Pronouns: she/her/elle
Thesis supervisor Unavailable
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Research areas: site-specific performance practice, dramaturgy, intermedial performance creation, scenographic practices, 3D creative technologies & performance, Queer-feminist practices, hemispheric performance, performance & public space, theatre & architecture
I am an interdisciplinary artist-researcher, curator, performance designer, and educator working and living in Tiohtià:ke/Mooniyang/Montréal, on the unceded Indigenous lands of the Kanien’kehá:ka Nation. My teaching, research, and creative practice are consonant with performative, site-specific, intersectional, interdisciplinary, socially-engaged and collaborative approaches to performance creation.
At Concordia I am Associate Dean of Academic Programs and Pedagogy in the Faculty of Fine Arts. I am also Associate Professor of Performance Creation in the Department of Theatre, Creative Director of PULSE, and Studio Director of Immersive Storytelling housed at Milieux Institute for Arts, Culture and Technology. I am co-investigator researcher with Hexagram réseau de recherche-création en arts, cultures et technologies. Between 2018 and 2023 I was appointed a Concordia University Research Chair in Performative Urbanism, and from 2018-2020 I was the Director of Concordia's Institute for Urban Futures.
My transversal approach to teaching has been shaped by twenty years as an educator and organizer in the field of theatre and twenty years experience working professionally, in the performing and live arts; devising, staging, producing and touring, nationally and internationally new contemporary Canadian works created for theatre, opera, and dance. In Canada, I have worked with companies such as Volcano Theatre, Theatre Columbus, the Tarragon and Factory Theatres, Queen of Puddings, Buddies in Bad Times Theatre, among others, as well as toured with theatre projects to the Belfry Theatre, Citadel Theatre, the Manitoba Theatre Centre, and the National Arts Centre.
Current research-creation activities are focused on the dramaturgy and creation of new media performance, and site-responsive mixed reality scenographies that critically engage 3D visualization technologies in queer and feminist productions of space. My ongoing research and creation activities are focused on performative and curatorial engagements with the spatial politics of urban change, and often takes the form of site-specific urban interventions, feminist, collaborative art and community-engaged projects.
In Montreal, I have collaborated with a variety of artist run centres including La Fonderie Darling, Heritage Montréal, Centaur Theatre, Montréal Arts Interculturel, Le Sud-Ouest de Montréal, Parks Canada, and the Centre d’histoire de Montréal. I am a founding member and formerly co-director of Points de vue, a Montreal based community-engaged art, research, and urban activist platform. I have given public lectures and presentations at Mutek (2019), L'Observatoire des médiations culturelles (2022), and for cultural institutions such as the Canadian Centre for Architecture (Ephemeral City, 2010), Articule (“Would you be my curator?” 2012), SBC Gallery, and The McCord Museum (City Talks, 2013). Between 2018 and 2022 I served as the Quebec Representative for the Canadian Association of Theatre Research (CATR). Since 2019 I have been an associate artist with Imago Theatre (Montreal), focusing on feminist approaches to urban dramaturgy and performance creation. In 2014, I was the Associate Producer and Production Director for Manifest: Choreographing Social Movements in the Americas, the 9th Encuentro of the Hemispheric Institute of Performance and Politics at New York University, which was hosted by Concordia and attended by over eight hundred artists, scholars, and activists from across the Americas.
My research-creation projects are supported by the Social Sciences Humanities and Research Council, the Fonds de recherché Québec - Société et Culture (FRQ-SC), and the Office of the Vice President Research and Graduate Studies, Concordia University, and Hexagram. I am currently a co-investigator on two SSHRC Partnership Grants: "Hemispheric Encounters: Developing Transborder Research-Creation Practices." (PI, Dr Laura Levin, 2020-2027), and "Staging Better Futures/Mettre en scène de meilleurs avenirs." (PIs Drs Jennifer Roberts Smith and Nicole Nolette, 2023-2030).
I regularly supervise graduate researchers working across and/or at the intersections of contemporary performance creation, architecture and design, immersive and new media technologies, geography and urban studies, and studio arts - housed within Concordia's Individualized Program, and/or the Humanities PhD, Centre for Interdisciplinary Studies in Society and Culture. If you are a potential graduate student and would like to work with me, I am interested in supervising research projects focused on contemporary performance and spatial practices taking place within the city, artistic investigations with the spatial politics of urban change, site-specific and intermedial performance creation, political approaches to scenographic practices, (histories of) art and urban activism, expanded and new media dramaturgy, queer and feminist performance practices, interdisciplinary and hemispheric performance research-creation methodologies, and open to working with adjacent fields of study. Research-creation applicants must have a strong commitment to critical theory and writing, as well as practice.
