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Dr Hammond at the launch of her 2026 solo exhibition at the Château de la Napoule, France.

Laurent Barnavon, 2026

Dr Cynthia Imogen Hammond, PhD

Pronouns: she/her

Thesis supervisor Unavailable
  • Professor, Art History

Status: On sabbatical from 1 January-30 June 2026

Contact information

Biography

Dr Cynthia Hammond studied painting, sculpture, and art history at McMaster University in Hamilton (BFA 1992), and art history at Concordia (MA 1996). Her doctorate from Concordia's Interdisciplinary PhD Program (2002) won the Governor-General's Gold Medal. Hammond held the first SSHRC postdoctoral fellowship at the School of Architecture, McGill University (2004-06). She joined Concordia's Department of Art History in 2006.

Hammond's publications range across the history of the built environment, garden history, installation, photography, built heritage, public memory, oral history, feminism and space, research-creation, and Canadian women artists. Hammond's studio work focuses on interspecies relationships in gardens and other kinds of living landscapes, especially those designed or cared for by women. In 2026 the La Napoule Art Foundation hosted her first European solo exhibition, "Les Jardins de Marie".

Dr Hammond at La Napoule Art Foundation, France, April 2023

Raneece Buddan, 2023

The 2018 University Research Award Ceremony

© Concordia University

Collaborators in the Promenade Parlante public art walk, 13 April 2019. Left to right: Lillian Harper, Penelope Cumas, Wanda Potrykus, Eric Craven, Cynthia Hammond, Wendy Allen, Shauna Janssen, Ramsay Blair. Not pictured: Doug Dumas.

Lisa Graves, 2019

Theorizing research-creation and place-based, site-responsive art

Hammond's book, Architects, Angels, Activists and the City of Bath, 1765-1965: Engaging with Women's Spatial Interventions in Buildings and Landscape (Ashgate 2012) explores cultural memory and public history in the world-renowned city of Bath, England, one of the few UNESCO World Heritage-designated cities. Hammond approaches the past with the methods of the architectural historian and the site-specific interventions of the contemporary artist. Looking beyond and behind Bath's strategic marshaling of its past, and its reiteration of male architectural heroes, Hammond presents the ways in which women of all classes shaped the built environment and designed landscapes of one of England's most architecturally significant cities. This book is also, as research-creation, an intervention into this city's urban, public memory. The author uses site-specific works of public art as strategic counterparts to her historical readings. Through them, she aims to transform as well as critique the urban image of Bath. At once a performative literature, an extensively researched history, and an alternative guide to the city, Architects, Angels, Activists engages with struggles over urban signification in Bath and beyond.

Click here to read an excerpt from the book.

Teaching activities

Recent undergraduate courses:
ARTH 374 Montreal's Vernacular Architecture
ARTH 450 Advanced Seminar in the History of Architecture: space, experience, architecture

Recent graduate seminars:
ARTH 668 Feminisms, Oral History, and Art History
ARTH 803 Thematic Questions: Spatial Practices, Spatial Stories

Recent thesis supervision:
Olivia Vidmar, MA, Art History (2023), "Possibilities of Public Art as an Agent of Renewal and Resistance in Pointe-Saint-Charles" 
Elizabeth Robinson, MA Art History (2023), "Reframing the Occult-inspired Paintings of Leonora Carrington and Remedios Varo with Anti- Essentialist Methodology"
Vanessa Sicotte, MA, Art History (2022), "Resistant Materiality in Interwar France: Charlotte Perriand's Table basse manifeste pour Jean-Richard Bloch (1937), and Other Manifestos"

Recent publications

For the full list of Dr Hammond's publications, please see her CV.

2023. "Unearthing Feminine Legacies: Cynthia Hammond’s immersive exploration of historic and hidden gardens" (interview).
 Art Seen: The Curator’s Salon Magazine, Ed. Gita Joshi, 9 (Fall 2023): 31-37.
2022. “A Feminist Arcadian Landscape: The Later Work of Joyce Wieland.” For a special issue of The Journal of Canadian Art History on Joyce Wieland. Ed. Johanne Sloan and August Klintberg. 70-99.
2021. “Architecture, Photography, and Power: Picturing Montreal, 1973-74.” In Photogenic Montreal: Ruins and Revisions in a Postindustrial City. Ed. Johanne Sloan and Martha Langford. Montreal, Kingston: McGill-Queen’s University Press. 217-245.

Art and recent exhibitions

To view Dr Hammond's art and creative collaborations, please visit  http://cynthiahammond.org


"Kingdoms within Kingdoms': Les Jardins de Marie." Solo exhibition, La Napoule Art Foundation, France, 11 February - 1 March, 2026. 

"Fleurir." Solo exhibition, La Boîte Ludique, Montréal, Canada, 30 May-30 July, 2026.

 


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