This paper traces the user experience of disabled audience members as they attend a Kinetic Light performance. Focusing on touch and sight as types of sensory encounter, Lawson and Sheppard draw in sensory studies to analyze how audiences experience dance.

How can theatre exist beyond sight? Audrey‑Anne Bouchard presents a multisensory, accessible theatre practice grounded in lived experience of vision loss.

La présentation de Mme Christine Routhier portera sur les principaux résultats tirés de l’enquête de 2024 sur la situation des langues parlées au Québec.

This lecture presents insights from the international research project Beyond Seeing (2017–2018), initiated by the Goethe-Institut Paris in collaboration with ESMOD Berlin, Institut Français de la Mode (Paris), La Cambre (Brussels), and the Swedish School of Textiles at the University of Borås, together with organizations for the blind and visually impaired.

Cai Glover presents a Deaf‑conscious choreographic practice that transforms sign language into movement, redefining rhythm, poetics, and embodied expression.