Amanda Dawn Christie
Assistant Professor, Studio Arts
Amanda Dawn Christie is an interdisciplinary artist working in film, video, performance, photography, and electroacoustic sound design. She has exhibited and performed in art galleries across Canada, and her films have screened internationally from Cannes to Korea to San Fransisco and beyond. She was the 2014 Atlantic finalist for the National Media Art prize, and had a 10 year retrospective exhibition of her work curated by Mireille Bourgeois, at the Galerie d’art Louise et Reuben Cohen, and was also included in the Marion McCain Biennale of Atlantic Contemporary Art, curated by Corinna Ghaznavi. Since 1997, she has been actively involved with artist run centres, in both volunteer and staff positions: serving on various boards, working as both a technician and later as a director, teaching workshops, publishing articles, and serving on juries across Canada. She completed her MFA at the SFU School for the Contemporary Arts in Vancouver, before moving to Amsterdam. Upon her return to Canada she worked at the Faucet Media Arts Centre & Struts Gallery in Sackville, NB, while teaching part time at Mount Allison University. She later worked as the director of the Galerie Sans Nom and the RE:FLUX festival of music, while teaching part time at l'Université de Moncton. She left her position directing the GSN in 2014 to dedicate her time to an interactive performance project called Requiem for Radio, which premiered in spring of 2017 with the support of a new media creation grant from the Canada Council for the Arts.
Concepts and themes explored in her work focus primarily on the relationship between the human body and analogue technology in a digital age. She spent the last several years working on various projects related to shortwave radio and the RCI (Radio Canada International) shortwave transmission site. One major body of work related to the RCI towers is called Spectres of Shortwave, and it includes a 2 hour experimental documentary film as well as various accompanying gallery installations. The other major body of work about the RCI shortwave site is called Requiem for Radio, and it includes a one hour interdiscplinary performance with various accompanying installations and performances in five parts. Both Spectres of Shortwave and Requiem for Radio were created with the support of Arts NB and the Canada Council for the Arts.
Photo credit: photo credit: Annie France Noël
Photo credit: photo credit: Amanda Dawn Christie
Current Courses - Concordia University (2017-2018)
IMCA 210 - Introduction to Video Production
IMCA 310 - Intermediate Video Production
IMCA 400 - Advanced Practices in Video, Performance, and Electronic Arts
IMCA 610 - Intermedia I
IMCA 612 - Intermedia III
ARVI 2102 - Le numérique (Université de Moncton, 2016/17)
ARVI 2404 - Photo: Opérateur de lumière (Université de Moncton, 2016/17)
ARVI 3103 - Temporalité (Université de Moncton, 2015/16, 2016/17)
ARVI 4104 - Virtualité (Université de Moncton, 2016/17)
CANA 3441 - Film in Canada (Mount Allison University, 2009/10, 2010/11)
FINA 1921 - Photography (Mount Allison University, 2009/10)
Guest Workshop Instructor, Speaker, Lecturer (Selected)
Willem DeKooning Institute of Art (Rotterdam, NL), Syracuse University: Transmedia (Syracuse, NY), Skidmore College (Saratoga Springs, NY), University of Lethbridge (Alberta), Mount Allison University (Sackville, NB), NSCAD (Halifax, NS), University of Ottawa (Ontario), AFCOOP (Halifax, NS), FICFA (Moncton, NB), IMAC (Charlottetown, PE), CSIF (Calgary, AB), Antimatter (Victoria, BC), Latitude 53 (Edmonton, AB), NAISA (Toronto, ON)
Audio-Video Narratives Derived from Quantitative Biological Data (no working title yet)
Generating narrative audio and video works from biological quantitative data. Experiments in creating programs that use bio sensors to generate audio video works from social media posts. Social media posts will be manipulated according to heart rate and sleep data registered on the day of posting in order to generate narratives written by the body rather than the brain. MRI images and numerical data are integrated into the project as punctuation.
Requiem for Radio
Requiem for Radio: Full Quiet Flutter is an interactive performance for human bodies, electrons, and radio waves. Architecture, technology, history, and the human body come together in this near-supernatural conjuring of the spirits of the Radio Canada International (RCI) shortwave towers. This work is a requiem for the Radio Canada International shortwave site that was located near the border of New Brunswick and Nova Scotia and transmitted shortwave radio around the world from 1944 to 2014.
