Distinguished Professor, Film Studies, Cinema
PhD (New York University)
Film theory and criticism, Japanese cinema, experimental cinema, ethnographic film, women and film, cultural studies, American cinema, melodrama, Walter Benjamin.
Studies in Film Acting and Performance
Film History II !945 to 1980 (BFA program)
Cinema and the City
Experimental Ethnography (Concordia MFAprogramme)
Methods in Film Studies (MA programme)
Walter Benjamin (PhD in Humanities)
Walter Benjamin (PhD in Film and MovingImage Studies)
Archiveology (PhD in Film and Moving ImageStudies)
American Cinema of the 1950s
Barbara Stanwyck: Gender and Genre in Hollywood (PhD)
Archival Film Practices (MFA and MA)
“TheFile on Theresa Harris: Black Star of the Archive,” Feminist Media HistoriesVol. 8 Issue 3 (Summer 2022).
“BarbaraStanwyck Rides Again,” video essay, [In]Transition Journal of Videographic Film and MovingImage Studies, 8.3 October 2021 https://mediacommons.org/intransition/journal-videographic-film-moving-image-studies-83-2021
“Vegetal Storytelling: Amazon Cinema,” in Cinema and Exploration, Luca Caminatiand James Cahill eds. Routledge, 2021.
“Awakening from the Gendered Archive:Archiveology and Critical Cultural History,” Public 57 (2018) eds. May Chew, Susan Lord, and JanineMarchessault, 36-46.
“Films About Ordinary People: The Japanese Home Drama and Ethnographic Film Criticism,”in Beyond Text, Edited by: RupertCox, Andrew Irving and Christopher Wright, Manchester University Press, 2016.
“Paris 1900: Archiveology and theCompilation Film,” in New Silent Film,Paul Flaig and Katherine Groo eds. Routledge, 2015.
Sensing the Moving Image Archive: Exploring the Digital (Im)materiality of the Moving Image Guest Editor of Frames Online Cinema Journal,
Issue 19 (2022). https://framescinemajournal.com/
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