria).
  • (2005-12) Web: a piece in “A Memorial for the Victims of Terror” created by Agricola de Cologne.
  • (2005-11-26) The piece Un sac avec un micro (2005) in the Sound Café Event at the Jedburgh Community and Arts Centre, the Butterfield Gallery (Scotland).
  • (2005-11-25) Broadcast: “Framework” on Resonance 104.4FM (London).
  • (2005-11-18) The piece Unearthly Sadness Takes Over (2004) in the Biennale of Video & New Media Santiago, Chile (18-28 November 2005), included in the interactive installation of [R][R][F]2005--->XP.
  • (2005-11-12) Decay Date 14 April 1966 in the 60x60 (2004) multimedia collaboration with Shimpei Takeda at Auditorium of the National Conservatory of Region of Lille (Lille, France).
  • (2005-11-11) Webcast: “Episode #6 – Comfort Stand Records” on Bedroom Radio (web).
  • (2005-11-05) Unearthly Sadness Takes Over (2004) at FILE - Hipersonica Festival (Sao Paulo, Brazil) part of Soundlab Channel compilation (curated by Agricola de cologne).
  • (2005-11-04) A recital by singer Silvie Jensen at The Construction Company (NYC); work: Three Haim Sabari Poems (1998).
  • (2005-11-01) The work T.O.R.E.T. (2003) in Concert #1 at LaSalle University (Philadelphia) – part of a conference with the subject of electroacoustic works with popular music influences.
  • (2005-10-31) Unearthly Sadness Takes Over (2004) at FILE - Electronic Language Festival (Sao Paulo, Brazil) part of the interactive installation of [R][R][F]2005--->XP.
  • (2005-10-20) Unearthly Sadness Takes Over (2004) at Select Media 4 Festival (Chicago, IL) part of the interactive installation of [R][R][F]2005--->XP (20 October - 13 November).
  • (2005-10-19) The piece Into-Nation (2004) at Zeppelin 2005, Festival of Sound Art (Barcelona, Spain).
  • (2005-10-14) Unearthly Sadness Takes Over (2004) at Regina Gouger Miller Gallery at Carnegie Mellon University, Pittsburg (14 October - 11 December 2005), in the interactive installation of [R][R][F]2005--->XP, in the framework of Groundworks - Environmental Collaboration in Contemporary Art.
  • (2005-10-08) Unearthly Sadness Takes Over (2004) at Agricola de Cologne’s IMPACT'SA 05, an event series in South America (Argentina, Chile, Uruguay, Brazil), 8 October – 27 November.
  • (2005-10) Broadcast: “Inner Space” on FM 100.5 (Zagreb, Croatia).
  • (2005-08-29) The piece The Digestive System of Lizards with Gastro-intestinal Disorder (collaboration, 2005) as part of Audilisk, an art installation by Rob Baseel and Erik Poulson at the Burning man Festival 2005 at Black Rock, Nevada.
  • (2005-08-25) Broadcast: “Art on Air” on CKLN 88.5 (Toronto).
  • (2005-06-19) Broadcast: “Magentic Tape” on WZBC 90.3 FM (Boston MA).
  • (2005-06-09) Flutes of the Black Forest (2004) at Club Kadan (San Diego, CA).
  • (2005-06-04) “Quiet Space” on ABC Radio National (over 260 frequencies around Australia).
  • (2005-06-01) The piece I, Roomba (2005) in the work overture project, Festival Synthese no. 35 2005 (Bourges, France).
  • (2005-05-30) The piece Soul of the City (2004) at Deep Wireless Festival 2005 Radio Art Station.
  • (2005-05-27) The work Parc du Portugal (2005) at Radio Taxi program at Taxi Gallery (Cambridge, England).
  • (2005-05-10) The piece Soul of the City (2004) at Deep Wireless Festival 2005 Radio Art Station (Toronto, Canada).
  • (2005-05-09) Lucky Cat, (Brooklyn, New York); work: Decay Date 14th April 1966 (2004).
  • (2005-05-09) Broadcast: “Foldover” on WOBC 91.5 FM, Oberlin, Ohio.
  • (2005-05-08/9) Broadcast: “Elektra Radioshow for Experimental Music” (Lewis University Romeoville, IL).