The performance is structured around an interactive installation that involves 13 towers with copper capacitance sensors positioned around the space to create a scale model of the recently demolished RCI site. Each tower is dedicated to one of the radio towers that stood there, and when touched it triggers a contact microphone recording made of that tower before the demolition. Among other elements, the performance also involves a theremin sending control voltage to trigger ghostly images of the towers and the sounds that they once made, thus allowing performers to play the ghosts of the radio towers with radio waves. The performance also includes performances on saxophone and cello with cow bone played through a 1938 Marconi tube radio, as well as a 5 channel electroacoustic work composed to be transmitted from 5 separate shortwave transmission sites around the world. The 5 channel simulcast is recombined using 5 shortwave radios in the performance space, in order to recombine the composition. Structured with 13 movements for the 13 radio towers, the performance follows the format of a traditional requiem, which normally has only 12 movements, however a 13th movement is added here in movement 0 as a nod to the use of binary data in much of the computer coding.
This work was created with the generous support of the Canada Council for the Arts and Arts, NB. The performance premiered in May 2017, and the work is currently being furthered refined and submitted for exhibition.
Photo credit: IRM.Moncton.MRI
Photo credit: photo credit: Annie France Noël
Photo credit: photo credit: Annie France Noël
Selected Publications (written by Amanda Dawn Christie)
"La danse machinale" curatorial essay to accompany video screening, Galerie Sans Nom / Espace Audio Vidéo, Moncton, NB, 2014.
"La parole sourde: Entrevue avec Herménégilde Chiasson", curatorial essay to accompany exhibition, Galerie Sans Nom, Moncton, NB 2013
"Psychocartographies: of minds and maps" critical catalogue essay in jè-st catalogue of intervention & performance, Université de Moncton, Moncton, NB, 2013.
"Soif de parole" curatorial essay to accompany exhibition, Galerie Sans Nom, Moncton, NB, 2012.
"Return to Spectacle: A Cinemanifesto" in the Capilano Review: Issue 3.13 Manifest Now! 2011.
"The Platform is the Performer" in Elective Identities. Canadian Film Institute, 2010.
"Turning Tides & Saltwater Bodies: Moving Pictures of East Coast Women" - curatorial essay to accompany screening, printed in handmade zine. Winnipeg Cinematheque, 2010.
"Disruptions of Privacy: Frame X as the Next Rupture in a Regional Timeline" Critical essay in DVD liner notes, Frame X DVD compilation, AFCOOP, Halifax, NS, 2008.
"Anticipation of the Mechanical Memory" in DAMP, Anvil Press, 2008.
"Engaging the Ephemera: Embodied Approaches to HandProcessed and Optically Printed Films" curatorial essay to accompany screening, printed in handmade zine, AFCOOP, Halifax, NS, 2006
Selected Bibliography (Writing about Amanda Dawn Christie)
Reardon,Kiva, “Visions of Sound” (centre spread on Requiem for Radio). In MusicWorksMagazine. Toronto, On. Spring 2017
Ghaznavi, Corinna. "Writing Topography" curatorial essay in Writing Topography: the Marion McCain Biennale of Atlantic Contemporary Art. Fredericton, NB: Beaverbrook Art Gallery, 2015.
Pfefferle, Justin, "Going Off Route" critical essay in Paved Meant Anthology Vol. 1. Saskatoon, SK: Paved Arts, 2014.
Bourgeois, Mireille. "A View from Nowhen" curatorial essay in Amanda Dawn Christie: Land Lost. Université de Moncton, 2014.
Birdwise, Scott. "A Plane of Intimate Experience" critical essay in Amanda Dawn Christie: Land Lost. Université de Moncton, 2014.
Chodorov, Pip. "Amanda Dawn Christie: an experimental filmmaker in the art world". critical essay in Amanda Dawn Christie: Land Lost. Université de Moncton, 2014.
Stubbs,Phoebe, Arrate Hildago, Phoebe Alder and Leanne Hayman. Colour in theMaking: From Old Wisdom to New Brilliance. London, UK: Black DogPublishing, 2013.
McLaughlin,Bryne. “Christie, Caissy Crash Art Into Film At Centre Clark”. CanadianArt Online.http://www.canadianart.ca/see-it/2012/10/03/christy-caissy/ Canadian Art. Web.Oct. 3, 2012.
Delgado,Jerome. “Une machine appelée cinéma: Le Centre Clark démarre son automne surdes images tires de la culture de l’automobile” Le Devoir, Print.Montréal, September 17, 2012.
Layton, Aidon. “Playing with Light”. AnswerPrint, Print. Spring 2010.
Rushton, Matt. “Sound, Vision, and MechanicalMemories”. Rostrum Magazine, Print. November, 2009.
