Skip to main content

Stephen Monteiro

Assistant Professor, Communication Studies
Assistant Professor, Sociology and Anthropology

Office: L-CJ 5215  
Communication Studies and Journalism Building,
7141 Sherbrooke W.
Phone: (514) 848-2424 ext. 2547

Selected publications


Monteiro, S. (2017) The Fabric of Interface: Mobile Media, Design, and Gender. Cambridge, MA: The MIT Press.

Monteiro, S. (2016) Screen Presence: Cinema Culture and the Art of Warhol, Rauschenberg, Hatoum, and Gordon. Edinburgh: Edinburgh University Press.

Edited book

Monteiro, S. (Ed.). (2017). The Screen Media Reader: Culture, Theory, Practice. New York: Bloomsbury.

Peer-reviewed articles

Monteiro, S. (2023) Gaming Faces: Diagnostic Scanning in Social Media and the Legacy of Racist Face Analysis. Information, Communication & Society, 26(8), 1601–1617.

Monteiro, S. (2020) ‘Welcome to Selfiestan’: Identity and the Networked Gaze in Indian Mobile Media. Media, Culture & Society, 42(1), 93-108. [open access]

Monteiro, S. (2015) ‘Smashing Images in Your Face’: Mobile Perception and Urban Media in James Rosenquist’s Pop. Senses & Society, 10(3), 298-320.

Monteiro, S. (2014) Fit to Frame: Image and Edge in Contemporary Interfaces. Screen, 55(3), 360-378. [open access]

Monteiro, S. (2014) Mapping Moving-Image Culture: Topographical Interface and YouTube. Fibreculture, 23, 27-46. [open access]

Monteiro, S. (2014) Rethinking Media Space. Continuum, 28(3), 281-285. [open access]

Monteiro, S. (2014) Back to Bollystan: Imagined Space and Diasporic Identity in Contemporary Hindi Cinema. Quarterly Review of Film & Video, 31(5), 435-451.

Monteiro, S. (2012) Performing Color: Mechanized Painting, Multimedia Spectacle and AndyWarhol’s Chelsea Girls, Grey Room, 49, 32-55. [open access]

Monteiro, S. (2010) ‘Nothing Is So Dangerous as Hypothesis’: The Mission Héliographique, Photography and the Spectacle of History,” Photography and Culture, 3(3), 297-320.

Back to top

© Concordia University