  • (2005-05-07) Bellingham Electronic Arts Festival (Bellingham, Washington); works: Flutes of the Black Forest, Soul, The Cosmic Chainsaw.
  • (2005-05) Album: Eldad Tsabary – Psychotropic (ISA2101) on Infinite Sector.
  • (2005-05) Broadcast: CKLN 88.1 FM throughout the month of May (Ryerson University, Toronto, Canada).
  • (2005-04-27) Webcast: UMBC’s art@radio.
  • (2005-04-17, 2005-04-03, 2005-03-13) Broadcast: “Martian Gardens” on WMUA 91.1 FM, Amherst, MA.
  • (2005-04) Album track: V/A Deep Wireless II Radio Art Compilation by New Adventures in Sound Art, includes the piece Soul of the City.
  • (2005-04) Web: A piece in the web-based Tsunami Memorial created by Agricola de Cologne.
  • (2005-03-19) Collective: Unconscious (Tribecca, New York); work: Decay Date 14th April 1966 (2004).
  • (2005-03-07) Western Illinois University New Music Festival 2005 – invited to attend as guest composer and present the pieces Flutes of the Black Forest and The Cosmic Chainsaw (2004).
  • (2005-03-13, 2005-03-06) broadcast: “Martian Gardens” on WMUA 91.1 FM, Amherst, MA.
  • (2005-02-28) broadcast: “Foldover” on WOBC 91.5 FM, Oberlin, Ohio.
  • (2005-02-27) broadcast: “Martian Gardens” on WMUA 91.1 FM, Amherst, MA.
  • (2005-02-17) The work Decay Date 14 April 1966 (2004) at Spark Festival, Weisman Museum (Minneapolis, Minnesota).
  • (2005-01-17, 2005-01-16) broadcast: “Martian Gardens” on WMUA 91.1 FM, Amherst, MA.
  • (2005-01-16) broadcast: “Space Bop” on CKUT 90.3 FM in Montreal, Canada.
  • (2005-01) Score: HaGuGum [TB-62] for trombone and piano by Eldad Tsabary is published and distributed worldwide by publisher Editions BIM Switzerland (15 pages).
  • (2004-12-09) The work Decay Date 14 April 1966 (2004) at Chopin Concert Hall of the National University of Music (Bucharest, Romania).
  • (2004-12-05) broadcast: Analog 99 FM, Italy.
  • (2004-12) Album track: V/A – 60X60 (CPS-8744), Capstone Records, NYC includes Tsabary’s piece Lost-Salvaged-Divined.
  • (2004-11-19) Contemporary Art Museum (St Louis, Missouri); work: Decay Date 14th April 1966 (2004).
  • (2004-11-19) Presented the piece Recurring Lucid Nightmare (2003) at the last EuCuE Concert of the 2004 season at the Oscar Peterson Concert Hall, Concordia University (Montreal, Canada).
  • (2004-11-12) The work The Cosmic Chainsaw (2004) at the 38th Annual Indiana State University Contemporary Music Festival at the Centre for Performing and Fine Arts Recital Hall (Terre Haute, Indiana).
  • (2004-11-09) The Birmingham-Southern College, Hill Recital Hall (Birmingham, Alabama); work: Decay Date 14th April 1966 (2004).
  • (2004-11-07) Under St. Marks Theatre (New York City); work: Decay Date 14th April 1966 (2004).
  • (2004-11-04) Southern Utah University (Cedar City, Utah); work: Decay Date 14th April 1966 (2004).
  • (2004-09) Album track: V/A – Remixes and Collaborations 4 (Infinite Sector MP3 release) includes a collaboration piece Tsabary-Mystified and remixes of Tsabary’s music by other artists.
  • (2004-08-31) The album Psychotropic was part of the Art installation by Erik Poulson at The Burning Man Festival 2004 (Near Gerlach, Nevada).
  • (2004-07) Album track: V/A – Focus to Unfocus (Infinite Sector) includes a piece by Tsabary.
  • (2004-06-06) The piece Sunrise in Detroit (2004) presented at Electrolune day, the 3rd Rencontres Musiques Nouvelles (Lunel).
  • (2004-05-13) The Lobby (New York City); work: Lost-Salvaged-Divined (2003).