2018 DAÏMÔN, artiste enresidence, Gatineau, QE (upcoming date in2018 TBA)
2017 Centre Culturel Aberdeenet le festival RE:FLUX, Moncton, NB
2016 Galerie Sans Nom,Résidence de recherche en arts médiatiques
MDOCS Storytellers Institute,Saratoga Springs, New York
Island Media ArtsCo-op, Filmmaker in residence, Charlottetown, PEI
2015 Millenium Film Workshop,Filmmaker in residence, New York, USA
Wave FarmTransmission Arts, Artist in residence, New York, USA
2011 AFCOOP Filmmaker in Residence,Filmmaker in residence, Halifax, NS
2008 37thInternational Film Festival Rotterdam: Artist in Residence, Rotterdam, NL
Performances (selected / recent)
2017 Requiem for Radio: Full Quiet Flutter, Centre culturel Aberdeen & RE:FLUX festival
Transmissions, TransX Symposium onTransmission Arts, Toronto, ON
2016 Requiem for Radio: Pulse Decay, NAISA(New Adventures in Sound Art) Toronto, ON
Where Ocean Meets Air, FICFA VAM,Moncton, NB
2014 Requiem for Radio: Pulse Decay, Paved Arts, Saskatoon,SK
Requiem for Radio: Pulse Decay, ObeyConv, HFX, NS
2013 Transmissions,Salon Métafemmes: La Centrale & Studio XX, Montréal, QC
2012 Love Song for Lost Endings, 8fest, Trash Palace, Toronto, ON
2011 LastDays of Snow: The Begending of the Universe, VIVA! Art Action, Bain St.Michel, Montréal, QC
LastDays of Snow: Nightlights Like Fireflies, Art in the Open,Charlottetown, PEI
Transmissions & Acquisitions (w. E.Hearte) Antimatter UndergroundFilm Festival, Victoria, BC
Transmissions & Acquisitions (w.E.Hearte) San Fransisco Cinematheque, California, USA
IRiSs Lab #10: Empirical Evidence DanceParty, Halifax Canada
2010 Transmissions, Winnipeg Cinematheque, (MB), $100Film Festival (Calgary, AB)
Exhibitions, Transmissions, and Screenings
Visual Art Exhibitions (selected / recent)
2017 Requiem for Radio: New Dead Zones,Centre culturel Aberdeen / RE:FLUX festival Moncton, NB
2015 OffRoute 2 Latitude 53, Edmonton, AB
2014 LandLost Galerie d’artLouise-et-Reuben-Cohen, curated by Mireille Bourgeois. Moncton, NB
2014 OffRoute 2 PAVED Arts. Saskatoon,SK
2012 OffRoute 2 Centre Clark, Montréal, QC
2011 LastDays of Snow / Last Days of Cinema FICFA, curated by Angèle Cormier. Moncton, NB.
2016 Nocturne:Art at Night - anchor projects, curated by Michael McCormack, Halifax,NS
Art in the Open, curated by Pan Wendt, Charlottetown, PEI
OK,Quoi?!, curated by Struts Gallery & Faucet Media Arts, Sackville,NB
Walking the Line: Fact & Fiction, curated by Nicky Tavares, Spring StGallery, Saratoga, New York
Disrupting Binaries, curated by Corinna Ghaznavi, SOVA gallery, Dawson City, Yukon
2015 WritingTopography: McCain Biennale of Atlantic Contemporary Art,
curatedby Corinna Ghaznavi, Beaverbrook Art Gallery, Fredericton, NB
Phantom Presence: Contemporary Photography in New Brunswick,
co-curatedby Terry Graff and Karen Ruet, Beaverbrook Art Gallery, Fredericton, NB
2014 Muse,curated by Anne Koval, Banff Park Museum, Banff, AB
Somewheres, curated by Pan Wendt, Confederation Centre for the Arts Art Gallery, Charlottetown,PE
Transmission Arts (selected radio broadcasts)
2017 Requiem for Radio: Deviant Receptions (5 channel electroacoustic composition commissioned for Requiem for Radio,composed by Lukas Pearse) broadcast simultaneously from 5 shortwave radio stations around the world as a part of the Requiem for Radio: Full Quiet Flutter performance.
