Painting and Drawing faculty Francois Morelli and Eric Simon, along with Gilles Daigneault from the Guido Molinari Foundation, have curated the exhibition Time, Lines: Drawings from Concordia: 1946-2017. As the title suggests, all twenty-eight artists exhibited in this show have either been a student or professor at Concordia University (or Sir George Williams) and are known for their drawing practices.
The idea for the exhibition comes from the Drawing Lab Dessin (DLD), a research platform that both Morelli and Simon work through. The DLD is interested in both the act of teaching and making, but also in the history of drawing.
“Drawing was a prominent part of the studio arts curriculum,” says Morelli. As early as the 1930s, Drawing and Painting was one of the first courses to be taught at the Sir George Williams Art School. However, as Morelli explains, “Not enough attention had been paid to the history of drawing.”
The exhibition is being held at the Guido Molinari Foundation and runs from September 21 to December 17, 2017. See photos from the vernissage.
Suzy Lake, Maquette: Suzy Lake as Françoise Sullivan, 1973-2012. Épreuve numérique de qualité archives sur papier / Archival inkjet print, 82 x 97 cm. Collection de la Galerie Leonard & Bina Ellen / Achat 2017. Avec l'aimable concours de Georgia Scherman Projects. Photo: Guy L'Heureux.
Exposition Sticky Fingers, featuring paintings by Janet Werner, currently on at Parisian Laundry. Photo: Guy L'Heureux
Adrian Norvid’s The Bejesus is on at the FOFA
Hexe, by Marian Wagschal, at Battat Contemporary. Photo courtesy of the gallery.
La main invisible, acrylique sur toile