Leisure (Susannah Wesley and Meredith Carruthers)

For this installation, Leisure (Meredith Carruthers and Susannah Wesley) draws on educational theories articulated by the artist and educator Simon Nicholson, who was the son of well-known artists Barbara Hepworth and Ben Nicholson. Particularly relevant here is his 1971 essay "Theory of Loose Parts: How Not to Cheat Children," which advocates for children to have freedom over their play environments. The interactive sculptural works are inspired by the wheeled plinths Hepworth employed in her studio to store and move around her large-scale sculptures. Visitors of all ages are invited to engage with these elements in a free and unguided way, experiencing for themselves what it means to “have ideas by handling materials.” Creating a participatory environment that overturns the usual notion of the gallery as fixed and sterile (a place to look but not touch), this installation is as much concerned with exploring the processes and ideas underlying the making of art as it is with art as an end product. The freedom of this experimental approach comes with a transformative potential that carries wider implications in society at large. In the process of having ideas by handling materials, we not only rethink how we make, exhibit, and experience art—but ultimately how we lead our lives.