Associate Professor, History
Elena Razlogova is an Associate Professor of History at Concordia University. She is the author of The Listener's Voice: Early Radio and the American Public (University of Pennsylvania Press, 2011) and co-editor of “Radical Histories in Digital Culture” issue of the Radical History Review (2013). She has published articles on U.S. radio history, music recommendation and recognition algorithms, film translation, Global South cinema networks, and Soviet international film festivals, in American Quarterly, JCMS: Journal of Cinema and Media Studies, SubStance, Studies in European Cinema, Radio Journal, Social Media & Society and other venues. She is currently working on two book projects, “A Cinematic International: Global Liberation Routes through Soviet Film Festivals” and “Fleecing Freeform: WFMU, Open Source Software, and the Rise of Algorithmic Music Culture.”
B.A. University of California at Berkeley, M.A. New York University, Ph.D. George Mason University
HIST 321 American Culture Since 1945 - previous syllabus (Fall 2018)
HIST 485/665 Historical Non-Fiction - previous syllabus (Fall 2019)
The Winter 2022 version of these syllabi will keep roughly the same course themes and workload, adjusted for COVID conditions.
The Listener’s Voice: Early Radio and the American Public (Philadelphia: University of Pennsylvania Press, 2011).
Articles and Chapters: Algorithms/Music/Radio
with Jonathan Sterne, "Tuning Sound for Infrastructures: Artificial Intelligence, Automation, and the Cultural Politics of Audio Mastering," Special Issue "Infrastructural Politics," Cultural Studies 35, no. 4-5 (2021): 750-770.
"Provincializing Spotify: Radio, Algorithms and Conviviality,” Radio Journal: International Studies in Broadcast & Audio Media, 18, no. 1 (2020): 29-42. - about WFMU and Free Music Archive
(with Jonathan Sterne) “Machine Learning in Context, or Learning from LANDR: Artificial Intelligence and the Platformization of Music Mastering,” Social Media and Society 5, no. 2 (2019): 1-18.
“Shazam: The Blind Spots of Algorithmic Music Recognition and Recommendation,” in Appified: Culture in the Age of Apps, ed. Jeremy Morris and Sarah Murray (Ann Arbor: Michigan University Press, 2018), 257-266.
“The Past and Future of Music Listening: Between Freeform DJs and Recommendation Algorithms,” Radio’s New Wave, ed. Michele Hilmes and Jason Loviglio (New York: Routledge, 2013) – about WFMU
Articles and Chapters: Film/Cold War/Decolonization
“An Air Map for World Cinema: Aeroflot as an Infrastructure for Cinematic Internationalism,” Special Issue "The Union of What? Soviet Internationalism Thirty Years after the Fall of the USSR," Russian Review 80, no. 4 (2021): 661–80.
“Cinema in the Spirit of Bandung: The Afro-Asian Film Festival Circuit, 1957-1964,” in The Cultural Cold War and the Global South: Sites of Contest and Communitas, ed. Kerry Bystrom, Monica Popescu, and Katherine Zien (London: Routledge, 2021).
“World Cinema at Soviet Festivals: Cultural Diplomacy and Personal Ties,” Studies in European Cinema 17, no. 2 (2020): 140–154.
“The Politics of Translation at Soviet Film Festivals during the Cold War.” SubStance 44, no. 2 (2015): 66–87.
“Listening to the Inaudible Foreign: Simultaneous Translators and Soviet Experience of Foreign Cinema,” Sound, Music, Speech in Soviet and Post-Soviet Cinema, ed. Lilya Kaganovsky and Masha Salazkina (Bloomington: Indiana University Press, 2014).
Articles and Chapters: Other
“True Crime Radio and Listener Disenchantment with Network Broadcasting, 1935-1946,” American Quarterly (March 2006).
“DIY Image Management with Zotero,” Perspectives on History, October 2012.