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SHORT-TERM SCHOLARS

Current Scholars-in-Residence

eunice bélidor is a curator, writer and researcher born and based in Montreal, Canada. Her curatorial research explores the intersection between letter writing and radical hospitality, as well as the affective and speculative archives that stem from it. She has exhibited in numerous exhibitions, notably at Centre Clark, the MAI, the Musée d'art contemporain de Montréal, and Galerie de l'UQAM, among others. She has written for C Magazine, Hyperallergic, the Brooklyn Rail, Vie des Arts and many more Canadian publications. In 2018, she was awarded the Emerging Curator award from the Hnatyshyn Foundation.

Teaching:

  • ARTH 676 Introduction to Curatorial Practices and Theory, Fall 2025
  • ARTH 677 Advanced Topics in Curatorial Practice and Theory, Winter 2026

Dominique Fontaine is a curator whose work explores the social role of contemporary art in a pluralistic world. She is the founder of aposteriori, a non-profit curatorial platform focused on researching, documenting, developing, producing, and facilitating innovation in diverse art practices.

Dominique holds a Master’s degree in Museology from the Université de Montréal, and degrees in Visual Arts and Arts Administration from the University of Ottawa. She also completed advanced studies in Curatorial Practices at De Appel arts centre in Amsterdam.

In 2024, she co-curated Precarious Joys, the third edition of the Toronto Biennial of Art. Her curatorial projects include Imaginaires souverainsLe présent, modes d’emploiSplendide constellationHere We Are Here: Black Canadian Contemporary ArtDineo Seshee Bopape: and- in. the light of this._______ at Darling Foundry, and Between the earth and the sky, the possibility of everything for Scotiabank Nuit Blanche Toronto 2014. She also curated the 7th edition of the Foire en art actuel de Québec and exhibitions at articule.

Dominique is a member of AICA-Canada, the American Association of Museum Curators (AAMC), and the International Contemporary Art Curators Association (IKT). She is a founding member of Intervals Collective and a co-initiator of the Black Curators Forum.

In 2023, she co-edited and co-authored Making History: Visual Arts and Blackness in Canada. Her contributions have been recognized with numerous accolades, including being named a 2021 laureate of Black History Month by the City of Montreal.

Teaching:

  • ARTH 677 Advanced Topics in Curatorial Practice and Theory, Winter 2026
  • ARTH 678 - Exhibition Concept Design, Winter 2026
  • ARTH 679 Curatorial Project, Summer 2026
Photo credit: Clara Lacasse

Didier Morelli is a curator, performance and art historian, cultural critic and visual artist. His Fonds de recherche du Québec—Société et culture (FRQSC) Postdoctoral Fellowship (2022-2025), which he held at Concordia University and the CCA, examines how second-wave feminist performances subverted urban functionalism by imagining alternate modes of embodiment in Montreal and Toronto during the 1970s. This project will be the subject of an exhibition at the artist-run-centre Optica in the Winter of 2025, as well as a forthcoming book published by Concordia University Press. Previously the associate editor at Espace art actuel, his writing has also been published in Art JournalCTR: Canadian Theatre ReviewC MagazineCBC ArtsEsse Arts + OpinionsRACARSpirale, and TDR: The Drama Review. Morelli will be the curator of the 2026 MANIF, the Quebec City Biennial, which is titled “Briser la glace / Splitting Ice,” as well as "Street Actions: Women Performing on the Streets" at Centre d'art contemporain Optica in 2026. 

Teaching:

  • ARTH 676 Introduction to Curatorial Practices and Theory, Fall 2025
  • ARTH 678 Exhibition Concept Design, Winter 2026
  • ARTH 679 Curatorial Project, Summer 2026

Past Scholars-in-Residence

2022-2025

Didier Morelli

2022-2025

Vanessa Nicholas

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