Faculty members
Film Animation
Full-time
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animation, drawing, music making, improvisation, sound, cinema, sound design, visual music, music composition, film scores, film/media production, abstraction in visual art, sound effects, media arts, animation theory, pre-cinematic animation, experimental animation, transdisciplinarity, animation studies, aleatoric music -
Neurodiversity, motherhood, animation, animated documentary, under camera animation, clay animation, direct animation, community based animation, autism, gender and neurodiversity, Down syndrome, maternal health, diversity, inclusion, social justice animation -
animation director, computer animation, traditional animation, character animation, clay animation, stop motion animation, film directing, art direction for film/video, media arts, film/media production, sculpture, drawing, puppetry, music videos, children's media, sound, visual effects, composting, cinema, animation -
animation, cinema, film/media production, direct animation, digital media, community-based, African animation , storytelling, traditional animation, drawing, computer animation, media arts, children's media, short films¿, animation film
Part-time (partial list)
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Stephen Menzies
Part-Time Faculty (Film Animation), Cinema
Part-time Faculty, Design and Computation Arts
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Film Production
Full-time
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generative storytelling, responsive environments, urban embedded cinema, screen-based reactive arts, screen culture, experimental cinema, interactivity, visual adaptive storyscapes, cinema, film/media production, storytelling, interaction design, interactive narrative, future cinema, intelligent images, spatialization, ubiquitous computing, hypercinema, urban futures -
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fiction,script writing, cinema, black and white, 35mm, 16mm, silent films, sound design, portraiture, storytelling, cinematography, old/new, low budget processes, independent films, feature films, short films, non-toxic, sustainable film processing, labcaf -
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Holo Editorial Layering Process, l'Atlas Cinematographique, moving image technologies, film/media production, cinema, craft of fiction, documentary making, film directing, screenwriting, storytelling, independent films, in-camera special effects, feature films, music videos, television, corporate films, advertising strategies, creative producing, multi platforms broadcasting -
Marielle Nitoslawska
Professor (Film Production); Concordia Research Chair in Experimental Nonfiction Practices, Cinema
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Part-time (partial list)
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cinema, art, culture, activism, solidarity, social justice, historical memory -
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Filmmaking -
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directing, screenwriting, editing, feature film, independent film, documentary, shorts, drama, comedy, international co-productions, prose/novel writing
Film Studies
Full-time
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postcolonial theory, orientalism, cultural studies, globalization, transnationalism, documentary film, cultural histories of cinema, travel films, hybrid nonfiction films, Italian cinema, Pier Paolo Pasolini. -
interactivity and immersion; public art and social engagement; affect; haunting and spectrality; cultural studies; visual and material cultures; museums and archives; multiculturalism; critical race studies; settler and postcolonial studies. -
Arab and Middle Eastern cinema, gender and sexuality studies, German cinema, critical theory and Marxism, methods of pedagogy and institutional critique -
Martin Lefebvre
Chair of the School of Cinema; Professor and Concordia University Research Chair in Film Studies (Hon.), Cinema
General and applied semiotics, philosophy (Peirce and pragmatism, Wittgenstein and the philosophy of language, epistemology, hermeneutics, aesthetics), classical and contemporary film theories, modern and postmodern film, narrative theory, cultural studies, cinéma québécois, Hollywood cinema, Hitchcock, Eisenstein, Truffaut, Godard and the French New Wave. -
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process philosophy, neurodiversity, research-creation -
women and film/media, feminist media studies, creative economy, women's cinephilia, feminist theory, contemporary auteur cinema, moving image studies, postmodernism, globalization and women's cinema, silent films, film/media theory, theories of national cinemas, critical theory, screen culture, history of the moving image, French cinema, Italian cinema, Spanish cinema, literary theory -
emergent media, cultural theory, globalization, visual culture, China, moving image studies, history of media arts, television, digital media, postcoloniality, ethnography, informal economy, critical theory, mobile media, intermedia, urban futures, cultural studies, popular culture, urbanization, development studies -
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cinephilia, experimental cinema, Japanese cinema, ethnographic film, women and film/media, cultural studies, film/media theory, criticism, North American cinema, melodrama, Walter Benjamin, phantasmagoria, classic Hollywood, film/media historiography, moving image studies, urban futures, cinema, Japan, sound, history of media arts -
Masha Salazkina
Professor (Film Studies), Cinema
Concordia University Research Chair in Transnational Media Arts and Cultures
transnationalism, Marxist theory, cinema, civil society, Latin America, Soviet film, history of film theory/criticism, sound, "Third Cinemas", New Latin American Cinema, Thirdworldism, political cinema, cultural studies, history of film education, global socialist/postsocialist cultures, postcolonialism, film institutions, history of film festivals, translation in cinema -
digital platforms, platform economics, media industries, media management, transmedia, animation, Japanese anime, digital culture, character merchandising, media studies, digital media, Internet history, media theory, visual culture, East Asia -
muselogy, feminism, moving image technologies, portable film technologies, cultural histories of cinema, moving image studies, film/media historiography, women and film/media, film/media theory, cultural studies, history of media arts, cinema, sound, television, web videos, critical curatorial studies, emergent media -
video cultures, video platforms, media infrastructures, migration, informal media practices
Part-time (partial list)
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contemporary art cinema, celebrity, fan culture, sex in the cinema, porn studies, cultural studies, sociology of gender, sociology of culture, comics studies -
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Film Criticism, horror genre, Andrei Tarkovsky, cinema and temporality, film style
Affiliated faculty
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Media and Cultural Theory, Film and Moving Image Studies, Cultural History, Audiovisual Technology, Popular Culture, Taste Formations -
game studies, qualitative research methods, new media, popular culture. -
experimental media arts; alternative media; Expo 67; identity and cultural politics -
Krista Lynes
Associate Professor, Communication Studies
Canada Research Chair in Feminist Media Studies
Co-Director, Feminist Media Studio
feminist media studies; contemporary art and activism; queer theory; migration studies; globalization; border theory; feminist STS; infrastructure studies; critical race studies; affect; research-creation; environmental humanities -
Ireland, Performance, Theatre, Film, Activism, Performativity, Inerculturalism, Gender, Race, Class -
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Contemporary Art, Canadian Art since the 1960s, Landscape, Art and Aesthetics, Visual Culture, Urban Art and Culture -
Darren Wershler
Associate Professor, English
Concordia University Research Chair, Media & Contemporary Literature, Tier 2, English
media history / video game studies / communication studies / contemporary literature / avant-garde poetics
Emeritus faculty
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Thomas Waugh
Distinguished Professor Emeritus of Film Studies and Interdisciplinary Studies in Sexuality, Cinema
documentaries, film/media theory, queer studies, sexual representation, Canadian cinema, cinema quebecois, HIV/AIDS, queer film/media, Joris Ivens, independent Indian cinema, pornography, homoeroticism, history of the moving image, gender and sexuality, identity/territory, social change, cultural studies, Quebec studies, activism