Employing analyses of industry discourse and global media structures, this talk reveals the historical traces of the smooth corporate rhetoric of “convergence,” “cooperation” and “synergy” that has led to a destabilization in the aesthetic, technology, and labor of these big-budget films.
About the speaker
Julie Turnock is Assistant Professor of Media and Cinema Studies at the University of Illinois. She is the author of Plastic Reality: Special Effects, Art and Technology in 1970s US Filmmaking (Columbia UP) and has published research on the history of special effects and on digital cinema.