When studying for a Master's degree (MA), students submit a thesis that provides a critical review of the current state of knowledge of the thesis subject as well as the student’s own contributions to the subject. MA students in Art History present their work-in-progress to their peers and faculty members in the program.
Featured presentations (in order of appearance):
Emma Bell, “Precarity, Piety, and Purpose: Illuminating Christ’s Passion in The Psalter of Bonne of Luxembourg,” supervised by Dr. Steven Stowell
Ali Byers, “A Map of One's Own: Cartographic Subversion in the Work of Shuvinai Ashoona, Firelei Báez, and Sandy Rodriguez,” supervised by Dr. Johanne Sloan (interim)
Charlotte Koch, “Hysteric: The Psychoanalytic Aesthetic and Women’s Histories From Charcot to Rego,” supervised by Dr. John Potvin
Roxanne Cornellier, “The Y.M.H.A. Minstrels, 1920s-1960s: Blackface Minstrelsy in Montréal and the Construction of Whiteness,” supervised by Dr. John Potvin