Undergraduate courses taught: SCEN 411 Urban Scenographies (Studio/Field School Program) PERC 412 Expanded Dramaturgy - Contemporary Perspectives & Practices (SEMINAR) PERC 486 Site Specific Performance Creation Practices (STUDIO) PERC 312 Gender and Sexuality in Performance (SEMINAR) PERC 211 Theatre and the City (LECTURE) ARTX 498 Site-Responsive Public Art (STUDIO ARTS) DFTT 498 Installation Art Practices & Public Space (DESIGN STUDIO) ARTH 354 Histories of Design for Performance and Scenography (ART HISTORY) Graduate seminar and directed studies: INDI 80I Interdisciplinary Approaches to Performance Research Creation Methods
Current PhD supervision Jacob Caines, PhD Candidate Individualized Program, "The Ontology and Culture of Queer Classical Performance, Urban Geographies, and Community Engaged Art." (research-creation, SSHRC funded) Kévin Pinvidic, PhD Candidate Individualized Program, "Matérialité urbaine augmentée." (research-creation, SSHRC funded) Jamie Woollard, PhD Candidate Individualized Program, "Thins Walls/ Voisines." (research-creation) Laura Acosta, PhD Candidate Humanities Program, "Other Futures: Dislocations and Augmented Fabulations." (research-creation) Syd Hosseini, PhD Candidate Individualized Program, VR & Theatre Performance. (research-creation)
in Shaping Colombia's Post-Conflict Future", co-supervised with Dr Laura Levin
2024-2026 (Connected Minds Postdoc Fellowship, York University)
2021 Recipient of the Distinguished Teaching Award, Faculty of Fine Arts (emerging category)
Funded Research-Creation Projects 2023-2024 Principal Investigator SSHRC Explore program - "New Media Performance & Mixed Reality Scenographies." $5,000 2023-2030 Co-investigator, with Drs Jennifer Roberts Smith and Nicole Nolette (Principal Investigators): SSHRC Partnership Grant, "Staging Better Futures/Mettre en scène de meilleurs avenirs." $2.499,000. 2020-2027 Co-investigator, with Laura Levin (Principal Investigator): SSHRC Partnership Grant - "Hemispheric Encounters: Developing Transborder Research-Creation Practices." $2.499,000. 2022-2023 Principal Investigator Zù & Concordia University Creative Research Fellowship (Office of Vice President Research & Graduate Studies). $10,000 2018-2023 Concordia University Research Chair in Performative Urbanism (New Scholar, Office of Vice President Research & Graduate Studies). $145,000. 2020-2023 Principal Investigator, FRQSC - "Digital Performativity of Public Space: Scenographic Approaches to Augmented Reality and Place-based Storytelling." $74,000. 2020-2023 Co-investigator, with Dr Cynthia Hammond (Principal Investigator): SSHRC Partnership Development Grant - "La Ville extraordinaire." $200,000.
2020-2021
Principal Investigator. Aid to Research Related Events, Exhibition, Publication and Dissemination Activities (ARRE) Program. (OVPRGS internal award). $5,000.
2020-2021 (extended to 2022)
Co-applicant. SSHRC Partnership Engage Grant: Déconstruction du pont Champlain : co-création de propositions de récupération des matériaux et engagement citoyen. Dr Alice Jarry PI. $25,000
Current and ongoing research interests:
Janssen, S. "this space is for you: towards a Queer-feminist and tender digitality to designing site-specific mixed reality scenographics." Editors, Greer Crawley and Carolina E. Santos, Women's Innovation in Theatre, Dance and Performance, Volume 3: Designers and Crafters. Bloomsbury. (forthcoming)
Janssen, S. and Joanne Paterson Kinniburgh. 2025. “‘Fantasy in the Hold’ : the Logistics of Container Architecture, Trans*ivity, and Queer Port Urbanisms.” Editors, Jill Didur and Nalini Mohabir. (Post) Colonial Ports: Place and Non-Place in the Ecotone. Routledge.
Hammond, C., S. Janssen, Crave, E. 2023. "Promenade Parlante: Intergenerational Dialogue, Urban Scenography, and Co-Creation." Editors, Anna Urbaniak and Anna Wanka. Routledge International Handbook of Participatory Approaches in Ageing Research.
Janssen, S., Theatre Architecture(s) & Spatial Justice. Guest editor for Canadian Theatre Review Vol. 208 (forthcoming University of Toronto Press 2026).
Levin, L and S. Janssen, "This space is for you: Performing Site through Mixed Reality and Volumetric Capture." XR Performance. Canadian Theatre Review, Vol. 202 Spring 2025. https://doi.org/10.3138/ctr.202.007
Janssen, S. (2024). Theatre Island and Urban Scenographies of Learning: A Performative Paradigm for Transversal Pedagogy. PARtake: The Journal of Performance As Research, Issue 10, Special Retrospective Issue.
Janssen, S., Jurjans, K., Perez, E., scott, c. (2022). Mediating a Performative Response to Contested Urban Landscapes: Gorilla Park. JAR - journal for artistic research.
