Sculpture and Ceramics (MFA)
Master of Fine Arts (MFA)
Why pursue a Master of Fine Arts in Sculpture and Ceramics?
The MFA in Studio Arts is a professional terminal degree. The MFA Program appeals to practicing artists who wish to refine personal content and forms through critical inquiry. Alumni are recognized as multidisciplinary artist-researchers working at the vanguard of their respective practices.
This integrated and challenging program acknowledges individual, traditional, discipline-based work and histories while recognizing the potential for interdisciplinary production that includes:
- Autonomous objects
- Digital media
The explosion of three dimensional works and situations in current art practices presents a staggering list of possible materials, methods and means, which activate unlimited contexts for presentation.
The three-year, full-time Sculpture and Ceramics concentration champions an intensive, studio-based approach to learning and research. The concentration supports multiple venues for student research. These include installation, performance, autonomous objects, new media and kinetics. Students also experiment with three-dimensional works and spatial references that offer seemingly limitless possibilities in terms of materials, methods and means of production and presentation.
The MFA Program values the importance of critical inquiry and relies heavily on intellectual exchange. Traditional and innovative approaches are discussed through lively debate surrounding art and culture. Theory and studio seminars provide an important forum for students to investigate other issues and concerns.
At the end of each term, students formally present their studio work to a review committee composed of faculty, studio arts graduates and invited artist-critics. Committee members provide a focused response to this work and prepare students for their concluding exhibition and defense.
Read more: why do your master's at Concordia.
PLEASE NOTE: The Ceramics component of this concentration is currently not accepting applications.
- Academic Standing. Students are expected to complete all courses credited toward the master’s/magisteriate degree with a grade of B or better.
- C Rule. Under certain conditions one C grade in a course may be permitted. Students should consult the graduate program director for further elaboration.
- F Rule. Students who receive a failing grade in the course of their studies will be withdrawn from the program. Students may apply for re-admission. Students who receive another failing grade after re-admission will be withdrawn from the program and will not be considered for re-admission.
- Time Limit. All work for a master’s/magisteriate degree for full-time students must be completed within 12 terms (4 years) from the time of initial registration in the program at Concordia University.
- Graduation Requirement. In order to graduate, students must have a cumulative GPA of at least 3.00.
Admission Requirements. A Bachelor of Fine Arts or a Bachelor of Arts with a Fine Arts or Fine Arts and Art History major, or an approved equivalent, from a recognized institution and with at least a B average in the major area is required. Applicants to the Film Production concentration are expected to have a Bachelor of Fine Arts or Bachelor of Arts degree in cinema or an approved equivalent with at least a B average in the major area. In all cases the students’ undergraduate experience and proficiency must be relevant to the area in which they plan to specialize at the graduate level.
Note: Students with a BFA from Concordia University must wait two (2) years before being considered for admission into the MFA program.
For application instructions, including directions for your letter of intent and what to include in your portfolio, please visit our how to apply section.
The MFA in Studio Arts is composed of discipline-specific studio classes and academic seminars in art criticism, history and theory, which are augmented by workshops, visiting artist lectures and special projects.
Core studio projects form the backbone of the program, offering an opportunity for rigorous disciplinary investigation and a forum to debate issues relevant to the student’s personal practice. Core classes meet weekly during the first two years of the program under the supervision of faculty who are engaged in a diverse range of studio art practices and research activities.
At the end of each term students present their work to a review committee composed of faculty, invited artists, curators and critics.
Practice-led inquiry is contextualized by critical seminars that provide an interdisciplinary conceptual framework for the development of ideas in relation to creative practice. Seminar topics vary regularly to reflect the shifting nature of contemporary art and culture.
Past seminar topics include Living Art: Actions, Interventions, Performance; The Cinematic; Reading Around Deleuze; Quebec Independent Cinema; The Roots of Contemporary Art; Contemporary Art and Aesthetic Judgment; Video Performance-The Body as Site in Video Art; Thinking Through Sound; Art, Place and Public Space and Artist as Researcher.