Expertise:

Poetry, Victorian Literature, Nineteenth-Century Media, Sound Recording and Literature, Recitation, Digital Humanities, english

Language(s) spoken:

English, French

Professional associations:

PhD

Jason Camlot’s critical works include Phonopoetics: The Making of Early Literary Recordings (Stanford 2019), Style and the Nineteenth-Century British Critic (Routledge 2008), and the co-edited collections, CanLit Across Media: Unarchiving the Literary Event (with Katherine McLeod, McGill Queen’s UP, 2019) and Language Acts: Anglo-Québec Poetry, 1976 to the 21^st Century (Véhicule 2007).  He is also the author of four collections of poetry, Attention All Typewriters, The Animal Library, The Debaucher, and What the World Said. He is the principal investigator and director of The SpokenWeb <www.spokenweb.ca>, a SSHRC-funded partnership that focuses on the history of literary sound recordings and the digital preservation and presentation of collections of literary audio.  He is Professor of English and Concordia University Research Chair (CURC, Tier I) in Literature and Sound Studies.

Visit this expert's Faculty Profile