MLS: “I’ve been a competitive swimmer for most of my life. When I arrived in Paris, I thought being enrolled in a master swimming program would be a great way to socialize and meet new people.
During my first competition, I met Jean, the centenarian in Swim for Life, who was attempting the world record for the 100-metre backstroke.
One week later, I met with my producer — the one who gave me a chance almost four years ago — and brought up Jean’s story. When he heard me describe all of the emotion around the pool during the race, he immediately thought there was a good story there and suggested I investigate.
It’s when I started to spend more time with the swimmers that I realized all of the potential of this story.”
How would you describe your time at Concordia’s Mel Hoppenheim School of Cinema? How did it help shape your career?
MLS: “There is something very particular to the film school at Concordia, and it’s that our program is in the Faculty of Fine Arts rather than communications or media like most other universities. Filmmaking was never seen as communications but rather an artistic approach. Documentary wasn’t taught as journalism.
I learned to use my gut and creativity rather than my logistical and rational mind. Sensibility. Emotion. Feeling. Empathy. Those qualities are, in my opinion, very important to give a more human approach to any project.
I also feel that Concordia taught me how to not expect things to be given to me. I learned how to reach for what I want, both intellectually and physically. Committed teaching can have a real eye-opening effect. This is one of the great gifts I got during my degree, and I’m very grateful for it.”
Watch the trailer
TRAILER TROISIEME NAGE from Alexandra Colcy Carr-Brown on Vimeo.