Concordia University

http://www.concordia.ca/content/concordia/en/arts/diniacopoulos/greek-roman-antiquities.html

Greek and Roman antiquities

The Greek and Roman antiquities owned by the Diniacopoulos family range in date from the prehistoric to the Greek and through the late Roman periods, and cover a myriad of artforms and media: unpainted and painted pottery; large and small-scale sculpture in terracotta, metal, and stone; relief sculpture; and glass and metal vessels. This collection has been split up over time, with many pieces sold to collectors and museums around the world.


Grave Stele Grave stele

The Quebec Collection

Despite the widespread dissemination of the Diniacopoulos collection, a large portion of its Greek and Roman artifacts remains in Canada. The largest group of these pieces, comprising 74 objects, was purchased by the ministère des Affaires culturelles du Québec and subsequently housed in the Centre muséographique of Université Laval in Quebec City. This collection was published in a brief catalogue (1983) by Gisèle Deschênes-Wagner, but aside from sporadic visits by scholars interested in studying individual pieces, the collection had been neither systematically published nor exhibited as a whole. It remained largely unknown, even within Quebec. In 2002, the collection was moved to the Musée national des beaux-arts du Québec, and in 2003 it came to the Montreal Museum of Fine Arts on a long-term loan by agreement with the Musée national des beaux-arts du Québec.

These artworks were presented to the public in 2004 both as exhibitions in the Mediterranean Archaeology gallery of the Montreal Museum of Fine Arts and as a two-day conference held at Concordia University; the proceedings of this conference that addressed the Quebec collection were published in this year (John M. Fossey and Jane E. Francis, The Diniacopoulos Collection in Quebec).
 

  • Clifford Patterson (Concordia University), "Three Stirrup Jars and Mykenaean Civilisation"
    Abstract | Article
  • John H. Oakley (College of William and Mary), "Classical Athenian Ritual Vases"
    Abstract | Article
  • Karl Kilinski II (Southern Methodist University), "Attic Influence on Boiotian Cups"
    Abstract | Article
  • Beaudoin Caron (Université de Montréal), "Les verres"
    Abstract | Article
  • Eléni P. Zoïtopoulou (Redpath Museum), "Écho du passé à travers les beautés muettes"
    Abstract | Article
  • Marie-Odile Jentel (Université Laval), "Un hermes égyptisant en giallo antico"
    Abstract | Article
  • Ann-Marie Knoblauch (Virginia Polytechnic Institute and State University), "Votives and Votaries on Ancient Kypros"
    Abstract
  • Jane E. Francis (Concordia University), "Birth and Death on an Attic Stele"
    Abstract | Article
  • John M. Fossey (Montreal Museum of Fine Arts), "A Family of Lamptrai, Attike"
    Abstract | Article
  • Carol Mattusch (George Mason University), "Aspects of the Metal Objects in the Diniacopoulos Collection"
    Abstract

Queen's University, art conservation and classics

In 2001, Queen’s University acquired a small assemblage of artifacts from the Diniacopoulos Collection. These represent fragmentary painted and unpainted pottery, sculpture, and coins from across the Mediterranean, and span the Bronze Age through late Roman. These artifacts have formed the basis several MA thesis projects, and also serve as tools for the students in art conservation for the cleaning and restoration of ancient objects.

MA Theses on Diniacopoulos Antiquities

  • Carolyn L. Grainger (2005), "A Loutrophoros from the Diniacopoulos Collection: A Study of Acquisition, Attribution and Ritual Function in Funerary and Wedding Ceremony in Classical Athens."
  • Connor P. Trainor (2005), "A Skyphos from the Diniacopoulos Collection at Queen’se University: A Study of an Attic Black-Figure Skyphos, its Decoration and its place amongst the known corpus of Attic Black-Figure Pottery."

The 2004 conference at Concordia also included speakers from Queen’s University who presented material in their own collection.

  • Carolyn Grainger (Queen’s University), "A Loutrophoros from the Diniacopoulos Collection: Acquisition and Attribution"
    Abstract
  • Krysia Spirydowicz (Queen’s University), "The Conservation of Ancient Vases from the Diniacopoulos Collection"
    Abstract
  • Janis Mandrus (Queen’s University) and Guy Godin (National Research Council of Canada), "Virtual Reconstruction of Vases using Active Optical 3-D Imaging"
    Abstract

The Royal Ontario Museum

The Royal Ontario Museum acquired several fragments of Greek vase painting from the Diniacopoulos collection, including a lebes gamikos attributed to the Washing Painter. This vessel was presented at the 2004 Concordia conference.

  • Paul Denis (Royal Ontario Museum), "Scenes from a Greek Wedding"
    Abstract

Other Greek and Roman material

Sold at auction were a small number of other Greek and Roman artifacts. Greek objects included a bronze hydria dated to the late 6th cent. BCE, an Attic oinochoe from the Classical period, a statue of a beardless Herakles in limestone, also Classical, and an Orientalizing bronze fibula. Roman material was varied: terracotta lamps, sigillata and red slip pottery, a selection of fragmentary marble sculptures, a table support, and a relief tondo. Romano-Egypto objects were a pair of limestone sphinxes and a polychrome female funerary bust. There were also two Etruscan bronze mirrors with relief designs.

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