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Renée Edmona Mathews

PROXY

2025

Project description

PROXY uses akebono paper for its resemblance to hair and skin. My compulsion to pick the fibres and pile them stem from my difficulties with Body Focused Repetitive Behaviours, namely dermatillomania and trichotillomania. BFRBs are typically ego-dystonic, meaning they are at odds with one’s core beliefs and personality. I wanted to see if aiming these compulsions outward into something creative could make the behaviour ego-syntonic while mitigating bodily harm. What came of this exploration is one sheet of paper that was left alone, and another that was picked clean of its inclusions. Installing these sheets next to each other with the fibrous evidence piled in the middle emphasizes the amount of meticulous work this behaviour requires and the toll it takes on the body. PROXY is a way of not only accepting the BRFB, but working with it.

Detail of a sheet of Japanese paper with many fibers on the surface Akebono paper, 24" x 30"
Detail of a sheet of Japanese paper with no fibers on the surface Akebono paper, 24" x 30"

Artist’s biography

Renée Edmona Mathews is a Barbadian-Canadian interdisciplinary artist based in Montréal where she has just completed a BFA in Studio Art at Concordia University. She has been involved in several group shows locally and internationally, most recently at Patrick Mikhail Gallery. In 2018, she was featured on CBC’s Exhibitionists series, was a recipient of the DesignTO Juror’s Choice Award and was a jury member for the festival the following year.

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