Expertise:

Canadian art; art museums; exhibitions; cultural policy; women and museums; settler-colonial art history

Language(s) spoken:

English, French (able to conduct interviews in French)

Professional associations:

PhD

Anne Whitelaw joined the Department of Art History at Concordia in January 2011 following 11 years as a faculty member in the Department of Art and Design at the University of Alberta. Her areas of teaching expertise include the history of visual culture in Canada, theories of museums and exhibitions, historiography and archives, and the history of advertising.

Whitelaw's research examines the intersections of art historiography and cultural institutions in Canada, with a particular focus on practices of exhibition and collecting as a means of understanding the formation of nationhood She has published extensively on the display of Canadian art at the National Gallery of Canada, on the integration of Aboriginal art into the permanent displays of national museums, and on the work of settler collectors in Canada. She is the author of Spaces and Places for Art: Making Art Institutions in Western Canada 1912-1990 (MQUP 2017) and is co-editor with Brian Foss and Sandra Paikowsky of The Visual Arts in Canada: The Twentieth Century (Oxford University Press, 2010).  Whitelaw is the co-leader of a SSHRC-funded partnership development grant examining the global circulation of objects from northern North America, with Beverly Lemire (University of Alberta) and Laura Peers (Pitt Rivers Museum, University of Oxford) - see objectlives.com; she is also writing a book on the work of volunteer women in North American art museums.

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