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The talk draws on Faye Driscoll's choreography Weathering (2023), which stages an intense maelstrom of motions and scents amid late capitalist excess or collapse. In doing so, the performance generates a contradictory field of sensorial perception — at once an escape from the Capitalocen's violence and subtly entangled with its exploitation of the senses.
Interested in leading meaningful change in organizations and communities? Join us for an information session on the MA in Human Systems Intervention (HSI), a program that prepares you to plan change processes, host conversations in complex contexts, and implement whole-system interventions.
In this talk, Daniel Kish offers a perception-based paradigm and framework for understanding the achievement and practice of self-determined freedom for blind people.
This talk draws on research examining Section 141 of the Indian Act (1927-1951), a little-known provision that made it an offence for Indigenous peoples to raise funds or hire lawyers to advance claims without government permission.
Concordia University Jurist-in-Residence, Morton S. Minc, invites you to the conference, The Future of Canada/US Trade Agreements.
This paper traces the user experience of disabled audience members as they attend a Kinetic Light performance. Focusing on touch and sight as types of sensory encounter, Lawson and Sheppard draw in sensory studies to analyze how audiences experience dance.
This lecture presents insights from the international research project Beyond Seeing (2017–2018), initiated by the Goethe-Institut Paris in collaboration with ESMOD Berlin, Institut Français de la Mode (Paris), La Cambre (Brussels), and the Swedish School of Textiles at the University of Borås, together with organizations for the blind and visually impaired.
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