Broadcast from WBCQ Monticello, WRMI Radio Miami International, Austria,
German Shortwave Service, Nauen, and Pirate RadioBoston
2017 Spectres Falling Towers Excerpt in Short Waves / Long Distances curated by David Goren
broadcast on WRMI (Radio Miami International Shortwave) and WGXC FM (New York)
NAISA Radio – Transmissions performance and Keynote speech at TransX symposium
2016 Spectres of Shortwave / Ombres des ondescourtes (audio simulcast)
CFYT (106.9 FM, Dawson City Yukon)
WRMI Radio Miami International (shortwave broadcast aimed at Vancvouer)
Wave Farm Radio / WGXC FM (New York)
Requiemfor Radio : Pulse Decay in “Wave Farm on Sound Proof” curated byGalen Joseph Hunter
broadcast on ABC (Australian Broadcasting Corporation)
2015 The Sounds that Got Away on RadioStew – Wave Farm Radio and WGXC FM (New York)
2009 The Anachrotecnofetishow -- weekly program on CHMA Radio 106.9 FM
Screenings (selected / recent)
SOLO SCREENINGS AND RETROSPECTIVES
2017 Spectres of Shortwave / Ombres des ondes courtes (feature length landscape film)
Ciné Campus - Université de Moncton
2016 Atlantic Film Festival (Halifax, NS)
FICFA (Moncton, NB) – winner of best documentary, international category
Vogue Cinema (Sackville, NB)
2015 Dividing Roadmaps by Timezones: 10 Years ofMoving Pictures 1999-2009
Visual Studies Workshop (Rochester,NY)
Amherst College (Massachussets)
Spectacle Theatre / Millenium Film(Brooklyn, NY )
2010 WinnipegCinematheque (Winnipeg, ON)
Halifax Independent FilmmakersFestival (Halifax, NS)
2009 VogueCinema (Sackville, NB)
Canadian Film Institute (Ottawa, ON)
GROUP SCREENINGS (CURATED AND JURRIED PROGRAMS)
2016 Giv Lowe Gallery, curated by Amy Fung (Lisbon, Portugal)
No.w.here Lab, curated byAmy Fung (London, UK)
EarlyMonthly Segments, curated by Scott Miller Berry, Chris Kennedy,and Kate MacKay (Toronto, ON)
Not only Europe: Focus sur le nouveau cinéma acadien, curated by Marie Renée Dugay (Paris, France)
Filmer la danse : enjeux rythmiques et abstraction, curated by Braquage (St. Brieuc, France)
The Accursed Share, curated by Marina Roy, (Vancouver, BC)
AtlanticFilm Festival, (Halifax, NS)
Air Canada En Route on flight entertainment system, Images Festival 2016 Domestic flights in Canada
ImagesFestival, Toronto, ON
2015 Cinema Sceance,curated by Mark Street (Brooklyn, NY)
Antimatter Underground FilmFestival, curated by Deborah DeBoer & Todd Eacrett (Victoria, BC)
Fantasia Film Festival,curated by Marc Lamothe (Montreal, PQ)
WNDX Film Festival, Winnipeg, MB
Groupe Intervention Vidéo et Fonderie Darling, Montréal, QC
WinnipegCinematheque, Winnipeg, MB.
2014 Stratégies Obliques, curated by theAngèle Cormier, for FICFA, Moncton,NB
AFCOOP 40th Anniversary Tour, Bear River, Inverness, Sackville,Sydney, Inverness.
L’association du Tati Roulant, Lille, France.
SweetMagic, London, Ontario.
2013 Agence du Court Métrage, Paris,France.
Heure Excquise! Curated by Lightcone, Mons-en-barul, France
2012 Interceltic, curated by Marie RenéDuguay, Lorient , France
L'arrivée, curated by Lightcone, LeHavre, France
Scratch,curated by Christoph Bichon, Paris, France
WNDX Film Festival, Winnipeg, MB
St. John’s International Women’s FilmFestival St. Johns, NL
WorldwideShort Film Festival, Official Selection: Love Hurts, Toronto,ON
KommunalesKino, Fribourg-en-Brisgau, Germany.
Elupar cette crapule, LeHavre, France.
2011 Horror Verité, curated by TheoPelmus, Club Saw, Ottawa, ON
Canadiana: Visions of the Country by Independent Filmmakers, curated by Larissa Fan,
ArtGallery of Alberta, Calgary, AB
Mire, Nantes, France.
Talent Tout Court, curated by Danny Lennon, Festival Cannes FilmFestival, Cannes, France
Museum of Civilization Quebec,Canada
Mire, Nantes, France
Kurzfilm Agentur, Hamburg, Germany
FICFA,Moncton NB – won Prix de la Vague, meilleur court métrage acadien
2010 Seoul Sisters curated by Lauren Howes, Exis Film Festival Seoul, South Korea