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Aaron McIntosh

Hot House/Maison Chaude

September 3rd - December 12, 2025

About the exhibition

Hot House / Maison chaude is both an evolving queer ecology network and a series of related artworks, as well as a structural and theoretical container for both. Through investigations of plant forms that have co-evolved alongside human sexualities and understandings of gender, McIntosh’s newest body of work reframes common notions of the “natural” and instead articulates queerness using a spectrum of non-normative, non-reproductive sexual and gender capacities found in plants. The exhibition draws from nature studies and queer knowledge to create an immersive and interactive installation, filled with plants, both real and constructed. Informed by the “hot houses” of the 19th century, which nourished the growth of rare species, the project creates scenarios where diverse queer bodies across global human history are brought into dialogue with historic and speculative plant-life. Drawing on fields such as queer ecology, science fiction, ethnobotany, eco-feminism, and social practice, the project cross-pollinates multiple disciplines to cultivate attention for queer communities and their unique needs. 

As a participant-driven project, Hot House / Maison Chaude is envisioned as a fertile space for initiating new queer dialogues. The project exists in three entangled acts. qMatter, or queer compost, was launched in 2021, with a pandemic-era mail art zine sent to 2SLGBTQIA+ across Turtle Island asking them to contribute organic, fibrous materials emblematic of their queer existence. These contributions are transformed into activated paper compost, and dispersed as queer compost vectors. Exuberant Botanica, which launched in 2022, is an index of companion plants of the natural world that have intertwined histories with human sexual and gender evolutions, along with a series of botanic drawings, appliqué botanic prints and teaching models of speculative plant 'herbals' for healing contemporary queer issues created from participants, who were asked to consider ailment and remedy as they contribute their own ideas for speculative queer herbals. The final act, Hot House/Maison chaude, is this exhibition, which brings together all elements within a simulated greenhouse and Wardian case redux, housing interactive plants—both speculative sculptures and live plants—being nourished by the 'queer compost', presented alongside Exuberant Botanica drawings and quilts, and the two participant zines. At a moment where anti-trans and homophobic rhetoric are on the rise in Canada and the US, this project offers a generative space for imagining thriving queer ecosystems.

Biography

Aaron McIntosh is a cross-disciplinary artist and fourth-generation quiltmaker whose work mines the intersections of material culture, family tradition, sexual desire and identity politics. His exhibition record includes numerous solo and group exhibitions, most recently The Gloaming at Pierre-François Ouellette art contemporain, Entanglements at Northeastern University, and Radical Tradition: Quilts and Social Change at the Toledo Museum of Art. Since 2015, McIntosh has managed Invasive Queer Kudzu, a community storytelling and archive project across the 2SLGBTQ+ Southern United States. He is a 2020 United States Artist Fellow in Craft, and other honors include a 2017 Virginia Museum of Fine Arts Fellowship, and two Windgate Fellowships in 2006 and 2015 from the Center for Craft. His current research-creation project, Hot House / Maison chaude, has been supported by a 2020-2023 SSHRC Insight Development grant. He has held residencies at the Oak Spring Garden Foundation, Banff Centre, Haystack Mountain School of Crafts and the Virginia Center for Creative Arts. His critical writing has been published in the Brooklyn Rail, Hyperallergic, the Surface Design Journal, and the Journal of Modern Craft. He currently lives and works in Montréal, where he is an Associate Professor and Coordinator in the Fibres & Material Practices program at Concordia University.

Exuberant Botanica #9: Morning Glory (After Rodarté), 2022. Vintage fabrics, cotton muslin, embroidery floss, thread. 19" x 26" . Photo by Guy L'Heureux
Headstone. Mixed-media fiber sculpture

Acknowledgements

These projects have involved many hands over the years, and would not be possible without the support of so many assistants, friends and colleagues. Special thanks to my partner, Théo Bignon for tireless support. Botanic quilt assistance by Lydia Haywood-Munn, Mahalia Thompson-Onichino and Clara Congdon, sculptural assistance from Caitlin Durbin, metalwork by Andrew Hoekstra, queer compost production by jacqui beaumont and Sarah Bertrand-Hamel, and bookbinding by Atelier Écluse. The woodworking on the Wardian case was fabricated by Miriam Simard-Parent. Tommy Lecomte worked tirelessly over three years on the publication projects. Milo Lefort and Daniel Rumbolt aided in communications and participant outreach. Jules Beauchamp Desbiens in the CTC Digital Fabrication lab was an immense help laser cutting paper between 2021-25. These projects have been supported by funding from the Social Sciences and Humanities Research Council, Concordia University, Banff Centre and the Oak Spring Garden Foundation.

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