Fany Rodrigue, The Line, Outdoor Sculpture Competition
Students at work: David Levine, Maxime Goldstyn, Boris Granche, Cléo Sjölander
Cléo Sjölander, Sculpture Students Exhibition at Le Livart
Left: Maxime Sauvage, Right: Fanny Savoie
Maude Lauzière, Expo Livart
Left: Joffré Beauregard, Right: Joé Côté-Rancourt
Clara Cousineau, Chair-tendre-et-tâche-ménagère
Why study Sculpture?
Sculpture today is materially diverse and conceptually rich in its formation. From autonomous objects through to performance-based installations, students engage with the idea of sculpture. With an open mind, you will be able to develop in both traditional and digital technologies as your ideas are nurtured, encouraging you to take new approaches in a critical environment.
Experiencing many kinds of materials and media will help you better inform your practice. In critique sessions, you will be able to discuss options and obstacles, plan and make real material objects with our technicians in wood, metal, welding, foundry casting, mould making, or even robotics and electronics workshops.
Not limited to a single orientation, our program’s exploratory approach to sculpture provides for a stimulating learning environment. You'll learn to express yourself through assignments and self-directed projects, addressing topics of practical and theoretical interest, while working alongside fellow students in open studios.
Minimum cut-off averages should be used as indicators. The cut-off data may change depending on the applicant pool. Applicants who meet the stated minimum requirements are not guaranteed admission to these programs.
The portfolio of artwork for admission to a Studio Arts program should be a collection of your best and most recent work in visual arts. It should represent your individual interests, abilities and explorations. Consider visual, conceptual, and technical proficiency in selecting your best and most recent work.
Your portfolio should contain:
Minimum number of portfolio items: 15.
Maximum number of portfolio items: 20.
Each portfolio item must be a single digital file.
Either recently completed or currently in progress.
Include work that demonstrates your ability to work in a variety of media, in both two and three dimensions. Examples include drawings, paintings, prints, collage and other mixed media work, sculpture, ceramics, and fibres work.
You may also include photographs, animation, film, video, audio recordings, and documentation of performance art.
Please tailor your portfolio to the specific program area to which you are applying.
Your work should show evidence of both technical skill and conceptual development. Basic abilities in drawing, composition and color-use must be demonstrated.
You may not submit your portfolio via email or through other websites.
Letter of intent
Your letter of intent should be no longer than one page and written in English or French. In general, it should describe your educational background and any relevant experience in art, as well as your expectations in relation to the programs to which you are applying.
What are your reasons for applying to this program? If you are particularly interested in an area within Studio Arts, please indicate why.
Describe your educational background and any relevant experience.
What are your goals and expectations in relation to this program?
We consider complete applications year round and we give priority to applicants who apply by official deadlines. Late applications will be considered if places are still availablefor the fall term only.
You’ll take courses that address the practice, theory and history of art and learn the current practices in sculpture. You’ll also take seminar discussions that explore new ideas and imagine the frontiers of contemporary art.
Student work drives the creative energy in the Faculty of Fine Arts, and you’ll have many opportunities to exhibit your work in art festivals and exhibitions at on-campus venues such as the FOFA and VAV galleries.