Concordia alum Abbas Akhavan lands the $50,000 Sobey Art Award
EDITOR'S NOTE: This story was updated on Thursday, October 29, 2015.
On Wednesday night, Concordia alumnus Abbas Akhavan landed one of the most distinguished awards in contemporary Canadian art.
The $50,000 Sobey Art Award is conferred annually to an established artist aged 40 or under; all nominees must have exhibited work in a public or commercial art gallery in the previous 18 months.
The Toronto-based Akhavan was chosen after a day of deliberations by a six-member curatorial panel.
"The jury wanted to underline the generosity and empathy at play in Abbas' work," they said in a statement. "Through a fugitive practice that resists fixed meaning, Akhavan reasserts that power and engagement are always relevant subjects for examination."
Akhavan said he was humbled by winning the award.
"It is with the generosity and support of many people who somehow kind of supported this blind search for what is considered an artistic gesture or practice," he told journalists at the CBC. "I thank everybody for caring about what artists care about. This means a lot."
The five 2015 finalists for the prize were divided by geographical location: Akhavan represented Ontario; Raymond Boisjoly, the West Coast and the Yukon; Sarah Anne Johnson, the Prairies and Northern Canada; Jon Rafman, Quebec; and Lisa Lipton, Atlantic Canada.
Their work was exhibited this autumn at the Art Gallery of Nova Scotia. Each of the four runners-up receives $10,000.
Since the Sobey’s inception in 2002, 27 of Concordia's students, visiting artists and alumni have made the longlist. When Myre took home the award in 2014; she joined Raphaëlle de Groot (2012), Daniel Barrow (2010) and Michel de Broin (2007).
This year, seven Concordia students and alums were longlisted for the 2015 Sobey Art Award.
About Abbas Akhavan
Biography courtesy of the Art Gallery of Nova Scotia
The practice of Abbas Akhavan, BFA (art history & studio arts) 04, ranges from site-specific ephemeral installations to drawing, video, sculpture and performance.
His research is deeply influenced by the specificity of the sites where he works: the architectures that house them, the economies that surround them, and the people that frequent them. The domestic sphere, as a forked space between hospitality and hostility, has been an ongoing area of research in Akhavan's practice. Recently, he shifted focus, wandering onto spaces and species just outside the home — the garden, the backyard and other domesticated landscapes.
Akhavan's residencies include Foundation Marcelino Botin with Mona Hatoum (Spain), Le Printemps de Septembre (France), Trinity Square Video, Western Front and Fogo Islands (Canada), The Watermill Center (USA), and The Delfina Foundation (Dubai, UAE & London, UK).
His recent exhibitions include: Burning down the house at the Gwangju Biennale, Gwangju (2014);Variations on a Gardenat Galerie Mana, Istanbul (2013); Study for a Garden at the Delfina Foundation, London (2012); Tactics for Here & Now at the Bucharest Biennale, Bucharest (2012); Tools for Conviviality at Power Plant, Toronto (2012); Beacon at Darling Foundry, Montreal (2012); Phantomhead at Performa 11, New York (2011); and Seeing is Believing at KW Institute for Contemporary Art, Berlin (2011).
Akhavan won the 2012 Kunstpreis Berlin and the 2014 Abraaj Group Art Prize. He lives and works in Toronto and Istanbul.
Find out more about the Concordians who landed the 2015 Sobey Art Award longlist. Keen to join the tradition? Take a look at Concordia's Faculty of Fine Arts.