My project traces the origins of Canada’s cultural diplomacy, looking at how race and empire informed the making of a musically imagined Canadian-Brazilian community between 1938 and 1968.
Eric Fillion is a doctoral candidate in History. His research focuses on the origins of Canada’s cultural diplomacy and, more specifically, on the use of music in Canadian-Brazilian relations (1940s-1960s). This project builds on the experience he has acquired as a musician and on his ongoing study of Quatuor de jazz libre du Québec. He is also the founder of Tenzier, a nonprofit organization, whose mandate is to preserve and disseminate archival recordings by Quebec avant-garde artists.