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Hannah Claus and Kaia’tanó:ron Dumoulin Bush

Teionihtiohtià:kon, 2026

Panoramic mural

Executed by Kaia'tanó:ron Dumoulin Bush with assistance from Diane Roe and Mathilde Pagé.

Produced by MU in partnership with Concordia.

Mural on a brick wall features the white pine, sturgeon, river, medicines, braid, Pleiades constellation and beluga whales in shades of blue, aqua and purple Hannah Claus and Kaia’tanó:ron Dumoulin Bush, Teionihtiohtià:kon, 2026

Artwork

A panoramic mural, Teionihtiohtià:kon, conceived and designed by Hannah Claus and Kaia’tanoron Dumoulin Bush, is situated on a brick wall overlooking an Indigenous garden adjacent to the Indigenous‑designed Henry F. Hall terrace. Executed by Kaia’tanoron Dumoulin Bush with assistance from Diane Roe and Mathilde Pagé, the mural highlights narratives beneath the city’s concrete, within the waters, and on the island's mountain. 

The mural presents multiple perspectives, shifting the viewer’s experience between looking above from an aerial view, peering below the city’s surface, and immersing within the landscape itself. By guiding the eye through these varied vantage points, the work encourages connection with narratives detached from linear time and space. Shapes and shadows evoke ancestors, while some elements are launched into the hemisphere, following Sky Woman’s braid as she traverses ancestral memory and future possibility.   

The artists thank the spaces and beings that shape this territory. These include the sturgeon in Kaniatarowá:nen waters, the white pine whose branches stretch far and wide, the mountain’s medicines, and the beluga, whose tooth was found beneath Sherbrooke Street’s pavement among pottery shards, revealing what lies beneath the urban surface.   

Situated within a shared public space, Teionihtiohtià:kon invites reflection on presence, continuity, and relationship, recalling the layered histories that remain active in the landscape.

To learn more about the creation of this work, visit the project page on MU's website.  

Symbolic imagery

Beluga 

A family of Beluga play in the stars, a nod to their continuing presence as guests to these waters.

Braid

Sky Woman is never far and always among us. Her braid winds through all the imagery as she is the original two-legged who spread the earth on the Great Turtle’s back and sang the songs to make the world grow. 

Kaniatarowá:nen

The river appears as a sinewy copper length winding its way across and over the background map, highlighting the importance of bringing peoples together to this island, as well as its role in connecting communities along its waters.

Medicines 

Captured in bubbles flowing out from the island are various images of green growing medicines. Mother Earth shares her bounty, sending out seeds in the wind to mingle with the universe. 

Seven Dancers

The Pleiades, or Seven Dancers, are a key constellation around which we organize. Here linking sky to water through its copper colour, it speaks to navigation and knowing; ancestors watching over us.

Sturgeon 

Ancient, finned beings that make their home in the waters around the island. Though at risk due to various factors, the sturgeon ever-present mark this place. 

White Pine

The shadowy branches of white pine mark its importance for the Rotinonshión:ni peoples. The Great Tree of Peace from which the eagle watches, signals welcome and protection to all that would gather under its branches. 

Location

Sir George Williams Campus
Hall Terrace, Henry F. Hall Building
1455 De Maisonneuve Boulevard West

Artist biographies

Kaia’tanó:ron Dumoulin Bush Kaia’tanó:ron Dumoulin Bush

Kaia’tanó:ron Dumoulin Bush

Kaia’tanó:ron Dumoulin Bush is an Onkwehónwe/French-Canadian illustrator and visual artist from Oshahrhé:'on* (Châteauguay), Québec. She completed her BFA in Indigenous Visual Culture at OCAD University.   

Her work has been featured on CBC, APTN Lumi, and Prime Video. She has also co-curated exhibitions in Tkaronto (Toronto), Tiohtià:ke (Montreal), and Aotearoa (New Zealand).   

In recent years, her work is celebrated in several publications "A Treaty Guide for Torontonians" at the 2022 Toronto Biennale, "Jules au Pays d'Asha" in 2023, "Utipii" in 2023, "Tumasi et Cam" in 2025, and most recently, "Ondinnok" in 2025.  

Hannah Claus Photo: The Art Studio

Hannah Claus

Hannah Claus is a member of Kenhtè:ke | Tyendinaga Mohawks of the Bay of Quinte, who utilizes material and sensorial relationships within her studio practice to express Kanien’kehá:ka ways of knowing.  Claus is an associate professor, Frameworks and Interventions in Indigenous Arts Practices in Studio Arts whose work has been exhibited internationally belonging to numerous public collections, including the National Gallery of Canada. 

She is a recipient of the Eiteljorg Fellowship (2019) and the Prix Giverny (2020), and a 2025 Fellow of the Royal Society of Canada. Her first major public art installation, entre les eaux et les étoiles, may be seen at the Centre Sanaaq in Montreal. She holds a Concordia University Research Chair in Onkwehonwené:ha (New Scholar), and is Co-director of the Indigenous Futures Research Centre at Concordia University. 

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