Books:
Everyday Movies: Portable Projectors and the Transformation of American Film Culture (University of California, 2021). 274 pp.
Cinema’s Military Industrial Complex, co-edited with Lee Grieveson (Berkeley: University of California Press, 2018) 379pp.
Useful Cinema, co-edited with Dr. Charles Acland [Duke University Press, 2011] 386 pp. [Best Edited Collection – SCMS – honorable mention; Krasna-Krausz Book Awards 2012 – Finalist for Best Moving Image Book Award.]
Inventing Film Studies: A Genealogy of Studying Cinema (co-edited with Dr. Lee Grieveson) (Durham, NC: Duke University Press, 2008) 446 pp.
Museum Movies: MoMA and the Birth of Art Cinema (Berkeley: University of California Press, 2005) 314 pp. *Outstanding Academic Title 2005 (American Library Association)
Chapters in Books (select):
“Cinema and Industrial Design: New Media Ecologies and the Exhibition Film” in Films that Work Harder. Vinzenz Hediger, Florian Hoof, and Yvonne Zimmerman (Amsterdam: University of Amsterdam Press) [essay submitted; in process]
“The Military and American Cinema” [with Lee Grieveson] in Cinema’s Military Industrial Complex, co-edited with Lee Grieveson (Berkeley: University of California Press, 2018) 1-24.
“Experimental Viewing Protocols: Film Projection and the American Military,” Cinema’s Military Industrial Complex, co-edited with Lee Grieveson (Berkeley: University of California Press, 2018) 25-43.
“Verstärktes Licht und Moduliertes Sehen: Kinogeschichten vom Experimentieren mit kleinen Bildschirmen” [Amplified Light and Modulated Looking: Cinema Histories of Small Screen Experimentation] in Oberflachen und Interfaces: Asthetik und Politik filmischer [Surfaces and Interfaces: Aesthetics and Politics of Filmic Images ed Ute Holl et al. (Munich: Finkverlag, 2017) [7,700 words]
“Researching Film Formats: The Quick Search and Slow Scholarship” for The ARCLIGHT Guidebook to Media History and the Digital Humanities (Reframe Books: 2016) (www.projectarclight.org)
“Selling Machines: Portable Projectors and Advertising at the World’s Fair” in Films that Sell: Moving Pictures and Advertising eds. Nico De Klerk, Bo Florin, and Patrick Vonderau, eds (BFI, 2016) 54-70.
“The Elastic Museum” TheInternational Handbook of Museum Studies: Museum Media First Edition. Edited by Michelle Henning, (Wiley& Sons, 2015) 603-627.
"Big, Fast Museums / Small, Slow Movies: Film, Scale and the Art Museum" in Useful Cinema, co-edited with Dr. Charles Acland (Duke University Press, 2011) 178-204. http://spectrum.library.concordia.ca/977436/
Articles (select):
*“Documentary’s Exhibitionary Complex: Cinema, Industrial Design and Corporate Dreamworlds” Imago Vol VIII, no 1 (2017)
*”Entering the Movie Theater” [introduction to special issue on movie theaters] Film History: An International Journal. Vol 28, No 2 (2016) pp. v-xi.
“Verkaufsmaschinen. Film und filmische Techniken auf der New Yorker Weltausstellung
1939/1940” Montage A/V (02/2015) 161-178. Trans. “Selling Machines: Portable Projectors and Advertising at the World’s Fair” in Nico De Klerk, Bo Florin, and Patrick Vonderau, eds. Films that Sell (BFI, 2016) 54-70.
“Formatting Film Studies” Film Studies 12 (Spring2015) 57 – 61.
“Verkaufsmaschinen. Film und filmischeTechniken auf der New Yorker Weltausstellung 1939/1940” Montage A/V (02/2015)161-178.
“The Protocols of Portability” Film History vol. 25, No. 1-2 (2013): 236-247.
“Moving Images: Portable Histories of Film Exhibition” The International Encyclopedia of MediaStudies: Media History and the Foundations of Media Studies. John Nerone,ed. (Wiley-Blackwell, 2013) 367-384.
“Suitcase Cinema” Cinema Journal (51.2) Winter 2012: 150-154.
"Introduction" [In Focus: Screen Technologies] Cinema Journal 51.2 (Winter 2012): 143-146. http://spectrum.library.concordia.ca/977433/
"Roundtable on the History of Film Studies in Canada" (co-organized with Mike Zryd) Participants: Peter Morris, Kay Armatage, John Locke, Andre Gaudrault, Maurice Yacowar. Canadian Journal of Film Studies (20.1) Spring 2011: 117-137. http://www.filmstudies.ca/journal/pdf/cj-film studies201_history_canadian_film_studies_roundtable.pdf
"Small Discipline, Big Ideas" Synoptique (May 2010) http://www.synoptique.ca/core/articles/wasson_haidee_dudley_andrew/
"Electric Homes! Automatic Movies! Efficient Entertainment!: Domesticity and the 16mm Projector in the 1920s" Cinema Journal 48.4 (Fall 2009): 1-21. http://spectrum.library.concordia.ca/977442/
"Studying Movies at the Museum: The Museum of Modern Art and Cinema's Changing Object." in Inventing Film Studies, co-edited with Lee Grieveson (Duke University Press, 2008) 121-148. http://spectrum.library.concordia.ca/977437/
"Suitcase Cinema" trans as "Kofferkino: Zur Gestichte Kinematografischer Portabiität" [German] for Cargo: Film/Medien/Kultur 18, 2013: 38-41. http://spectrum.library.concordia.ca/977432/
"Suitcase Cinema" Cinema Journal 51.2 (Winter 2012): 150-154. http://spectrum.library.concordia.ca/977441/
Books
Cinema’s MilitaryIndustrial Complex, co-edited with Lee Grieveson (Berkeley: University ofCalifornia Press, 2018) 379pp.
Useful Cinema, co-edited with Dr.Charles Acland [Duke University Press, 2011] 386 pp. [Best Edited Collection –SCMS – honorable mention; Krasna-Krausz Book Awards 2012 – Finalist for BestMoving Image Book Award.]
Inventing Film Studies: A Genealogy of StudyingCinema (co-edited withDr. Lee Grieveson) (Durham, NC: Duke University Press, 2008) 446 pp.
Museum Movies: MoMA and the Birth of Art Cinema (Berkeley: University ofCalifornia Press, 2005) 314 pp. *Outstanding Academic Title 2005 (AmericanLibrary Association)
