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Laura Magnusson:
My inspiration

A woman wearing a parka and winter boots walks across an ocean floor, resisting the current. Though she is scuba diving, she holds her air tank in one hand. In the other, she carries a sculptural object resembling a dollhouse, adorned with miniature trees. The cold blue expanse of the open ocean surrounds her, creating a surreal, dreamlike underwater scene. Still from Blue (2019) by Laura Magnusson, an experimental short film shot entirely underwater, 70 feet beneath the surface of Cozumel, Mexico. Alone on an ocean “tundra,” wearing a protective clamshell-like parka, a women arduously moves across the afterlife of sexual violence. Credit: Liquid Motion Film.

How can artistic practice communicate the complex afterlife of sexual violence through affective means, extending beyond word-based forms?

My doctoral research-creation emerges from my own experiences navigating institutional systems after sexual violence. From issuing a police statement to undergoing a forensic exam to testifying in court, I was asked to compartmentalize myself—again and again—to fit the system’s terms. The pursuit of factual truth actively excluded my felt experience.

As an artist, I turned to visual and material forms that might communicate and archive embodied knowledge of trauma. I began to ask how artistic media might open space for such knowledge to circulate and be witnessed.

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