2015


Vol. XXXVI:2

Volume 36-2

To purchase a copy of this volume please contact the Journal.
Pour acheter une copie de ce volume s'il vous plaît contactez nous.
$35.00 CA
$40.00 US

Editorial-Éditorial

Articles

  • Jean-Antoine Aide-Créquy (1749–1780)
    matériaux et technique picturale
  • A Postscript to the David B. Milne Biography and Catalogue Raisonné of the Paintings
  • “These Diminished Waters”
    Conservation, Camera Hunting, and Settler/Indigenous Conflict in Lorene Squire’s Wildfowl Photography of Northern Canada
  • Subconscious Selling
    Bertram Brooker and the Visual Culture of Couéism
  • The National Gallery Lands a Jackson Pollock
    A Case Study in Curatorial Agency

Reviews-Comptes rendus

  • The Life of David Milne
    James King
  • The Last Art College: Nova Scotia College of Art and Design, 1968–1978
    Garry Neill Kennedy
  • 1920s Modernism in Montreal: The Beaver Hall Group
    Edited by Jacques Des Rochers and Brian Foss

Vol. XXXVI:1

Volume 36-1

To purchase a copy of this volume please contact the Journal.
Pour acheter une copie de ce volume s'il vous plaît contactez nous.
$35.00 CA
$40.00 US

Editorial-Éditorial

Guest Editorial-Éditorial invité

  • Networked Print Culture
    La culture de l’imprimé en réseau

Articles

  • “If you do not grow you are a dead duck”
    Funding Art Publications in Canada from the 1940s to the 1980s
  • Tawow
    Canadian Indian Cultural Magazine (1970–1981)
  • Producing and Publishing The Banff Purchase
    Nationalism, Pedagogy, and Professionalism in Contemporary Canadian Art Photography, 1979
  • About image nation, 1970–1982
  • Serial Positionings
    Roy K. Kiyooka’s “Conceptual Art Trips”
  • Asiancy and Visual Culture
    The Asianadian Magazine, 1978–1985
  • Relations, 1988
    Photographic, postmodern, feminist
  • CyberPowWow
    Digital Natives and the First Wave of Online Publication
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