  • (2004-04-28) Lost-Salvaged-Divined (2003) at One Arm Red (Brooklyn, NY) – four shows (28 Apr, 29 Apr, 2 May, 5 May).
  • (2004-04-08) Lost-Salvaged-Divined (2003) at “New Music Days” Festival at Bilgi University (Istanbul, Turkey).
  • (2004-04) Album track: V/A – Tabla Ture (by Mystified) – an album of remixes of tabla sounds by various artists includes Tsabary’s piece Under the Tabla.
  • (2004-03-31) Lost-Salvaged-Divined (2003) at the 11th Annual International Electro-Acoustic Music Festival at Brooklyn College (Brooklyn, NY).
  • (2004-03-18) Lost-Salvaged-Divined (2003) at Most Significant Bytes 2004 at the Mount Union College (Alliance, Ohio).
  • (2004-03-17) The work Lucid Nightmare (2003) at “Primavera en la Habana” International Electroacoustic Music festival at Minor Basilica at the San Francisco de Asis Convent (Havana, Cuba).
  • (2004-03-15) Lost-Salvaged-Divined (2003) at Chopin Concert Hall of the National University of Music (Bucharest, Romania).
  • (2004-02) Score: Self Remembering for guitar by Eldad Tsabary is published by Musica Contemporanea, Italy.
  • (2003-12) Album track: Philharmonia Bulgarica, conductor Robert Ian Winstin – Masterworks of the New Era, Vol. 1 (ERM-6692) – First of a 12 CD series – highly praised by author Tom Wolfe - featuring symphonic music of selected contemporary composers, including Tsabary’s piece June 5th, 1973.
  • (2003-11-02) Lost-Salvaged-Divined (2003) at Under St. Marks Theatre (New York City).
  • (2003-09) Album track: V/A – Remixes and Collaborations 3 (Infinite Sector ISC0203) includes Tsabary’s music.
  • (2003-09) Album track: Mystified – The Heavens and their Unity (Independent artist release) – includes Tsabary’s piece Sunrise in Detroit.
  • (2003-08-23) Presented the piece New Kid on the Mountain (2000) at the Electric Rainbow Coalition Festival at Dartmouth College (Hanover, NH).
  • (2003-08) Album track: V/A – collective Compilation 4 (Infinite Sector ISC0104) – a piece by Tsabary.
  • (2003-07) Score: Self Remembering for guitar published online by Eythor Torlaksson Guitar School (Hafnarfjordur, Iceland).
  • (2003-07) Score: Self Remembering for guitar published by Werner Icking Music Archive (Arhus, Denmark).
  • (2003-06-10) Festival Synthese 2003 at Théâtre Jacques Coeur (Bourges, France); work: God is Good to Daddy (2003).
  • (2003-05-19) The work Bendicho juez de la verdad (2000) performed by trombonist Haim Avitsur – New Music for trombone and electronic sounds at Bar Ilan University (Ramat Gan, Israel).
  • (2003-02-26) The piece Sweet&Sour (1999) performed by the Cygnus Ensemble at Elebash Hall, CUNY as part of their residency celebration concert Commissioned through a Chamber Music America Commissioning Grant.
  • (2003-02-07) Bendicho juez de la verdad (2000) in a New Music for trombone and electronic sounds concert at the Construction Company (NYC).
  • (2002-02-10) Bendicho juez de la verdad (2000) at Strictly Ballroom Series at CCRMA, Stanford University (California).
  • (2001-10-09) webcast: UMBC’s art@radio.
  • (2001-06-18) Bendicho juez de la verdad (2000) at the Summer recital by trombonist Haim Avitsur at Goldmark Hall, Mannes College of Music (NYC).
  • (2001-03-28) Tarot Images (1999) performed by Christopher Bruckman at the Soroptimists International of NYC Second Annual Artist-in-training concert, Elebash Hall CUNY (NYC).
  • (2000-11-05) The piece New Kid on the Mountain (2000) in the Artists International Special Presentation Winners Series Trombone Recital at Weill Recital Hall, Carnegie Hall (NYC).
  • (2000-05-04) CUNY Composers Alliance Spring Concert, Elebash Hall (New York City); work: Bendicho juez de la verdad. (2000).