Janssen, S. (2021). Theatre Island and Urban Scenographies of Learning: A Performative Paradigm for Transversal Pedagogy. PARtake: The Journal of Performance As Research, 3 (2). https://doi.org/10.33011/partake.v3i2
Janssen, S. (2019) Performance design as mnemonic device for critical engagement with the spatial politics of urban change: the ARCADE project, Journal of Theatre and Performance Design, 5:3-4, 195-211,
https://doi.org/10.1080/23322551.2019.1690234
Hammond, C., Shauna Janssen. (2016) Points de vue: Agency, Contingency, Community and the Postindustrial Turn. FIELD: a journal of socially-engaged art criticism, 3. http://field-journal.com/issue-3/points-de-vue-agency-contingency-community-and-the-postindustrial-turn
Janssen, S. 2024. "Scenographies of Site-writing Across the Americas." In hello stranger. Editors, Kathryn Sandys & Lucy Thornett. (Forthcoming)
Janssen, S. 2023. "Urban Scenographics: methods, practices and pedagogies towards unsettling existing perceptions of place.” In Espacios y Objetos Performativos. Rodrigo Tisi, ed. Ediciones ARQ, de la Pontificia Universidad Católica de Chile.
Janssen, S. 2022. “Urban Scenographics and Performative Mappings of Place in the work of Larissa Fassler.” Larissa Fassler: Viewshed. Ed. Diana Sherlock. Berlin: DISTANZ. In German, English, French.
Janssen, S. 2021. "Camouflaged Screams: Immersive and Scenographic Constructions of Wilding." Exhibition text for Camouflaged Screams. Artists Laura Acosta and Santiago Tavera. Optica, Montreal. In English, French, Spanish.
Janssen, S., Hannah, D. 2017. PhoneHome: Architecture A/ Part. XX Architecture and Urbanism Biennial, “Unpostponable Dialogues.” Exhibition catalogue. Valparaiso, Chile. In Spanish, English.
Janssen, S. 2017. “‘Fantasy in the Hold’: PhoneHome: Architecture A/ Part”. Exhibition text. Architecture and Urbanism Biennial. Valparaiso, Chile. In English, Spanish.
"Mixed Reality Scenographics: towards performative and queer orientations."
Prague Quadrennial of Performance Design and Space (PQ talks). 13 June 2023
Prague Quadrennial of Performance Design and Space (PQ talks). 10 June 2023
Colloque: "Réinventer la scène". Montreal, 1-3 June 2023. https://reinventer-la-scene.labocinemedias.ca/en/home/
Invited speaker. « COHABITER, Imaginer les médiations culturelles au 21e siècle ». Montreal. 1-3 June 2022.
Theatre Ecologies: Environment, Sustainability, and Politics, conference of the International Federation of Theatre Research, Galway. 13-18 July 2021. Online.
Post/Colonial Port Cities: Place and Nonplace in the Ecotone. Concordia University, Montreal. 24-26 October 2019
Performance Studies International #29 @ University of Arts London, UK. 20-23 June 2024
Artist talk @ Zurich University for the Arts, Immersive Arts Centre. 5 December 2023.
University Art History Association Canada, Quebec City, 24-26 October 2019
Performance lecture with Dr Kristine Samson for the Prague Quadrennial. 10 June 2019.
Co-workshop leader with Dorita Hannah, "Urban Scenographies: SmArting the City." Prague Quadrennial Studio Series. 13-15 June 2019
Artist. this space is for you/ cet espace est pour toi. Mixed Reality Scenography. With Kévin Pinvidic. For « Acts of Assembly. » Performance Space Program, Prague Quadrennial of Performance Design & Space 2023. Curator Andrew Filmer. June 8-18 2023
Artist-Curator. Public Art Installation. Collaboration with Stephen Lawson and Aaron Pollard. Performance Arcade, Wellington, Aotearoa/New Zealand. 6 February - 6 March 2020.
Dramaturge. Les Voisines. Urban audiowalk. Created by Arianna Bardesono. Produced by IMAGO Theatre. Montreal, May 2019.
Curator. Janssen, S., C. Hammond. (2018-19)Promenade parlante: Episodes in a Changing City. Public art walk co-created with the founders of the Living History Project, and Eric Craven.,12 October.
Artist and co-creator with Dorita Hannah. Sabina. Multimedia performance installation. Citta Invisibili at Teatro Potlatch, Fara Sabina, Italy. June 2018.
Multimedia Installation. Co-curator with Dorita Hannah and Jo Paterson Kinniburgh. XX Architecture and Urbanism Biennial, Valparaiso, Chile. October-November 2017.
Artist. Spatial Interventions. With Cynthia Hammond and Caroline Alexander. 2017-2023.
Artist. Site-specific installation. Collaboration with Jo Paterson Kinniburgh. “Performing, Writing” Symposium, University of Massey, New Zealand. March 2017.
Matters of Activity. Cluster of Excellence Humboldt-Universität zu Berlin. October - December 2023.
"Urban Scenographies." DesignLab, Universidad Adolfo Ibáñez. Santiago, Chile. December, 2022. ONLINE
“The Scenographic City.” School of Performance and Cultural Industries University of Leeds, UK. 14 January 2022. ONLINE.
"Dramaturgy of virtual environments and storytelling atelier.” Utrecht, Netherlands. 12 April 2021. ONLINE
“Performative Urbanism.” Department of Communication and Arts, University of Roskilde, Denmark. 15 February – 1 March 2018.
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