In this lecture, and following workshop the week after, Hunter-Young troubles notions of “collective power” that require or demand the circulation of anti-Black brutality and, instead, looks to the work of artist-theorists who refuse these rules of engagement in favour of other discursive modes, including those that reveal what she calls the “brutal aesthetic” of our social order.
During the lecture, Hunter-Young will consider the work of Anique Jordan, Torkwase Dyson, Oluseye, Brett Story and other artists working through themes of anti-Black state violence.