  • (1999-05-07) Mannes Guitar Ensemble Recital at Mannes Concert Hall (New York City); work: Adventures of Whim.
  • (1999-04-29) Eldad Tsabary Graduation Recital, Goldmark Hall, Mannes College (NYC); works: HaGuGum, Adventures of Whim, Tarot Images (1998).
  • (1999-03-27) Music for Modern dance “Fomphie & Lulu” by choreographer Sofia Gal at the Gowanus Arts Exchange (Brooklyn, NY).
  • (1999-02-08) Student composer concert at Mannes Concert Hall (NYC).
  • (1998-12-22) Student composer concert at Mannes Concert Hall (NYC).
  • (1998-11-12) An orchestral piece at a 50th anniversary celebration concert for the state of Israel with the support of Israel office of cultural affairs in the US and Permanent Mission of Luxemburg to the UN at the Mannes Concert Hall (NYC); work: June 5th 1973.
  • (1998-02-20) Student composer concert at Mannes Concert Hall (NYC).
  • (1997-05-22) Graduation Recital by Haim Avitsur, Mannes Concert Hall (NYC); work: HaGuGum.
  • (1997-04-01) Student composer concert at Mannes Concert Hall (NYC).
  • (1995-07-15) Bogrimon solo graduation recital at Beit Lesin Theatre (Tel Aviv, Israel); works: a collection of original songs.
  • (1995-07) Album: Graham Collier – Adam’s Marble (JAZZIS 1025): appeared as flute player.
  • (1995-07) Album track: RAM-Rimon project – Miscellaneous Items (JAZZIS 1026): Includes Tsabary’s flute playing and his piece Lophophora Wiliamsii.
  • (1995-04-01) Music for the play “A Beautiful thing” by Jonathan Harvey produced at the Beit Zvi Theater (Ramat Gan, Israel).
  • (1995-02-01) Music for choreography by dancer Tomer Sharabi.


Event administration

  • Chair, 6th International Conference on Arts and Humanities 2019 (Topic: Decolonization in the arts and humanities), Kuala Lumpur, 2019-09-19 - 2019-09-20
  • Chair, 5th International Conference on Arts and Humanities 2018, Colombo, Sri Lanka, 2018-09-27 - 2018-09-28
  • Chair, North-American hub15th International Conference on Music Perception and Cognition (ICMPC) and 10th Triennial Conference of the European Society for the Cognitive Sciences of Music (ESCOM), 2018-07-23 - 2018-07-28, Graz, Montreal, and Sydney.
  • Organizing committee member, Tenor Symposium: International Conference on Technologies for Music Notation and Representation 2018, Concordia University, Montreal
  • Co-chair, 4th International Conference on Arts and Humanities 2017, Colombo, Sri Lanka, 2017-09-21 - 2017-09-22
  • Program committee Co-chair, Klingt gut! symposium on sound 2017, Hamburg, Germany, 2017-06-08 - 2017-06-10
  • Co-chair,  3rd International Conference on Arts and Humanities 2016, Bali, Indonesia, 2016-09-22 - 2016-09-23
  • Co-chair, Toronto International Electroacoustic Symposium (TIES 2016), Conference, 2016-08-10 - 2016-08-13
  • Chair of Review Committee, Toronto International Electroacoustic Symposium (TIES 2015), Conference, 2015-08-19 - 2015-08-23
  • Advisory committee member, RE-CREATE (hosted by Hexagram), Concordia University, Montreal, 2015-11-05 - 2015-11-08 
  • Advisory Committee member, UPHONIAS - Sounds and Future Environments At Matralab, Concordia University (Montreal), part of festival Montréal Nouvelles Musiques 2015, Conference, 2015-03-06 - 2015-03-07
  • Co-organizer, The Canadian Electroacoustic Community’s 25th Anniversary at Concordia University, Conference, 2011-11-11 - 2011-11-11 
  • Organization Committee member, Balance-unBalance, Conference, 2011-11-04 - 2011-11-05 
  • Co-chair, Understanding Visual Music, Conference, 2011-08-26 - 2011-08-27 
  • Co-chair, Concordia Live and Interactive Electroacoustic Colloquium, Conference, 2011-03-26 - 2011-03-26 

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