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Juan Ortiz-Apuy

Assistant Professor, Critical Perspectives on Inclusion in 3D Art Practices, Studio Arts

Biography   


Juan Ortiz-Apuy
Office: S-VA 249  
Visual Arts Building,
1395 René Lévesque W.
Phone: (514) 848-2424 ext. 4675
Email: juan.ortiz-apuy@concordia.ca
Website(s): https://juanortiz-apuy.com/

Education

2011        MFA, NSCAD University

2009        PG Dip, The Glasgow School of Art

2008        BFA, Concordia University (Major in Sculpture, With Great Distinction)

Biography

Juan Ortiz-Apuy is a Canadian-Costa Rican artist who has been living and working in Tiohtià:ke/Montreal since 2003. Ortiz-Apuy has a BFA from Concordia University (2008), a Post-Graduate Diploma from The Glasgow School of Art (2009), and an MFA from NSCAD University (2011).


His work has been exhibited across Canada and internationally in venues such as Les Abattoirs Museum of Modern and Contemporary Art (France), IKEA Museum (Sweden), Pamflett (Norway), DHC/ART Fondation Phi pour l’art contemporain (Montreal), Owens Art Gallery (Sackville), Carleton University Art Gallery (Ottawa), MOMENTA Biennale de l’image (Montreal), Quebec City Biennial: Manif d'art 7 (Québec), Truck Contemporary Art (Calgary), Museum London (London), Gallery 44 Centre for Contemporary Photography (Toronto), VOX Centre de l’image Contemporaine (Montreal), and The MacLaren Arts Centre (Barrie).


His work has been awarded numerous grants from the Canada Council for the Arts and Le Conseil des arts et des lettres du Québec, and has been reviewed in various publications such as Canadian Art, MOMUS, esse arts opinions, The Gazette (Montreal), Le Devoir (Montreal), and Public Parking.


Ortiz-Apuy has completed several artist-in-residence programs, most notably at The Vermont Studio Center (USA), The Frans Masereel Centre (Belgium), and the Guldagergaard International Ceramic Research Center (Denmark).

Research Interests

Materiality, Commodity Fetishism, Object-Oriented Ontology, Design & Advertising, Environmental Exploitation, Postcoloniality

Tropicana, 2020. Installation, dimensions variable. Video projection, pendant speakers, inflatable made with recycled nylon, video light with C-stand, lighting gels and spring clamps, 3D animation, inkjet prints on backlit film, lightboxes, found objects.
Photo credit: Michel Brunelle
La Guaria Morada, 2019. Installation, dimensions variable. Industrial mist humidifier, dehumidifiers, Big Country Blue paint, national flower of Costa Rica, gallery lights, heating system and staff.
Photo credit: Paul Litherland
The Garden of Earthly Delights, 2019. Video installation, dimensions variable. Found YouTube video clips, bean bag chairs, printed vinyl, Mint Liquor paint, MDF, found objects.
Photo credit: Richard Max-Tremblay
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