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René Balcer visits Concordia

Alumnus and Emmy-award winning writer and producer shares his experience with students
October 9, 2015
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By Leslie Schachter


To help celebrate its 50th anniversary, the Department of Communication Studies invited one of its most successful graduates to share his experiences at the department’s Distinguished Alumni Series.

René Balcer Award-winning writer and producer René Balcer spoke before some 100 Communication Studies students, faculty and staff. | Photos: Leslie Schachter

Veteran television writer and producer René Balcer, BA 78, LLD 08, discussed his career highlights with Charles Acland, GrDip 86, Department of Communication Studies professor and Concordia University Research Chair. About 100 students, faculty and staff attended the talk, held in the Communication Studies and Journalism Building on September 25, during Homecoming.

Balcer is best known for writing more than 180 episodes of the acclaimed television series Law & Order and for creating and show-running its spinoff series, Law & Order: Criminal Intent.

He has received a number of accolades for his work as both the writer and executive producer for Law & Order, including an Emmy, a Writer’s Guild of America Award, a Peabody Award and four Edgar Awards from the Mystery Writers of America.

The conversation began with Balcer’s formative years at Concordia, where he learned the value of teamwork by collaborating with his fellow students. “The ability to work with other people and keep your ego in check is a very important lesson,” he said.

Charles Acland (left) and René Balcer Communication Studies professor Charles Acland (left) and René Balcer at the Distinguished Alumni Series

He also regaled audience members by recounting his persistence in the face of a stingy equipment manager who often needed to be bribed to borrow cameras.

“You had to develop strategies to get around him or cajole him just to get your equipment to get your project done,” he said. “I learned to never take ‘no’ for an answer.”

Fresh out of Concordia, Balcer flew out to Hollywood and through fellow graduate Nicolas Zavaglia, BA 77, met maverick American filmmaker Monte Hellman. Balcer began an apprenticeship with Hellman that eventually led him to an opportunity to write a script for Francis Ford Coppola’s Zoetrope Studios.

Although he was influenced by the likes of Scorsese, Goddard and the French New Wave, Balcer recounted how the film industry in the late 1970s seemed to be all about Star Wars and other epic action films, which is why he gravitated towards television.

“Luckily, TV picked up the slack and by the ’80s, with shows like Hill Street Blues and St. Elsewhere and others in the ’90s, I thought I’d better not be such a snob — TV could be really interesting,” he said.

He would soon help make television even more interesting. Balcer’s involvement with Law & Order helped change the standard for television drama.

Some of his proudest accomplishments revolve around controversial episodes he wrote for the last season of Law & Order, including ones about abortion and the American government’s use of torture.

In response, the press accused the show of being either too left wing or too right wing — which Balcer admits he found quite satisfying.

Balcer also discussed some of his more recent artistic undertakings, including the Tobacco Project Virginia, his collaboration with Chinese artist Xu Bing; The No Name Painting Association, a documentary he produced about renegade Chinese artists during the cultural revolution; and an opera based on the relocation of the Inuit on Ellesmere Island.

His most recent project is a documentary about Jewish refugees in Shanghai during the Second World War.

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